Notes on a Scandal

I enjoyed this movie a great deal. The acting was excellent across the board and the story about the relationship of two school teachers and what transpires between them is involving. The problem for me was that in reading the reviews for the film I found that the reviewers revealed way too much about the plot. I found this to be one of those times when it was best to know as little as possible going in since there was a chance that knowing plot points might signal later revelations. Simply put the reviewers said too much so after a certain point it became clear what was going to happen, The result was that I enjoyed the film less than I might have other wise. Take my advice ignore what people say about the film and just see it

I saw this at a preview last night. It is a brilliant, absorbing little piece from Zoe Heller's novel about a teacher (Cate Blanchett, looking stunning) who has an affair with a 15 year old pupil and the effect this has on her relationship with a bitter, older teacher seeking selfishly for love (Judy Dench, looking 100). Great performances all round, with special mention to Bill Nighy in the Bill Nighy role. The script (Patrick Marber) is faithful to the book but enjoyable though the book was the film is actually - for a change - even better. Beautifully filmed in North London and Eastbourne (presumably the school scenes) this movie is definitely a must see.

The bitter, cynical and lonely Barbara Covett (Judi Dench) is a tough and conservative teacher near to retirement that is loathed by her colleagues and students. In the loneliness of her apartment, she spends her spare time writing her journal, taking care of her old cat Portia and missing her special friend Jennifer Dodd. When Sheba Hart (Cate Blanchett) joins the high-school as the new art teacher, Barbara dedicates her attention to the newcomer, writing sharp and unpleasant comments about her behavior and clothes. When Barbara helps Sheba in a difficult situation with two students, the grateful Sheba invites her to have lunch with her family. Sheba introduces her husband and former professor Richard Hart (Bill Nighy), who is about twenty years older than she; her rebellious teenager daughter Polly (Juno Temple); and her son Ben (Max Lewis) that has Dawn Syndrome. Barbara becomes close to Sheba, but when she accidentally discovers that Sheba is having an affair with the fifteen year-old student Steven Connolly (Andrew Simpson), Barbara sees the chance to manipulate and get closer to Sheba, hiding the secret from the school headmaster. When Portia dies and Sheba does not stay with Barbara in the veterinary office to see Ben in a theater play, Barbara plots a Machiavellian revenge against Sheba, creating a scandal and consequent turmoil in their lives.

"Note on a Scandal" is a gem to be discovered by movie lovers. This tale of obsession, loneliness and Machiavellism is supported by a magnificent screenplay and awesome performances of Judi Dench and Cate Blanchett, two of the best actresses of the cinema industry in the present days. The story has drama, romance, passion, lust, obsession and eroticism disclosed in an adequate pace. The development of the lead characters is perfect, disclosing two lonely and obsessed women, one compulsive and loathed by everybody around her, and the other that is the object of desire of the old teacher, her husband and a young student. The result is one of the best movies that I have recently seen. My vote is nine.

Title (Brazil): "Notas Sobre Um Escândalo" ("Notes on a Scandal")

NOTES ON A SCANDAL is a Judi Dench "triumph" of brilliant wit, pain and a satanic passion for a woman out of reach in Cate Blanchett. Her "Judas" to her supposed friend and fellow teacher is an acting performance which will land Ms. Dench right back in "Oscar country". Too bad it is in the same year as Helen Mirren's magnificent "Queen" as Dench gives a show here in NOTES ON A SCANDAL that leaves you quite breathless to the last and final scene and fade out.

Patrick Marber delivers a deliciously wicked, witty and crisply written script in NOTES, and it only enhances his reputation for giving an audience a story well developed and with characters that you can't take your eyes off on the screen. His writing in CLOSER was so brilliant and clever, but in NOTES ON A SCANDAL he hands Judi Dench and Cate Blanchett words that are zingers and with a strong blend of anger, pain and humor. Please, Patrick, gives us another film quickly! The "teacher/student" romance was well developed and the chemistry between the two actors was believable and very sexual, and one could understand the youthful passion delivered by a young man with a strong mind and body. I did at times have to listen carefully to the young actor's lines, but he delivered them like a pro.

In the weeks ahead, I anticipate a "roar from the crowd" for this very dark and witty Judi Dench performance and who knows, she may upset "The Crown" in the end come Oscar time.

Barbara Covett is a history teacher who lives alone and is comparatively friendless. The one woman she was friendly with has moved on to another school in a better area but she still has her cat and her diary. When young art teacher Sheba Hart starts in the new term, Barbara keeps her distance to feel her out but she finds quite a nice woman with whom she thinks she can start a friendship. However the discovery of a scandalous secret in Sheba's life means that the relationship takes a darker turn.

From a distance you could see this film as yet another entry into the Fatal Attraction / Single White Female genre in the way that it is essentially about a "normal" relationship that turns sour as it becomes steadily more evident that the "normal" person is actually a tad unhinged. However does this mean that we are going through the motions here and that we will end up with a Dench/Blanchett fight like it's some sort of Bafta Special of Celebrity Wrestling? Well thankfully no. The narrative does head this way to a point of course but it remains engaging and grounded, mainly down to the fact that the story is not strictly one of this specific relationship but rather it is the story of Barbara. This is clear from the fact that the only narration or inner thoughts we get to hear are from her and, although it is not told from her perspective, it is clear that she is the subject of the film rather than Sheba (who is Barbara's subject).

The film paints out a convincingly real Barbara and in a way she reminded me a little of the "Lady of Letters" from Alan Bennett's Talking Heads. In her own world and journal she has developed this aloof attitude of one who is lonely but has convinced herself that she is more than happy to be so. But yet she also still has this edge of desperation, of being so much more needy than she will ever recognise. It is a very well written part and it goes without saying that Dench plays it perfectly – delivering in the detail and reigning in any potential for "bunny boiling". The story is well delivered and it is the characters that prevent you really questioning the internal logic too much because it does all convince both within itself but more or less within the wider world as well.

Eyre's direction is good in terms of controlling his cast even if it does feel every inch a BBC TV film that has gotten ahead of itself. Blanchett works well opposite Dench; she knows that the film is not about her character even if her character is key in telling it and her performance is pitched well to reflect this. As another user has already humorously said, Bill Nighy is good as the Bill Nighy character but I was upset that Phil Davis did not get more to do as he is very good at the type of character he played here. Simpson is well cast and makes his character work pretty well considering the demands put on him by the narrative – something about his Northern Irish accent that makes me believe it (!).

Overall then an engaging and well-delivered film. At first glance it is another crazy stalker movie but really it is much more than that as the characters are well written and convincing (even if aspects of the narrative aren't to the same degree) and the strength of the lead performances almost goes without saying as a given.