IMDb रेटिंग
7.4/10
12 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंPart drama, part documentary, The Road to Guantánamo focuses on the Tipton Three, a trio of British Muslims who were held in Guantanamo Bay for two years until they were released without cha... सभी पढ़ेंPart drama, part documentary, The Road to Guantánamo focuses on the Tipton Three, a trio of British Muslims who were held in Guantanamo Bay for two years until they were released without charge.Part drama, part documentary, The Road to Guantánamo focuses on the Tipton Three, a trio of British Muslims who were held in Guantanamo Bay for two years until they were released without charge.
- 1 BAFTA अवार्ड के लिए नामांकित
- 4 जीत और कुल 6 नामांकन
फ़ीचर्ड समीक्षाएं
anyone still thinking that the war on terrorism is in defense of democracy and civil human rights must, in the light of what is documented in this film, reevaluate his/her position. it doesn't matter why these young men went to Afganistan - the way they are treated by the US government is appalling and i simply cannot understand how anyone claiming to be a civilized human being, can defend the crimes committed by US military personnel, as documented in this film. ...and remember - these 3 guys were lucky - they are British nationals and this means someone is looking out for them - their families live in GB and they have the possibility of putting pressure on the British government, but think of all the nameless Afghans and Pakistanis who are held by the US and their allies under even worse conditions.
brilliant film BTW!
brilliant film BTW!
When I watched 'The Road to Guantánamo', it was with the view that it would give a well-balanced look at Guantanamo and what is supposed to be happening in the camp. Instead, I have to agree with criticism that this was film was not only very anti-American but gave the impression the whole of Britain hated America.
I can't complain about the acting, which was first rate, especially when you consider this was a debut for most of the actors. Also, the actual plot (if you see it as fictional) was involving and gritty and that is why I do give the film a five-out-of-ten rating.
However, I loathed the fact the producers made out this was a true story and the events played out just as depicted in the film. No-one knows exactly why these men were in Afghanistan and I find it hard they were there out of purely innocent reasons. These were not sweet little boys plucked off the streets of London by the Big Bad Americans, they were grown men more than old enough to know what they were doing and they were caught with Afghan soldiers fighting against US troops. Also, we're just expected to take their word that they were tortured and abused when no-one knows exactly what went on in Guantánamo (I find it hard to believe the Americans would have been so heavy-handed on three Britons who had access to a lawyer).
I certainly don't think the Americans are innocents in all of this (the Afghan prisoners of Guantánamo should have access to lawyers) but they are far from the evil this film made them out to be. And they are probably more innocent than these three pretend to be. If anything, the only crime the Americans have really committed in my mind is not coming to take Abu Hamza off to their Cuban camp since the UK is so wrapped up in soft EU laws that we are forced to let this proved terrorist remain here in a lap of luxury.
As a work of fiction, this is a well-portrayed film but it just didn't ask enough questions. Why did these three feel the need to leave the UK for Afghanistan? Why were they so stupid to remain in the country if they were there by mistake? If they were so innocent, why were they caught in the heat of the fighting? Where is the actual physical evidence they were tortured?
I can't complain about the acting, which was first rate, especially when you consider this was a debut for most of the actors. Also, the actual plot (if you see it as fictional) was involving and gritty and that is why I do give the film a five-out-of-ten rating.
However, I loathed the fact the producers made out this was a true story and the events played out just as depicted in the film. No-one knows exactly why these men were in Afghanistan and I find it hard they were there out of purely innocent reasons. These were not sweet little boys plucked off the streets of London by the Big Bad Americans, they were grown men more than old enough to know what they were doing and they were caught with Afghan soldiers fighting against US troops. Also, we're just expected to take their word that they were tortured and abused when no-one knows exactly what went on in Guantánamo (I find it hard to believe the Americans would have been so heavy-handed on three Britons who had access to a lawyer).
I certainly don't think the Americans are innocents in all of this (the Afghan prisoners of Guantánamo should have access to lawyers) but they are far from the evil this film made them out to be. And they are probably more innocent than these three pretend to be. If anything, the only crime the Americans have really committed in my mind is not coming to take Abu Hamza off to their Cuban camp since the UK is so wrapped up in soft EU laws that we are forced to let this proved terrorist remain here in a lap of luxury.
