IMDb रेटिंग
6.8/10
481
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंDirectors Stephen Spielberg, George Lucas, Ridley Scott and James Cameron discuss the science fiction movies of the 1950s that influenced them.Directors Stephen Spielberg, George Lucas, Ridley Scott and James Cameron discuss the science fiction movies of the 1950s that influenced them.Directors Stephen Spielberg, George Lucas, Ridley Scott and James Cameron discuss the science fiction movies of the 1950s that influenced them.
- पुरस्कार
- कुल 1 नामांकन
Mark Hamill
- Narrator
- (वॉइस)
Edmund Gwenn
- Dr. Harold Medford
- (आर्काइव फ़ूटेज)
Lou Costello
- Orville
- (आर्काइव फ़ूटेज)
Walter Pidgeon
- Dr. Edward Morbius
- (आर्काइव फ़ूटेज)
Anne Francis
- Altaira Morbius
- (आर्काइव फ़ूटेज)
James Arness
- Robert Graham in 'Them'
- (आर्काइव फ़ूटेज)
Michael Rennie
- Klaatu
- (आर्काइव फ़ूटेज)
Warner Anderson
- Dr. Charles Cargraves
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Morris Ankrum
- Dr. Ralph Fleming
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Raymond Bailey
- Dr. Wahrman
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Gene Barry
- Dr. Clayton Forrester
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Noah Beery Jr.
- Major William Corrigan
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Lloyd Bridges
- Colonel Floyd Graham
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Edward Colmans
- Spanish Priest
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Purported documentary that tries to examine sci-fi films of the 1950s and how they affected (and REflected) America. Steven Spielberg, George Lucas, Ridley Scott and James Cameron are interviewed and Mark Hamill narrates.
Pretty terrible. The "insights" that are given are nothing new--for instance--the Cold War and the threat of nuclear war affected a whole generation of children. Well-duh! They try to cover all of the different sub genres of sci-fi films of the 1950s--the big bug movies, invaders from space movies etc etc. That's good but they choose the most obvious films and they've been over analyzed to death already. It was cool seeing clips from "Rocketship X-M", "Destination Moon", "Forbidden Planet", "The Thing" and "The Day the Earth Stood Still" but everything the directors said was so incredibly obvious to any viewer that it's insulting. Even though it's under an hour I was thoroughly bored 30 minutes in. This gets a 2 for some of the clips but nothing else.
Pretty terrible. The "insights" that are given are nothing new--for instance--the Cold War and the threat of nuclear war affected a whole generation of children. Well-duh! They try to cover all of the different sub genres of sci-fi films of the 1950s--the big bug movies, invaders from space movies etc etc. That's good but they choose the most obvious films and they've been over analyzed to death already. It was cool seeing clips from "Rocketship X-M", "Destination Moon", "Forbidden Planet", "The Thing" and "The Day the Earth Stood Still" but everything the directors said was so incredibly obvious to any viewer that it's insulting. Even though it's under an hour I was thoroughly bored 30 minutes in. This gets a 2 for some of the clips but nothing else.
There are few things in life that allow you to crease the world without consequence. In the world of movies, those consequences can be profound.
Take Spielberg, a moderately talented filmmaker who eschews originality and insight, instead trusts an extraordinary intuition about what people like. Or think they like. Or can be fooled into liking with a several hundred million dollar promotion budget.
This is part of that promotion, a fake documentary about science fiction movies with a commercial for Spielberg's "War of the Worlds," tacked on a the end. The "history" here is his own version of what happened in the genre, which naturally enough starts when he started watching movies.
So we get a story about science fiction movies from an accomplished storyteller with a selfish purpose. And it is nearly all wrong. I hope this is enough to warn you away from this travesty. It is bad enough that he peppers us with vulgar movies (yes, even the nobly themed "Schindler"); but it is beyond the pale for him to reinvent the history of cinema to suit himself.
Science fiction goes all the way back to the invention of movies (and of course before that in literature). The core notion has always been with us: we enter the world of film to see another world. So far as films about the future and/or space, that element of the genre was fully mature by the end of the 30s and reached its peak in "Forbidden Planet" of 1956.
After that, the genre was reimagined to host technological thrills either in the story or in the effects brazenly displayed. Scott (shown here with the briefest of comments) added horror with "Alien" and improved on the self-reference of "Planet" with "Bladerunner."
All this without the meddling of Mr Dreamworks. Bah.
Incidentally,Spielberg's one really good film ("Close Encounters") is a French New Wave project about movie-making only wrapped in sci-fi like the French (and now the Hong Kongers) like to wrap in the gangster genre. Never was, even by him at the time, considered sci-fi.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Take Spielberg, a moderately talented filmmaker who eschews originality and insight, instead trusts an extraordinary intuition about what people like. Or think they like. Or can be fooled into liking with a several hundred million dollar promotion budget.
This is part of that promotion, a fake documentary about science fiction movies with a commercial for Spielberg's "War of the Worlds," tacked on a the end. The "history" here is his own version of what happened in the genre, which naturally enough starts when he started watching movies.
So we get a story about science fiction movies from an accomplished storyteller with a selfish purpose. And it is nearly all wrong. I hope this is enough to warn you away from this travesty. It is bad enough that he peppers us with vulgar movies (yes, even the nobly themed "Schindler"); but it is beyond the pale for him to reinvent the history of cinema to suit himself.
Science fiction goes all the way back to the invention of movies (and of course before that in literature). The core notion has always been with us: we enter the world of film to see another world. So far as films about the future and/or space, that element of the genre was fully mature by the end of the 30s and reached its peak in "Forbidden Planet" of 1956.
