IMDb रेटिंग
6.1/10
11 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंJuvenile delinquents are sent to a small British island after a fellow prisoner's death, where they have to fight for survival.Juvenile delinquents are sent to a small British island after a fellow prisoner's death, where they have to fight for survival.Juvenile delinquents are sent to a small British island after a fellow prisoner's death, where they have to fight for survival.
Ryan Hendrick
- Paul
- (बिना क्रेडिट के)
Nathan Hughes
- Inmate
- (बिना क्रेडिट के)
Brian Markey
- Inmate
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
It's a decent survival thriller.
The actors do a good job, even though the characters are not all that very well developed. Monetheless everyone's motivations are clear enough.
The setting is isolated, as per the demands of the genre and the violence is suiably desperate and gory.
It holds no major surprises but I found it well worth watching.
The actors do a good job, even though the characters are not all that very well developed. Monetheless everyone's motivations are clear enough.
The setting is isolated, as per the demands of the genre and the violence is suiably desperate and gory.
It holds no major surprises but I found it well worth watching.
Wilderness is an effective and brutal thriller/horror movie. The premise is straight forward- a group of juvenile offenders and their keeper out on a camping trip are picked off one by one by a mysterious and ruthless killer with a crossbow a pack of attack dogs and a skill for booby traps. It is brutal, violent, fast moving and visceral. It is quite well made- the tension and pace never drops, which is essential for this kind of movie and there is a gritty, unremitting feel to the movie which works in its favour. The deaths are unpleasant and violent and the characters aren't likable keeping it somewhat unpredictable as to what is going to happen, who is going to die and so on. Wilderness doesn't hold back in terms of the violence and nastiness but still keeps, for the most part a gritty realistic vibe and it works.
The movie shows you don't necessarily need likable characters but only believable ones to make a movie work. The more likable characters are only more likable by comparison i.e. they are only cowardly or selfish as opposed to being sadistic and cruel. The one character that seems like they may actually be competent and a decent human being is out of the picture comparatively early on. This comes across as lot more credible than those movies which contain groups of supposedly hardened criminals or delinquents who prove to be suitably heroic and noble and band together when it comes to the crunch. The characters here aren't over the top nasty either- they are full of petty meanness and posturing, selfishness and banality without being irredeemably evil as you would probably expect such kids to be in real life. The acting, mostly by fairly unknown young British actors is pretty good and low key- the Brits are generally better at this sort of thing. This gives the film its grittier edge and helps make it a little bit less predictable than it could be. Okay, the designated hero is obvious from the get-go and it isn't too unexpected when most of the unsavoury cast is wiped out but it isn't cloyingly obvious all the way through that things will happened the way you would predict in accordance with movie conventions.
The movie is not without flaws. The plot isn't always particularly believable or fresh. It seems strange that there is on one prison guard with this group of about ten juvenile offenders out on a supposedly deserted island and the killer seems almost too effective is dispatching his prey although to be fair it works for the movie in terms of the scariness of the villain and some explanation is provided for his skill in this regard. Toward the end when the hunter and his motivation is revealed he is far less effective a bad guy, his motivation and presence slightly contrived (Though still plausible) and he suddenly seems to become a lot less competent in order for him to be defeated. It might have been better if the makers had left the killer a mysterious motiveless figure. There are a few times when the movie does seem to go a bit too far with its nastiness, the flip side of the movie slack of restraint. The way in which some of the gorier death scenes, such as the first dog killing, are lingered on is a bit too much and toward the end some of the character's abhorrent behaviour comes across as a bit much also (Okay we already knew these guys were scum, can we get on with it).
On the whole a slick, well made and exciting movie which is both helped and hampered, but mostly helped, by it's willingness to be mean spirited and harsh.