As a work of fiction, this is a well-portrayed film but it just didn't ask enough questions. Why did these three feel the need to leave the UK for Afghanistan? Why were they so stupid to remain in the country if they were there by mistake? If they were so innocent, why were they caught in the heat of the fighting? Where is the actual physical evidence they were tortured?
Clean cut, sharp and poignant, this is a documentary of those the British press named the "Tipton Three". Three young Englishmen tell their story of a wedding trip to Pakistan and an unplanned journey into Afghanistan. Victims of circumstance, their tale leads to incarceration in Guantanamo Bay and the apparently shocking treatment that ensued.
Whilst the story is told purely from the perspective of the detainees, there is never any point at which you really doubt the content of the film. In no way does the portrayal of events seem exaggerated or biased so as to evoke a stronger reaction from the audience. In parts sequences seem almost void of emotion in terms of their description, and surprisingly, the effect is to make it even more hard hitting. Not overcooking the trauma means what can only be assumed as a factual depiction of horrifying circumstances comes across quite superbly.
There are points where you can question the realism of the young men's decisions. For example, the point from which they want to leave Kabul back for Pakistan only to find themselves trapped with the Taliban is a little scantily dealt with. This may or may not be wholly accurate, and of course they felt compelled to follow those they felt were standing up for their religion, but from the individual interview footage you can't help feel they were impressionable youths just following their noses, lost in the surreal adventure of it all.
Perfectly paced, the film spends just the right amount of time on each area/location of the story. Winterbottom nicely interweaves footage from British television news to prompt recollection of the perspective from which the public saw the events in Afghanistan. And with a good balance of acted reconstruction and subject interview, both the drama and technicalities feel great. Is there no style or subject this man can't handle?
Whilst the story is told purely from the perspective of the detainees, there is never any point at which you really doubt the content of the film. In no way does the portrayal of events seem exaggerated or biased so as to evoke a stronger reaction from the audience. In parts sequences seem almost void of emotion in terms of their description, and surprisingly, the effect is to make it even more hard hitting. Not overcooking the trauma means what can only be assumed as a factual depiction of horrifying circumstances comes across quite superbly.
There are points where you can question the realism of the young men's decisions. For example, the point from which they want to leave Kabul back for Pakistan only to find themselves trapped with the Taliban is a little scantily dealt with. This may or may not be wholly accurate, and of course they felt compelled to follow those they felt were standing up for their religion, but from the individual interview footage you can't help feel they were impressionable youths just following their noses, lost in the surreal adventure of it all.
Perfectly paced, the film spends just the right amount of time on each area/location of the story. Winterbottom nicely interweaves footage from British television news to prompt recollection of the perspective from which the public saw the events in Afghanistan. And with a good balance of acted reconstruction and subject interview, both the drama and technicalities feel great. Is there no style or subject this man can't handle?
The film provides an excellent portrayal of the horrors that the US and the UK have gone to in the pursuit of the War on Terror, and also a damning indictment of the workings of the minds that are behind this "War". I feel that the film may well deserve the acclaim it gets purely on the basis of the bravery that it cast and direction have shown in making it- their freedoms and possibly their careers may be impinged upon as a result.
This fact was well illustrated in the recent incident that I feel brings the reality of Guantanamo and the War on Terror closer to home. It was documented that the cast, returning to Luton having picked up the Silver Bear Award at the Berlin Film Festival, were taken aside and questioned by police. In a haunting piece of irony, the mini-detention at Luton airport served as a mirror of Guantanamo. The actors were racially insulted (a policewoman telling one actor-"I'll get my male colleague to handle you- you Muslims don't like dealing with women do you?"); physically provoked (a policeman wrestling one of the actor's phones out of his hand to inspect his phone book); denied any legal recourse (they were not allowed to call their lawyers); insulted (one of the actors was called a "f****r" by a police officer); and generally treated by the supposed arbiters of justice in such a way befitting of people who know they are above the law and thus permit themselves to do what they like. Such occurrences are now commonplace in the life of the Tipton Three. Will it be the same for the actors who had the courage to play them?
