Wilderness

Wilderness isn't a great modern horror film, but it does a good job of taking old ideas and rehashing them into a fresh and exciting plot line. The influences to the film are clear, with the much-copied classic 'The Most Dangerous Game' being fused with more modern films such as 'Battle Royale'. The basic plot line isn't too far removed from your common slasher film, but director Michael J. Bassett gives him film an extra edge by putting the focus on the struggle as the protagonists battle with the wilderness (naturally), the main threat and even each other. The plot focuses on a group of juvenile delinquents who are sent to an uninhabited island when a young lad staying in their home is found to have committed suicide. However, the island doesn't turn out to be uninhabited at all, as aside from a local hermit; there's also a group of girls there with the same idea - and some mad psycho with a crossbow and a group of bloodthirsty German Shepherds, who is seemingly hell bent on not letting any of them off the island alive!

The director seems more bothered about atmosphere and tension than characters; as while some of the people inhabiting the film are well defined, their actions are often questionable and none of them are particularly interesting. But even so, this isn't a problem; as the film is constantly suspenseful and the fact that there is an unseen psycho in the woods bodes well with the atmosphere on display. Michael J. Bassett seems keen to go against the clichés of the horror genre, as there is no mystery to the killer's identity after the first half of the film and the crossbow weapon works well. There's a fair amount of gore on display, although the film never matches the initial death sequence in the wilderness in terms of gore. The acting isn't terrible, but the 'thick' British accents sound really phoney to an actual Brit like me. Sean Pertwee is the only recognised name on the cast list, but the rest of the cast; which is made up of mostly British television stars, provide adequate performances. Overall, Wilderness is certainly a good horror film and comes recommended.

Call us uncivilized savages if you must, but who honestly doesn't enjoy raw and barbaric adventure-movies in which the blood and violence literally bursts from the screen? In case you were thrilled by movies like "Battle Royale", "Blood Camp Thatcher" or even the more classic milestone "The Most Dangerous Game", you simply have to see "Wilderness"; a brand new British survival-horror effort directed by Michael "Deathwatch" Basset. After the suicide of a fellow inmate, a troop of juvenile delinquents – for whom all hope for rehabilitation was given up long time ago – are sent to a prison island for a severe lesson in elementary life-values. On the island, however, a mad-raving psychopath lies in wait for them and even the innocent guards and some random girls become defenseless targets. Trained and equipped like an experienced hunter, the killer annihilates nearly the whole gang by using deadly booby-traps and ravenous dogs. As you can derive from this brief plot description, originality isn't "Wilderness" biggest trump and the script doesn't even bother to keep the killer's identity secret for a long time. But seriously, who cares about aspects like these when a film is so adrenalin rushing and blood-soaked? The "hunting humans"-premise is mixed with the textbook 80's slasher plot of a revenge-seeking killer, but you aren't given a chance to grumble about the banality, as there is gore and excitement everywhere! The island itself is a captivating location, resulting in masterfully choreographed sequences and some utterly imaginative booby-traps. Unlike in his previous film "Deathwatch", Michael J. Basset definitely doesn't cut back on the blood & gore here, and we're gladdened with close-up shotgun action, amputated body parts, chopped of heads and loads of aggressive dog-action! The character drawings are very well processed and Basset fully uses the nihilistic and totally lackadaisical nature of youthful criminals. These young social outcasts don't care about anyone but themselves and pretty soon there are sub plots involving betrayal, jealousy and cowardly behavior. The sound & visual effects are terrific and Peter Robertson clearly has a talented eye for versatile camera-work. Following films like "Dog Soldiers", "28 Days Later…" and "The Descent", this "Wilderness" is yet another piece of evidence that the British horror industry is working on a remarkable revival nowadays. Highly recommended!

I enjoyed this movie for the most part, but thought the writing/dialog was a little weak at points. I honestly think one of the cheesiest moments in movie history was in this particular movie when the guy offered up a hunk of fresh cooked dog meat to his girl.. and she hugged him gleefully...

But anyways, the idea of the movie was pretty cool and I enjoyed the beginning and how they ended up on the island. In the tradition of No Escape and Battle Royale, this is a great addition to the 'island survival' genre but is by no means a stand out.

Definitely give it a watch if the synopsis interests you!

In a juvenile detention center, the inmate Dave (John Travers) commits suicide after being abused with his friend Lindsay (Ben McKay) by the sociopath bullies Steve (Stephen Wight) and Lewis (Luke Neal) under the indifference of the other cell-mates. The governor sends them to an uninhabited island to improve their relationships and characters under the command of the tough monitor Jed (Sean Pertwee). They meet another camping with female delinquents under the command of veteran soldier Louise (Alex Reid) and they camp in another area. However, when they are attacked by a pack of dogs and a mysterious man with a cross-bow wearing camouflage, they join forces fighting to survive under the leadership of Callum (Toby Kebbell).

After a magnificent debut with "Deathwatch", the director and writer Michael J. Bassett makes another great movie, the gore "Wilderness". The original story is well-constructed, with a perfect development of characters and supported by great acting and special effects. My vote is seven.

Title (Brazil): "Os Selvagens" ("The Savages")

After a fellow inmate commits suicide due to the constant bullying and turning a blind eye of his fellow inmates. The young group are shipped off to a deserted island, to build character and bond. However they're not alone and someone with a crossbow and a pack of dogs begin to hunt them down.

Woodland horror. I love this sub-genre. However this particular British item builds an interesting story to only fumble it with half-baked revelations, obnoxious characters and splintered direction. The survival trek is filled with blood soaked surprises, jarring jolts, and a notorious mean streak. Yippy! Yeah some of the wicked deaths are ferocious, but it did become a bit boring. When director Michael J Bassett gets hot under the collar (after slowly milking it out to begin with), he engineers taut and breakneck tension to only let the lean story be navigated by implausible and contrived staples that eventually go on to cement a numbing and uneven pattern. The unmasking of the killer is flat (though its no surprise, and it never is because we find out just after it all begins), and the confrontation comes off lousy and underdone. The characters don't break away from their underwritten, clichéd persona's. They do become a sorry, and tiring bunch that you couldn't care less about. Sure they're not meant to be likable, but hell they really irritated me. But I guess that was the perfect mould though. The story stays firm and simple, going out hard. I have mixed emotions about it, but this is more towards its timing and pushy developments, and how it eventually went about trying to cover its lack of atmosphere with rapid, uncertain movements and bloated shocks. I thought the setting could've been implemented better. Peter J Robertson's professional camera-work gets some nice shots, and his location framing and adventurous style works off fine. The music by Mark Thomas features a foreboding sting. The performances are by the books. Sean Pertwee sits back, Alex Reid gives all her will to the part and Toby Kebbell neurotically goes through the motions. Stephen Wight is probably the pick of the lot as the seething bully skinhead.