The movie shows you don't necessarily need likable characters but only believable ones to make a movie work. The more likable characters are only more likable by comparison i.e. they are only cowardly or selfish as opposed to being sadistic and cruel. The one character that seems like they may actually be competent and a decent human being is out of the picture comparatively early on. This comes across as lot more credible than those movies which contain groups of supposedly hardened criminals or delinquents who prove to be suitably heroic and noble and band together when it comes to the crunch. The characters here aren't over the top nasty either- they are full of petty meanness and posturing, selfishness and banality without being irredeemably evil as you would probably expect such kids to be in real life. The acting, mostly by fairly unknown young British actors is pretty good and low key- the Brits are generally better at this sort of thing. This gives the film its grittier edge and helps make it a little bit less predictable than it could be. Okay, the designated hero is obvious from the get-go and it isn't too unexpected when most of the unsavoury cast is wiped out but it isn't cloyingly obvious all the way through that things will happened the way you would predict in accordance with movie conventions.
The movie is not without flaws. The plot isn't always particularly believable or fresh. It seems strange that there is on one prison guard with this group of about ten juvenile offenders out on a supposedly deserted island and the killer seems almost too effective is dispatching his prey although to be fair it works for the movie in terms of the scariness of the villain and some explanation is provided for his skill in this regard. Toward the end when the hunter and his motivation is revealed he is far less effective a bad guy, his motivation and presence slightly contrived (Though still plausible) and he suddenly seems to become a lot less competent in order for him to be defeated. It might have been better if the makers had left the killer a mysterious motiveless figure. There are a few times when the movie does seem to go a bit too far with its nastiness, the flip side of the movie slack of restraint. The way in which some of the gorier death scenes, such as the first dog killing, are lingered on is a bit too much and toward the end some of the character's abhorrent behaviour comes across as a bit much also (Okay we already knew these guys were scum, can we get on with it).
On the whole a slick, well made and exciting movie which is both helped and hampered, but mostly helped, by it's willingness to be mean spirited and harsh.
Do not watch this movie if you are looking for a message, unless that message is that revenge is sweet. Most of the movie is a bloodfest and the special effects are graphic - not something to be watched alone if you scare easily. Michael Bassett seems to have gone solely for shock value in this movie and, if he did, then he achieved his aims admirably. In fact, I cannot recall the last time I saw a movie so openly graphic in terms of dismemberment and human death. The actors are clearly not hugely experienced and this adds somewhat to the atmosphere of the film. If you seek a true horror in terms of what is portrayed on the screen then this is the movie for you, although personally I found it a little over the top.
In a juvenile detention center, the inmate Dave (John Travers) commits suicide after being abused with his friend Lindsay (Ben McKay) by the sociopath bullies Steve (Stephen Wight) and Lewis (Luke Neal) under the indifference of the other cell-mates. The governor sends them to an uninhabited island to improve their relationships and characters under the command of the tough monitor Jed (Sean Pertwee). They meet another camping with female delinquents under the command of veteran soldier Louise (Alex Reid) and they camp in another area. However, when they are attacked by a pack of dogs and a mysterious man with a cross-bow wearing camouflage, they join forces fighting to survive under the leadership of Callum (Toby Kebbell).
After a magnificent debut with "Deathwatch", the director and writer Michael J. Bassett makes another great movie, the gore "Wilderness". The original story is well-constructed, with a perfect development of characters and supported by great acting and special effects. My vote is seven.
Title (Brazil): "Os Selvagens" ("The Savages")
After a magnificent debut with "Deathwatch", the director and writer Michael J. Bassett makes another great movie, the gore "Wilderness". The original story is well-constructed, with a perfect development of characters and supported by great acting and special effects. My vote is seven.
Title (Brazil): "Os Selvagens" ("The Savages")
Recipe: take one large dollop of Lord of the Flies, toss in a few heaping tablespoons of Southern Comfort, sprinkle with traces of Deliverance, and add The Most Dangerous Game to taste. Blend on high for 110 minutes and presto, you've got a tasty treat of Wilderness, the new survival thriller by Director Michael J. Bassett.
