अपनी भाषा में प्लॉट जोड़ेंBisexual travel writer Nathan examines his increasingly complex feelings for Maggie as they travel through California's wine country on assignment.Bisexual travel writer Nathan examines his increasingly complex feelings for Maggie as they travel through California's wine country on assignment.Bisexual travel writer Nathan examines his increasingly complex feelings for Maggie as they travel through California's wine country on assignment.
- पुरस्कार
- कुल 1 जीत
Jer Adrianne Lelliott
- Nicholas
- (as a different name)
फ़ीचर्ड समीक्षाएं
This film is about the sexual relationships of a bisexual man and a heterosexual woman, who go on a trip together to research for a newspaper article.
Judging from the film length, I guessed that the plot is probably not so well developed, and there is little to be conveyed. Unfortunately, this turns out to be true. I feel that there are not enough character development to make the characters connect with the viewers. There are not enough subplots to make the film interesting either. Many of the momentary flashbacks could have been expanded to full scenes, such as Nathan and Maggie walking around San Francisco having fun together. This would serve as better story development, and to increase the film's runtime. It is a pity that this film turns out not to be as captivating and interesting as it could have been.
Judging from the film length, I guessed that the plot is probably not so well developed, and there is little to be conveyed. Unfortunately, this turns out to be true. I feel that there are not enough character development to make the characters connect with the viewers. There are not enough subplots to make the film interesting either. Many of the momentary flashbacks could have been expanded to full scenes, such as Nathan and Maggie walking around San Francisco having fun together. This would serve as better story development, and to increase the film's runtime. It is a pity that this film turns out not to be as captivating and interesting as it could have been.
The plot is simple. A straight girl and a très camp nominally bisexual boy go on a road trip and have a lot of sex and bicker.
The problem with the movie is completely in the writing. The dialogue is monotonous, and not in the least believable. It is some naïve straight person's fantasy of what gay people are like. It lacks humour and novelty. It feels like ordinary people talking just to pass the time.
The gay sex scenes are quite Victorian. The characters don't even disrobe. The actual sex is discreetly off camera. The raciest thing you see is a hand on an arm. In contrast, the heterosexual scenes are very in your face. That is cheating and insulting in movie that bills itself about being about gay characters.
Cole Williams in particular does the best with the limp material, breathing some life into it.
The very plot of the movie echoes that infuriating Christian lie that being gay is a choice and all that is needed is some heterosex to convert even the feyest boy.
There is some quite fun music and animated dancing, the best part of this movie, unfortunately a small part.
The problem with the movie is completely in the writing. The dialogue is monotonous, and not in the least believable. It is some naïve straight person's fantasy of what gay people are like. It lacks humour and novelty. It feels like ordinary people talking just to pass the time.
The gay sex scenes are quite Victorian. The characters don't even disrobe. The actual sex is discreetly off camera. The raciest thing you see is a hand on an arm. In contrast, the heterosexual scenes are very in your face. That is cheating and insulting in movie that bills itself about being about gay characters.
Cole Williams in particular does the best with the limp material, breathing some life into it.
The very plot of the movie echoes that infuriating Christian lie that being gay is a choice and all that is needed is some heterosex to convert even the feyest boy.
There is some quite fun music and animated dancing, the best part of this movie, unfortunately a small part.
I agree with another reviewer here about the film's decent technical quality, but I wouldn't extend that to acting. Amber Benson is good, actually, but the rest of the cast is pretty much sub-par. I particularly thought many of Cole Williams' lines were read poorly.
The story could have been interesting, but the script didn't do it justice. The dialog sounded forced and stilted much of the time. It just didn't ring true, didn't sound like true life. When the plot conflict develops, I couldn't quite see the reason for it. There didn't seem to be anything happening that hadn't happened before so I couldn't understand the characters' reactions.
It was difficult not to compare this movie to Sideways. Not that they had all that much in common except the location, but that was enough to have me constantly thinking of how much better this movie could have been.
The story could have been interesting, but the script didn't do it justice. The dialog sounded forced and stilted much of the time. It just didn't ring true, didn't sound like true life. When the plot conflict develops, I couldn't quite see the reason for it. There didn't seem to be anything happening that hadn't happened before so I couldn't understand the characters' reactions.
It was difficult not to compare this movie to Sideways. Not that they had all that much in common except the location, but that was enough to have me constantly thinking of how much better this movie could have been.
This is one of those movies that has absolutely NO redeeming values or reasons to watch. Since the synopsis is pretty accurate, I'll just concentrate on the basics here. The script is linear and understandable, but completely unrelatable. NONE of the characters is likeable; I know this has been used by some film makers as a plot device so the viewers subtly start rooting for the anti-hero, but no...these characters are not only awful, but they are boring. Most of the film is just people talking, and not saying much of anything at all. In fact, if there were a moral anywhere here, it's that bi-sexual men are apparently narcissistic and evil and women are confused and spiteful. The end. What I WILL say is that the cinematography and editing was GREAT...completely wasted on such a lackluster film. And while there was no attraction to any of the characters, I will say the female lead was good in her role; she may have been type-cast, but she did a good job, which is why I added a star here. But unless you are a friend of hers, that is not a reason to watch this.
I had been looking forward to this film for quite some time as the synopsis seemed interesting. Also, truth be told, I am a complete sucker for gay melodramas and romantic comedies. I waited foolishly and have decided I want my time back.
Was the writer even in favor of gay relationships or the gay lifestyle? I ask because he does everything possible to craft the most loathsome gay lead character in history. Not only that, but he managed to cast an actor who is equally unappealing to play the character.
For whatever reason we are supposed to enjoy watching Nathan, a young man who is so in love with his talent, looks, and irresistible sexuality that it induces nothing but unending eye rolls. This is due to the fact that Nathan does not come off as especially talented, attractive, alluring, or intelligent. All of his dialogue is spoken merely to inflate himself and belittle everyone else around him. How could anyone be attracted to this hateful, greasy, selfish character at all, let alone enough to profess your love for him.
Take my advice, steer clear from this movie. It's title is much more fitting than I could have originally imagined as this film, its lead actor/character, director, and script have taken a very steep and rapid trip to the bottom of my trash bin.
Was the writer even in favor of gay relationships or the gay lifestyle? I ask because he does everything possible to craft the most loathsome gay lead character in history. Not only that, but he managed to cast an actor who is equally unappealing to play the character.
For whatever reason we are supposed to enjoy watching Nathan, a young man who is so in love with his talent, looks, and irresistible sexuality that it induces nothing but unending eye rolls. This is due to the fact that Nathan does not come off as especially talented, attractive, alluring, or intelligent. All of his dialogue is spoken merely to inflate himself and belittle everyone else around him. How could anyone be attracted to this hateful, greasy, selfish character at all, let alone enough to profess your love for him.
Take my advice, steer clear from this movie. It's title is much more fitting than I could have originally imagined as this film, its lead actor/character, director, and script have taken a very steep and rapid trip to the bottom of my trash bin.
क्या आपको पता है
- ट्रिवियाFilm debut of Justin Hartley.
- साउंडट्रैकSonnet No. 3 (Like a Duck)
Written by Honky / Rock-A-Lot / Whacks-A-Lot
Performed by MC Honky
Published by Sir Rock-A-Lot Music (ASCAP), Dick Little Music
Available on spinART Records
By Arrangement with Ocean Park Music Group
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Кто первый к заднице прильнет
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $5,468
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,549
- 1 अप्रैल 2007
- दुनिया भर में सकल
- $5,468
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें