The Sickhouse

I won't say this is the best horror film I have ever watched but it is certainly not the worst either. Interesting story line about the plague doctors (who by the way wore masks shaped like bird beaks to keep plague at bay) and an unknown cult. In this day of conspiracies it is reasonable to think it could have happened. It had some really decent gore in it and is an OK way to spend a couple of hours. I must say Gina Phillips is making a career out of making horror films and most of them have been good enough to watch. Like this one. You have to keep an open mind with most horror films now days and this is definitely worth a quick look when you've got nothing else to watch. I bought in the 2 for $10 bin @ the local big name super store so at least I got my money's worth. And the ending was very interesting

In London, the archaeologist Anna Ash (Gina Philips) is informed by her Professor Joan Holland (Romla Walker) that the excavation site at the Sixteenth Century Ludgate Orphanage, where she is researching the Cult of the Black Priest during the Great Plague, will be demolished on the next morning to contain the contamination since it has been found the Y.pestis in the digging. The stubborn Anna breaks in the building at midnight expecting to find any substantial evidence that could stop the demolition.

Meanwhile, four drugged punks hit and run with a stolen car and they hide inside the building. They are haunted and attacked by a ghost and one of them, Clive (Jack Bailey), is wounded. When Anna stumbles with the hoodlums, she realizes that Clive is contaminated and needs help. But soon they find that they are trapped in the building.

"The Sick House" is a movie with terrible story, screenplay and camera work. The plot is stupid and unoriginal, and it is hard to believe that an intelligent woman would prioritize her research and break in a contaminated place without weaning protective clothing and mask.

The camera is awful and to compensate the low-budget, there are many closes and the camera is shaken expecting to give the sensation of chaos, but it never works. The messy and senseless conclusion is also awful, trying to give a dreadful twist to the plot. The only things that seems to work is the false promotion of this movie through many fake reviews. Last but not the least, the Brazilian title is perfect for this film ("The Great Plague"). My vote is two.

Title (Brazil): "A Grande Praga" {"The Great Plague")

Sometimes, it's good to sit back and let a horror movie unfold before you. It needn't be the slickest written, it needn't contain hidden messages or agendas, and it needn't be bursting with CGI or a massive budget. 'The Sichouse' is stylish in its direction and increasingly manic in its storyline. The characters are put well and truly through the mill and the overall feeling is one of chaos and, as you would imagine, sickness.

Co-writer and director Curtis Radclyffe has meticulously (over?) edited the scenes here, drenching them in cold colours and bleeding out any warmth, the camera angles are frequently eccentric, ensuring viewers are never feeling reassured. The sense of chaos makes it virtually impossible to keep up with what is going on, but that is, I think, deliberate. Just as the characters are losing their minds, so we are invited to lose ours for the duration. Some won't enjoy that, but I found it an enjoyable stark experience. It's a bit of a dark trip. My score is 7 out of 10.

We hear about it far too much in the horror genre: a poorly made film with an interesting premise.

Had this shied away from the punk-teen angle (like that of Bava's 'Demons') and headed for straight horror (maybe on the level of 'El Orfanato'), it could've had the chance to be a rather good film. Instead, poor writing, bad direction, seemingly bored actors, and silly camera tricks in exchange for real scares, we're left with yet another forgettable haunted-house picture.

I'd say pass it up and wait for 'The Orphanage' on DVD. Or, if you can't wait, check out 'The Devil's Backbone.'

-AP3-

Despite knowing that the film industry will always sacrifice originality (and therefore risk) to make money it still amazes and annoys me that rubbish like this gets made. Can't a producer realise that making an interesting and vaguely original film will likely make more money through positive word of mouth than a bland, boring, seen it all before piece of cable movie sh!t like Sick House. This film was average, listless, un-engaging, dark and unintelligible, with a pointless and unnecessarily confusing twist ending. I'm desperately trying to think of something positive to say about this film and all I can come up with the cinematography and general look of the film was quite interesting, well that is at the few points in the film where it was possible to actually make out what was happening. Another positive point was Gina Philips who turned in a creditable performance.