After that, the genre was reimagined to host technological thrills either in the story or in the effects brazenly displayed. Scott (shown here with the briefest of comments) added horror with "Alien" and improved on the self-reference of "Planet" with "Bladerunner."
All this without the meddling of Mr Dreamworks. Bah.
Incidentally,Spielberg's one really good film ("Close Encounters") is a French New Wave project about movie-making only wrapped in sci-fi like the French (and now the Hong Kongers) like to wrap in the gangster genre. Never was, even by him at the time, considered sci-fi.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
I'd like to confront my personal opinion about 'Watch the skies' movie with Ted's one.
First of all, I suppose that your personal dislike with Spielberg movies make you blind on the whole movie. Please remember, it's not only Spielberg's point of view. There are interviews with J.Cameron, R.Scott and G.Lucas here. Of course, it's only a brief take of the issue. I'd like to watch some more depth, insight production someday.
One of the subjects of this movie is looking back on 50s SF movies, which can be interpretated like express of society fears. Fear of space invaders might symbolize fear of the "others", which can be Russians or any different culture. And of course there is H war anxiety also.
What selfish is in that interpretation of SF movies by Spielberg and rest the directors? It's not they invention. We have many examples of movies or even the whole genres in film history, which represents some fears and havocs in given societies - like the German Expresionism.
Of course first SF movies arised shortly after Lumieres invention, f.e. G.Melies movies, but it's not a untrue (form my POV) that SF as a separately genre appears in early 50s. From that era, SF movies, and authors have began to be taken seriously.
I think 'Watch the skies' is a good introduction to history of science fiction movies. It's definitely not exhaust the topic, but might be a nice foothold to further searchings, for those who are interested in the issue.
First of all, I suppose that your personal dislike with Spielberg movies make you blind on the whole movie. Please remember, it's not only Spielberg's point of view. There are interviews with J.Cameron, R.Scott and G.Lucas here. Of course, it's only a brief take of the issue. I'd like to watch some more depth, insight production someday.
One of the subjects of this movie is looking back on 50s SF movies, which can be interpretated like express of society fears. Fear of space invaders might symbolize fear of the "others", which can be Russians or any different culture. And of course there is H war anxiety also.
What selfish is in that interpretation of SF movies by Spielberg and rest the directors? It's not they invention. We have many examples of movies or even the whole genres in film history, which represents some fears and havocs in given societies - like the German Expresionism.
Of course first SF movies arised shortly after Lumieres invention, f.e. G.Melies movies, but it's not a untrue (form my POV) that SF as a separately genre appears in early 50s. From that era, SF movies, and authors have began to be taken seriously.
I think 'Watch the skies' is a good introduction to history of science fiction movies. It's definitely not exhaust the topic, but might be a nice foothold to further searchings, for those who are interested in the issue.
"Watch the Skies" (2005 - 60 minutes) is an excellent documentary about movies of Science Fiction. It was produced and directed by the critic Richard Schickel, author of more than 20 books on this theme. Mark Hamill is the documentary narrator. Schickel joins directors as Steven Spielberg, James Cameron, George Lucas and Ridley Scott to carry through a trip in time and space to show some of the most memorable science fiction movies of the fifties and also some more recent classics. The documentary shows six different approaches: The paranoia of the atomic war; The fantastic trips to the Moon; The enigmatic planet Mars; Good and evil aliens; The after-apocalyptic world; and The humanity future. It presents comments and scenes of the following classics: The Flying Saucers, Rocketship XM, Destination Moon, The Space Children, The Beast from 20,000 Fathoms, Godzilla: King of the Monsters, The Incredible Shrinking Man, Attack of the Killer Tomatoes, A Trip to the Moon, The Angry Red Planet, Forbidden Planet, The Thing From Another World, Earth vs. The Flying Saucers, I Married a Monster from Outer Space, Invasion of the Body Snatchers, The Blob, The War of the Worlds, The Day the Earth Stood Still, ET: The Extra Terrestrial, The Omega Man, The Planet of the Apes, The Terminator, 2001: A Space Odyssey, Things To Come and Metropolis. Highly recommended to Science Fiction fans!
Directors Stephen Spielberg, George Lucas, Ridley Scott and James Cameron discuss the science fiction movies of the 1950s that influenced them.
This is an interesting short documentary, now featured on the Blu-ray for "Forbidden Planet" (with Spielberg joking that Robby the Robot influenced C3PO). We get a broad range of science fiction films from the 1950s, with some much better known than others, and four of the most successful science fiction directors discussing them.
I was frankly impressed how well the directors knew these films, with their casts and plot and special effects. Usually only Martin Scorsese seems to have this kind of recall. Either the interviewees were prepped, or they truly love these films and were deeply influenced by them. I prefer to accept the latter.
This is an interesting short documentary, now featured on the Blu-ray for "Forbidden Planet" (with Spielberg joking that Robby the Robot influenced C3PO). We get a broad range of science fiction films from the 1950s, with some much better known than others, and four of the most successful science fiction directors discussing them.
I was frankly impressed how well the directors knew these films, with their casts and plot and special effects. Usually only Martin Scorsese seems to have this kind of recall. Either the interviewees were prepped, or they truly love these films and were deeply influenced by them. I prefer to accept the latter.
क्या आपको पता है
- ट्रिवियाThis documentary can be found on the 'Forbidden Planet 50TH Anniversary Two-disk Special Edition' DVD.
- क्रेज़ी क्रेडिटCredited actors with the "archive footage" attribute are specifically identified by an interviewee or the narrator as film clips in which they appear are seen.
- कनेक्शनFeatures The Flying Saucer (1950)
टॉप पसंद
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विवरण
- चलने की अवधि
- 56 मि
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.33 : 1
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