This fact was well illustrated in the recent incident that I feel brings the reality of Guantanamo and the War on Terror closer to home. It was documented that the cast, returning to Luton having picked up the Silver Bear Award at the Berlin Film Festival, were taken aside and questioned by police. In a haunting piece of irony, the mini-detention at Luton airport served as a mirror of Guantanamo. The actors were racially insulted (a policewoman telling one actor-"I'll get my male colleague to handle you- you Muslims don't like dealing with women do you?"); physically provoked (a policeman wrestling one of the actor's phones out of his hand to inspect his phone book); denied any legal recourse (they were not allowed to call their lawyers); insulted (one of the actors was called a "f****r" by a police officer); and generally treated by the supposed arbiters of justice in such a way befitting of people who know they are above the law and thus permit themselves to do what they like. Such occurrences are now commonplace in the life of the Tipton Three. Will it be the same for the actors who had the courage to play them?
This docu-drama focuses on the story of the 'Tipton Three' - young guys from Birmingham who went to Pakistan to organise a wedding, decided to pop over to Afghanistan (I can only assume through naivety, ignorance and a misguided sense of adventure) to 'help' (though it appeared that little effort was made) and ended up getting embroiled in the conflict, captured with Taliban fighters and subsequently picked up by US Marines for the crime of speaking English in a foreign country. From this point 'til their release, they are essentially told that they are Al Qaeda in the hope that they'll admit to what is obviously not true.
If you can put yourself in their places, this is a harrowing film. (I spent a lot of it with my hand over my mouth...!) Being in a situation where you are being bullied and tortured - via some truly horrible methods and treatment - into admitting you're something you're not, with no means of proving your innocence must be...well, I can only imagine. I have every respect with the way they seemed to deal with it, especially given the candid way they discuss it in the documentary inserts that regularly appear throughout the movie.
For those who think it's unbalanced: I understand. However, it is THEIR story. Certain troops are shown in a human light, though let's face it: from what the film tells us, we're dealing with a situation involving the US equivalent of the SS You want the other side of the story? Listen to any George W. Bush press conference.
The acting is natural, the story flows, some of the shots are dramatically documentary-like and I felt that it fully deserved the praise it's received. Sadly, I feel that the only people who will watch this are the ones who are aware of the issues already, while middle-America will, I dare say, completely ignore it. Either way, I wouldn't hesitate to recommend spending 95 minutes of your time taking it all in. Sleeping afterwards might be a problem though. It was for me.
If you can put yourself in their places, this is a harrowing film. (I spent a lot of it with my hand over my mouth...!) Being in a situation where you are being bullied and tortured - via some truly horrible methods and treatment - into admitting you're something you're not, with no means of proving your innocence must be...well, I can only imagine. I have every respect with the way they seemed to deal with it, especially given the candid way they discuss it in the documentary inserts that regularly appear throughout the movie.
For those who think it's unbalanced: I understand. However, it is THEIR story. Certain troops are shown in a human light, though let's face it: from what the film tells us, we're dealing with a situation involving the US equivalent of the SS You want the other side of the story? Listen to any George W. Bush press conference.
The acting is natural, the story flows, some of the shots are dramatically documentary-like and I felt that it fully deserved the praise it's received. Sadly, I feel that the only people who will watch this are the ones who are aware of the issues already, while middle-America will, I dare say, completely ignore it. Either way, I wouldn't hesitate to recommend spending 95 minutes of your time taking it all in. Sleeping afterwards might be a problem though. It was for me.
क्या आपको पता है
- ट्रिवियाTwo of the actors (Riz Ahmed and Farhad Harun) and two of the ex-detainees were detained temporary and interrogated at the airport by the British police when they returned from the Berlinale-festival where the movie got the Silver Bear. According to BBC-news Ahmed said he was asked if he intended to make any more political films.
- गूफ़When one of the "detainees" is first brought into the interrogation tent, a guard accidentally lifts the man's shirt, revealing the wire of a remote microphone.
- कनेक्शनFeatured in Taking Liberties (2007)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Road to Guantanamo?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Camino a Guantanamo
- फ़िल्माने की जगहें
- ईरान(Guantanamo scenes)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- £15,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,26,876
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $61,138
- 25 जून 2006
- दुनिया भर में सकल
- $15,13,033
- चलने की अवधि1 घंटा 35 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें