Afro Samurai

Everything about it is what I wanted for a anime, a actual good style (unlike boruto), great use of fighting, and not a too long story that will lose it's purpose, I only rated it a 8 though due to the fact that many things are just left out in the open, what about justice (the guy who killed afro's father) legacy and Afro's Father too? They seem like great characters and should have been shown more. I highly recommend it, and it is definitely a anime completely different from other animes, way more mature, unlike those disgusting anime shows that use girls as tools, 8/10, my favourite anime despite not watching anime as much as I used to.

Can you dig it?

This is what you get when you mix Japanese samurai flicks, ultra-savvy blaxploitation attitude, future-tense technology, and hip-hop into one energetic camp hybrid that takes NO prisoners.

The pseudo-Anime' "Afro Samurai" is set in a futuristic feudal Japan, in which all the swordsmen in the world are in a murderous pursuit of the #1 Headband, which once obtained, would allow its wearer to call himself a god and master of all that he surveys. So when #1 is killed in a battle with gun-totting madman and #2 Headband Justice (Ron Perlman), #1's son Afro (Samuel L. Jackson) swears an oath of vengeance against now-#1 Justice. Undergoing conventional samurai training by a renowned master, young Afro grows up, receives the #2 Headband, sets out on his mission of revenge and attempts to obtain the #1 Headband, cutting down every single man who challenges him. Bearing witness to it all is Afro's loyal sidekick and only friend, Ninja Ninja (also voiced by Jackson), who provides much of the show's comic relief.

In many ways, at least to me, "Afro Samurai" was a long time coming. Ever since first getting wind of it in late 2006 and catching a few episodes during its short, five-episode run on Spike TV earlier this year, I've become an "Afro Samurai" fanatic. As a longtime fan of Japanese animation and Manga (Japanese comics), "Afro Samurai" cut and slashed its way into my heart from its earliest moments when Afro's father is challenged and defeated by the maniacal Justice. I've waited a long time for something to come along that fused hip-hop and Japanese animation into a relentless action feast and when it finally came along, I was not the slightest bit displeased. The animated show "The Boondocks" is another example of this Anime'/hip-hop trend done right.

But first and foremost, "Afro Samurai" is only concerned with one thing: style over substance, that means excessive sword-play and violence over anything even remotely resembling a discernible plot. Make no mistake, though, while this is a visually arresting feast for the eyes, it is definitely not for the squeamish, much less anyone under the tender age of 17. The brain-child of creator Takashi Okazaki, director Fuminori Kizaki and co-writers Tomohiro Yamashita and Yasuyuki Muto, "Afro Samurai" lets the blood flow (but really, more like spray) in fountains and geysers. The blood flows in copious amounts in the various martial arts sword-fighting sequences, which are excellently and stylishly executed much like Quentin Tarantino's "Kill Bill" movies or your favorite samurai blood-letters. The dynamic and surreal score by Wu-Tang Clan co-founder and "Afro Samurai" soundtrack producer The RZA is quite a stand-out, and blares up during the most intense action. Any soundtrack that features hip-hop legends such as Big Daddy Kane, Wu-Tang Clan co-founder GZA, Q-Tip (formerly of A Tribe Called Quest), and Talib Kweli - you can bet I'm picking it up.

So as you can see, I've said nothing but good things thus far. Many have maligned the fact that since Afro speaks so little in this series, his character comes to be defined by the way he viciously cuts down his adversaries in the many battle sequences. Probably like your favorite swordsman who speaks little but carries a big sword, Afro is really nothing new. In fact, if you look deeper, his comic foil Ninja Ninja could also be considered Afro's wild, fun-loving, and talkative alter-ego (since there were a few times when I felt Ninja Ninja wasn't even real).