Set on a remote uninhabited island used by Britain's correctional services as a retreat for troubled youth, the movie tells the story of a group of juvenile criminals who get sent to the remote location only to find themselves being stalked by a trained killer bent on revenge.
Screened at the 2006 edition of Montreal's Fantasia Film Festival, the movie doesn't make much effort to conceal the identity of the stalker. In fact, most viewers can figure this out in the first 15 minutes. However keeping secrets isn't what this story is about. Rather, it's about the thrill of hunting humans, the most sophisticated predator on the planet, and the diverse and innovative tricks involved.
Featuring Sean Pertwee, who seems to own a clause in British movie contracts saying he will appear in every UK thriller/horror film under production, the film showcases the talents of a young cast of unknowns who, while not demanded of Shakespearean performances, nonetheless turn in flawless performances to round out the movie.
Bassett, whose previous directorial debut was 2002's intriguing but flawed Deathwatch, seems to have found his stride with this effort. Scenes appear carefully thought out and executed, with a nice attention to detail. He clearly understands how to pace a film of this nature, and what works and what doesn't in what clearly was a demanding shoot involving attack dogs, forest chases, fires and numerous stunts.
The movie has something for every fan of the genre; beheadings, vicious forest traps, maulings, being eaten alive, crossbows, knife fights, skinheads, near drownings, the list goes on.
Viewers can add this to the ever growing list of British horror films such as The Descent, Dog Soldiers, and 28 Days Later (to name only a few) that are currently setting the world standard for delivering quality cinematic chills and thrills.
Set on a remote uninhabited island used by Britain's correctional services as a retreat for troubled youth, the movie tells the story of a group of juvenile criminals who get sent to the remote location only to find themselves being stalked by a trained killer bent on revenge.
Screened at the 2006 edition of Montreal's Fantasia Film Festival, the movie doesn't make much effort to conceal the identity of the stalker. In fact, most viewers can figure this out in the first 15 minutes. However keeping secrets isn't what this story is about. Rather, it's about the thrill of hunting humans, the most sophisticated predator on the planet, and the diverse and innovative tricks involved.
Featuring Sean Pertwee, who seems to own a clause in British movie contracts saying he will appear in every UK thriller/horror film under production, the film showcases the talents of a young cast of unknowns who, while not demanded of Shakespearean performances, nonetheless turn in flawless performances to round out the movie.
Bassett, whose previous directorial debut was 2002's intriguing but flawed Deathwatch, seems to have found his stride with this effort. Scenes appear carefully thought out and executed, with a nice attention to detail. He clearly understands how to pace a film of this nature, and what works and what doesn't in what clearly was a demanding shoot involving attack dogs, forest chases, fires and numerous stunts.
The movie has something for every fan of the genre; beheadings, vicious forest traps, maulings, being eaten alive, crossbows, knife fights, skinheads, near drownings, the list goes on.
Viewers can add this to the ever growing list of British horror films such as The Descent, Dog Soldiers, and 28 Days Later (to name only a few) that are currently setting the world standard for delivering quality cinematic chills and thrills.
क्या आपको पता है
- गूफ़When Callum is chasing Davie's Dad with the Crossbow. As he slides down the cliffs while following him the Crossbow goes from being cocked, to de-cocked, and back to cocked again.
- इसके अलावा अन्य वर्जनThe distributor had requested the film be considered for a '15' when it was seen by the BBFC in the UK, but the language in the film was considered too strong for '15'. The distributor chose to reduce the very strong language in the film's final edit, leaving a single use of 'c**t' where there had originally been four uses.
- कनेक्शनReferences बैटल रॉयाल (2000)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Wilderness?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- £30,00,000(अनुमानित)
- दुनिया भर में सकल
- $5,66,098
- चलने की अवधि
- 1 घं 33 मि(93 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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