When a Man Falls in the Forest

This film is a dramatic look at the lives and relationships (or lack of relationships) of the four main characters. It is a thought provoking look into what can happen when we allow ourselves to dwell within our personal misery to the point that we can no longer connect to those around us. The acting, writing, cinematography and direction are excellent, and the film is riddled with beautifully captured moments of life to which so many people can relate. If you are looking for a shallow sexy thriller, see Basic Instinct or Sliver. But if you are someone who appreciates the simplistic intricacies of what makes up the soul of a person...this movie is an excellent choice for you. It is a mature film that doesn't lay the emphasis on effects and the usual circus but on the subtleties and realities of people standing in the middle of their lives.

The original title of this bleak film - WHEN A MAN FALLS IN THE FOREST - was inexplicably shortened to the nebulous WHEN A MAN FALLS for the release of the DVD: had the original title been retained, the audience may have been given a clue as to the intended message of the story. This is the second film for 26-year old writer/director Ryan Eslinger and it does suggest that he wants to deal with some existential material, but he has a way to grow into how to make it happen.

The lives of three men and a woman are interconnected in the all too common shallow 'relationships' that are a major problem in how our society is working. Bill (Dylan Baker) is a night janitor in a large company, a man who shuts out the boring world with his earphones connected to the great opera classics: he avoids people including those who saunter past him and those whose chaotic lives in the next door apartment distress him. Gary Fields (Timothy Hutton) is a down and out professional man who works in the building that Bill nocturnally keeps tidy, the two 'old high school acquaintances' meeting only because Gary has taken to sleeping in the office. Gary's wife Karen (Sharon Stone, without makeup and looking spent and used) has lost all feeling for living, detests Gary, and finds her only joy is in shoplifting. Gary has shut himself off from old friends for reasons that seem to be related to an accident that involved is best friend Travis (Pruitt Taylor Vince), a man at odds with his own environment. The only apparent connection here is that, once Gary discovers that Bill is a night janitor, Gary and Travis feel guilty that their response to Bill in high school had been one of cruel ridicule. Each of the four main characters wanders aimlessly through a world that has become strange and vindictive and it is only a bizarre incident that throws the quartet into some semblance of meaning. Each person has fallen, but since they are in the midst of a lonely 'forest', has anyone noticed or cared? This could be a study in personal tragedy were it done better, but despite the fine credentials of the actors, the script is so full of holes that character development suffers and what results is not unlike watching an injured bull struggling around a bullfight ring as the crowd attends to the matador et al. Sadly we just don't care about these damaged people, making connection with the film next to impossible. Maybe next film...Grady Harp

I enjoyed this movie a lot. The opening scenes, focusing on shots of electrical leads unravelling, an alienated janitor, moving his hoover back & forth, show that this is the kinda of film which you may have to suspend judgement a little over what is happening and where it might be heading and perhaps look a little deeper at the symbolism. Inter-twining lives are not of course new but those of the three male leads, Bill, Gary & Travis & that of Karen are not so much connected by events but more by how they are dealing, or not dealing with, their various personal dilemmas & tragedies or just their own approaches to their lives. Beautifully shot, well acted & directed, this film has more than an air of surrealism & may be open to more interpretation of the dreams & realities & possibilities than perhaps you might think at first. Recommended.

WHEN A MAN FALLS IN THE FOREST is a movie that in Italy and few other European countries was released in theaters but in the US was released straight to video. And although this statistic might mean it's a terrible movie, it wasn't. Now please don't assume I loved it, but I mildly liked it.

The film is about the interwined lives of a group of people that are not really happy despite the apparences. Karen Fields (Sharon Stone) is a woman frustrated of her life and her separated at home husband Gary (Timothy Hutton) wants desperately to find the joy of live while being addicted to alcohol. Bill (Dylan Baker) is a janitor that is afraid of meeting new people and is annoyed by a family with kids that moved near his apartment and Travis (Pruitt Taylor Vince) is a man that lives marked by a trauma.

I liked the performances. Stone and Hutton were fine at playing an estranged wife and husband that after a while are reunited with their daughter that came for a visit, and Baker was good at the janitor. My issue was that some of the actions of Travis didn't make a lot of sense and I really hoped that the lives of the characters would have hugely improved but the ending left it open. As it is, it's a decent drama about the lives of some people with their problems but nothing more.

There are basically 3 different stories that interconnect, actually two major stories and one minor one but in any case only one of them is actually done decently.

The arc involving Bill the Shy guy isn't bad. He's a bit of a stereotype but is charming and the incidents are amusing, if not altogether original. It could have been developed a bit more but then again, it's all been done better elsewhere.

The other major arc is a mess. The major problem is that the Timothy Hutton character is way too charismatic and astute to alienate everyone as he had done. I couldn't fathom why Sharon Stone would want to leave him or why his son detests him. Another problem is the Stone character - we get very little clue about her motivations or problems. There is a hint of a tragedy that took place - but it is never really developed. By that I don't mean that it needs to be explicitly stated, but how it changed the characters was never brought out. And the conclusion - well let's say that it's not implausible only because none of this subplot makes sense anyway.

The final arc with Hutton's best friend is too short to add much. It seems like filler. Actually, everything but the Bill story seems like filler.

This is yet another of those "indie" films made for Sundance with all the trappings of that genre, the "quirky" (in the 70's it was zany - now it's quirky...) characters and situations and the acoustic Grey's Anatomy soundtrack. Unfortunately, there's little of substance or interest underneath.