"Afro Samurai" also has one of the most memorable casts of bad guys ever assembled for animation outside of Japan. I already mentioned Justice, but there's also the monk/assassin collective, the Empty 7, the teddy bear-headed Kuma, and assorted heavy artillery-totting hired killers and disposable bandits and hoodlums. Although I was a little disappointed that babe Kelly Hu as Okiku didn't have a bigger role, she only seemed to be in it for the sex appeal (and as the director's cut proves, to give a little something for the guys who may be watching). Although an odd choice for a role such as this, Samuel L. Jackson is a thorough double-edged sword as both Afro and Ninja Ninja. (It's hard to believe this is the same man who once played the Bible-quoting hit-man Jules Winnfield in 1994's "Pulp Fiction.")

With "Afro Samurai," an Anime' fan gets something that he's always wanted and more: a piece of animation that blends so many distant genres and fuses them into one hell of an eye-popping action experience. Now, if only he can convince his other Anime'- and "Kenshin"-loving friends to watch the one and only dude wit' a head full of hair, "Afro Samurai."

10/10

Afro Samurai came out of left field from me. Totally unexpected, I saw the tile pop up somewhere and sounded cool enough for me to give it a go. And even though I'm not an anime fan, I found lots to appreciate in this mini series of blood and mayhem.

The main appeal for me was the combination of blaxploitation culture and samurai swordfighting (chambara). Samuel Jackson doing the voice-overs for both Afro Samurai (Clint Eastwood style, few words, calm and badass) and his sidekick Ninja Ninja (wisecracking non-stop banter) was another major plus. The third advantage is the simple story that takes its cue from a long line of revenge movies: this is a simple revenge story and that's why it works so well.

In a futuristic world, young kid watches his father get cut down by baddie who is after his father's Headband #1. Headband #1 allows its bearer to be like a god. The only one who can challenge him is the one who wears Headband #2. Anyone can challenge Headband #2. As one could expect, Headband #2's path is littered with corpses as everyone and their dog want their chance to challenge Headband #1. Young kid grows up and becomes Afro Samurai and walks the path of revenge against Headband #1. A colourful ensemble of baddies will stand in his way, from a neo-Buddhist cult of assassin monks, to cyborgs to teddy-bear faced guys with a grudge to common crooks. Through flashbacks we come to find out how Afro Samurai became who he is and how he obtained Headband #2. Simple yet effective.

The main appeal here is the visual aspect. Being a fan of 60's and 70's chambaras and jidai-gekis I find the swordfights a tad too hyperkinetic for my taste, but that's anime for you I guess. However everything has a smoother, more westernized approach perhaps to the rapid, eyesore that often is the genre which I took to with pleasant surprise and relief. The graphics and design tend to be great (especially Afro Samurai's) although they can settle for just good or serviceable at times. The blood geysers and slashing, taking their cue from stuff like Lone Wolf and Cub and Lady Snowblood (copious amounts of glorious arterial sprayings) will please every fan of the red stuff although it's not particularly gruesome. Good, clean, family fun.

The soundtrack is done by usual suspect RZA. I have to say that the whole combo of hip-hop/anime/exploitation works particularly well even though I'm only a fan of the latter third. If you wanna get a picture of what Afro Samurai is, think of the animated sequence in Kill Bill vol. 1.

Afro Samurai started as life as manga before animation studio GONZO adapted the story into a five episode series that premiered online January 1 2007.

Like most contemporary anime, Afro Samurai is another exercise in culture jamming, straddling genres as diverse as Blaxploitation, kung-fu cinema, splatter flicks, western and, of course, Japanese animation. Samuel L. Jackson lends his talents in the voice department, and is also credited as one of the shows producers.

The plot revolves around Afro - nicknamed after his hairstyle - a perpetually silent and bloodthirsty master swordsman, whose quest involves exacting bloody revenge on the man who killed his father, and claiming the title of 'Number One'; a warrior whose powers are comparable to those of a god. Given only five episodes to work with, structure is pretty tight here, so there are no filler episodes or meandering off-sides or tangents to distract from the narrative's focus. Although the series seems to lack that 'epic' journey feel, episodes are never anti-climactic; this is a relief to the casual anime viewer who just wants to get to the carnage.

