Absolute Zero

I feel dumber for having watched this. The acting is awful. The plot is ridiculous. The storyline is completely nonsensical. Even if you rent this to get a glimpse of Erika Eleniak you will be disappointed. Yes she is in there, but the term 'aging playmate' is painfully accurate. Effects: laughable. Character development: a joke. I can not say enough bad things about this movie. Maybe it was intended as a joke on 'The Day After Tomorrow'. If so, its not very funny. Jeff Fahey's mom turned it off half way through. Ugh. Gack. Bad. Horrible. I want my hour and a half back. It is a struggle to come up with 10 lines about this movie without resorting to repeating the words 'sucks' over and over again. The science is bad. The acting is bad. The filming is bad. The concept is bad. This is a bad movie.

So the graphics and sets are poorly created, the acting is mediocre, the plot is predictable, and the science is childishly inaccurate... but it certainly doesn't deserve a 3/10. If you expect to see cheesy made-for-TV quality, you won't be disappointed, because that was the intent of this movie. Certainly no blockbuster but it's good in it's own way.

Essentially, a rogue scientist determines that the magnetic poles are going to shift, resulting in the rapid deep freeze of the equator. Of course, nobody believes him until it's too late. Throw in some romantic tension, angry standoffs, an evil businessman, hero kid, a few death scenes, and a semi-happy ending... bam! A cliché sci-fi movie that can be enjoyed by anyone who can appreciate it for what it is.

I would have to agree with most of the opinions not to buy or rent the movie, but if you happen to see it on TV, or flip through and find it on netflix while bored, give it a try. Keep your expectations low, like Battlefield Earth low, and you may actually enjoy it.

I rented this gem knowing it was a Day After Tomorrow clone. I expected it to be campy and bad.

The special effects were hilarious and just bad. Some times it would be an entire CG shot that looks like some freshman's work with making a 3D model at art school.

Though the best part of the movie is the constant statement that "Science is Never Wrong." If I was playing a drinking game I would have been plastered by the end of this movie. Even the little kid in the movie said science is never wrong.

The physics in this movie are laughable at best. The idea that the last ice age started 10,000 years ago and lasted 1000 years is hilarious.

It was as if the writers, producers and actors couldn't be bothered to check a history book about the ice age anywhere.

Let alone the idea of absolute zero.

All I can say is they must have made this movie for what it was, a great no-brainer campy stupid flick.

Absolute Zero is about a climatologist that discovers that the shifting of the poles causes severe climate change, like -400 degrees. A crooked project manager working for a greedy company hopes to make millions off of the information that the pole change is happening now. The climatologist hooks up with an old buddy that just happened to marry the girl he walked out on. They attempt to tell some dopey politician to get all the sunbathers in Miami to evacuate before the cold snap hits and also save themselves. Tired plot is not helped by the low grade special effects and relatively good acting. Not a great time, but not a total waste of time.

I like disaster films. It's comforting and entertaining to watch the world suffer imaginary cataclysmic events from the safety of one's couch. On the screen, everything goes kapow. Yet, the bowl of parmesan popcorn is within easy reach of my greedy paw and a cold beer froths in a mug. I sat through this film bored and annoyed, however. This is the kind of movie that begs the question: why make bad movies? Why go through the expense and the trouble when, given the effort, the results are so unaccountably awful? What is it exactly that propels unscrupulous producers, untalented directors, and third-rate actors to collaborate on cinematic ventures that never should have seen the light of day? Who makes the decisions to bring such aberrations to life and who stands the most to gain from them? Adam Sliwinski and Michael D. Jacobs, director and producer respectively, and the many actors of limited craft who participated in this film, all of you should be embarrassed to have this dreck floating about.