And carnage there is a-plenty. The plot of Afro Samurai is really just an after thought; it's the fight scenes that are really the star of the show here. A word to the squeamish: Afro Samurai is one of the bloodiest, goriest and most anatomically detailed anime series on the market, so if you've got stomach issues with splatter flicks, avoid this one like syphilis. If, however, high-definition animated gore-porn is your thing, Afro Samurai will not disappoint. Each fight scene is beautifully choreographed and fluidly animated to deliver some truly jaw-dropping, gut-wrenching, wince –"oh man, that's gotta hurt"-inducing scenes of unadulterated devastation on the human body. Be-heading, disemboweling and eye-stabbing are just an entrée.

The only thing wrong with Afro Samurai is that it's all over too soon. Most anime fans are used to more meat on the bones, so for many the narrative will feel underdone and the characters under-developed. This is probably a side-effect of the show's creators attempting to cross anime over to a mainstream Western audience, but, in doing so, seem to have sacrificed content for carnage. And while carnage seems to be the whole point of Afro Samurai, five episodes is still remarkably short. Although the series swiftly resolves itself in a fairly predictable way, there is an immense potential for spin-off projects (there's a movie rumor already doing the rounds in cyberspace) and the show itself is re-watchable many times over, if only to sample the audacious ultra-violence again and again. For those of you with an unquenchable blood-lust, Afro Samurai will have you screaming with delight.

Seeking to avenge his father's death, the Afro Samurai sets out to kill the #1 fighter in all the land, a man called Justice. After earning himself the title of #2, which is required for him to be able to challenge Justice, Afro Samurai sets out on his journey to revenge. His road is a dangerous one as he must first find out the location of Justice from his foes – all of whom would seek to protect Justice and also win the title of #2 for themselves. His task is a lonely and dark one, but like it or not he has a companion in the constantly b1tching Ninja Ninja.

Although it will not be to everyone's taste, Afro Samurai is a perfect example of something being pitched right at the target audience it is intended for. adult swim is the perfect home for it because it is very much targeted at young males who like their hip hop, Anime and traditions of feudal Japan. It mixes these in a great series of animations that some audiences will claim is very high on style at the expense of content. Now I appreciate that most reviews here are gushing in their praise of this series and not keen on anyone criticising it but, the thing is, those saying it lacks substance do have a point. Like I said before though, it is target audience stuff and for those into it, there will be plenty of content to support the style – those looking to be intellectually stimulated by the themes and ideals behind the characters will not get what they are looking for (but why were you looking here for those things). However for target audience the emotional core and the narrative twists will be more than enough to fill the running times of each episode and expand across the season.

What the series delivers in spades though is the cool world of the samurai crossed with the violent and stylish world of Anime with a big dollop of urban culture thrown in there too. It is no surprise to find The Rza involved because again it brings it back to a product that knows what its audience. So those coming to it will be looking for certain things and it delivers it well visually. The Anime animation is slick and cool and moves with all the conventions you will be used to from the genre. The soundtrack compliments it really well because, as other things (eg Boondocks, Wu-Tang etc) have shown, the mix of ninja/samurai (yes, I know they are very different) cultures and modern hip hop seems to be an easy fit. Performance wise you gotta say that Jackson is perfect for the role and again shows that he )or his agent) can pick the roles that bring him heat from his base fans. He is really good in his dual roles and brings the dialogue alive. Of course he is well supported by a famous cast – even if they are not all given roles that are that big. Perlman has a great voice and uses it well, but while I think Hu is again a good example of targeting your audience's tastes, her voice is not her strongest feature. Generally though all voice work is good because they are matching the style of the series rather than giving performances per se.

Overall then, not for everyone's tastes but in targeting its audience it is as ruthlessly efficient as Afro Samurai himself. Stylish, bloody, brooding and with an overall air of effortless cool, it is a fine series that I enjoyed. Put it this way, if you like the sound of it then you will almost certainly like it – it is that good at what it does.