1408

Mike Enslin makes a living as an author, who specializes in the paranormal phenomenon. After receiving a postcard saying DO NOT STAY IN 1408, Mike becomes intrigued. After much hassle and waring from the hotel Manager, Mike finally makes it into the room. What at first seems to be a normal hotel room, turns into a horrific nightmare and Mike only has one hour to live.

There have been many films based on Kings writings. Some of these films are terrifying, such as IT and The Shinning; while others are terrifyingly bad, Dreamcatcher anyone? The latest film to be added to the list is 1408 and lucky for us it belongs to the former. 1408 works on many different levels and even throws a twist to the audience. While it's not the best King adaptation it certainly is one of the better ones and deserves to be called The Shining for 2007.

In the era when so called horror films are full of SAWS and HOSTELS, it's refreshing to see some new blood being pumped into the genre. 1408 pumps a whack of blood and a whole lot more. The film starts off as one would expect, with Mike investigating one of his routine spooky places, then goes on to show his life as a writer with not so many fans. We get a sense of loneliness with Mike, he has lost something. Cusack plays the character well. For those who think they can't get pass the fact that it is John Cusack, I assure you you will not think about it during this film. His performance is a complete 180 from his previous work and I give him credit for pulling it off. Cusack goes through a wide range of emotions through this film, most of them being on the terrified side, but everyone of them is believable. Sure there are many other actors out there who could have pulled off this role, but Cusack does a fine job. Which is a really big thing that this film depends on, because there is virtually no one else in this film. The supporting characters are lucky is they get 10 minutes of screen time. Tony Shalhoub, of MONK fame is only in one scene and Mr. Jackson shares the screen with Cusack for just about ten minutes...to explain the horrors of the room, then he's gone.

Håfström, whose work I'm not too familiar with does an excellent job of bringing King's short story to live with a vivid and creative imagination. He manages to keep the audience on the edge of their seat throughout the film the moment the terror starts. The film's intentions are not to scare you with the "jump" tactic, but tries to pull something deeper, the kind of scare the builds and builds until you can't take it anymore. The entire time we are in this claustrophobic room and we know danger is looming, but we can't escape. We are stuck in this room because Mike is stuck in this room. We know the dangers ahead, we want out, he doesn't. The cinematography is beautiful, especially considering it takes place in one room. From the icy cold snow to the green walls and even the burnt aftermath of destruction, the film is beautiful no matter what is on the screen.

Cusack talking into his recorder acts as his mind trying to grab any sense of reality in this evil room. Trying to debunk the true horrors of what is actually happening. Those true horrors are psychological. One minute something spooky is happening, then next everything is normal. This mind game has been done before and before and here it's brought to the next level. Everything that happens can instantly change. One minute you can be walking in the room full of snow, then next your trapped under water. Being confined to this one room with this one character places tension on the audience as well. We don't know what is going to happen next, but we know it's not good.

There is somewhat of a twist in the film, I won't give it away, but once it happens you see 3 things happen and in this order. One is disappointment, the next is predictability and finally excitement that what you predicted is true. During this third part of things that happen, the scene in which everything is thrown back into focus is superbly done. Kudos to that scene as it is one of the best in the entire film. The main characters life he thought he had all of a sudden comes tumbling down, literally. This whole segment does slow down the pace of the film, but it fits perfectly into the psychological torment of this character.

In the end 1408 is an excellent film that will send shivers down the spines of those wanting a good scare. If you're sick and tired of the played out genres of SAW or HOSTEL, 1408 is something new and exciting and actually good. You won't get much from anyone other then Cusack, but what he brings to the table is indeed a good performance. Every corner and every room within 1408 is something that you will have to see for yourself, you never know what horrors lie next and that my friend, is a good horror film.

Just when you thought it was safe to check into a New York City hotel, along comes Mikael Hafstrom's chilling "1408." Not since Norman Bates terrorized guests at his motel has a paying customer received such treatment during a night's lodging. Although somewhat more cerebral than viscerally frightening, "1408" delivers its share of shocks and frights, and viewers will stay in their seats not to miss the film's twists and swerves. In a cruel blow to fans of 1970's soft rock, listening to the Carpenters' hit "We've Only Just Begun" afterward may stimulate nightmares and certainly will never be the same again.

John Cusack, a cynical writer who has sunk from producing intimate novels to hack work about haunted inns, is lured to a Manhattan hotel where room 1408 is off limits to visitors, because of its long history of inhospitality. With only a knapsack, but tons of baggage from family misfortunes, Cusack insists on a night in room 1408, despite the management's objections. Cusack triumphs over the staff and settles into the chamber's banal decor, which he idly describes piece by piece into his pocket recorder for the intended article. The evening starts to look like a genuine snooze, when the room's unsettling turn-down service, a chorus from the Carpenters, and a radio that begins an ominous countdown unnerve both Cusack and viewers.

Although the "night in a haunted house" routine has been done endlessly since movies began, Hafstrom for the most part effectively plays his audience with an eerie, often jarring, soundtrack, clever cutting, and a minimum of effects. "1408" is a ghost story, not a horror or slasher flick, and, as effective haunting tales have shown ("The Haunting," "The Uninvited"), the unknown, the unseen, and the unexplained are far more frightening than CGI effects. Although reminiscent of "The Shining," another Stephen King adaptation, this film was evidently made on a modest budget. Thus, Hafstrom worked largely with a one hotel-suite set and one mid-level actor. Besides Cusack, Samuel L. Jackson also appears as the enigmatic hotel manager, who warns Cusack about the room, yet seems to know more that he shares. Cusack is fine as always and carries the film effortlessly and literally through Hell and high water. While perhaps not as scary as the premise suggests, "1408" nevertheless provides intelligent entertainment for lovers of old fashioned ghost stories.

It's a hit or miss thing with Stephen King movies. Sometimes there's an exceptional effort by someone with a really strong vision (eg Kubrick, De Palma), but then there are also some big blunders (Dreamcatcher comes first to mind). And then there are those that sort of lie right in the middle, as decent, unpretentious but unremarkable efforts that chill or spill into your living room or movie theater. 1408 isn't a great thriller, but for King fans it'll likely be one of the most faithful- or at least feel faithful- efforts to date, and as such it's pretty creepy and a sure-fire "gotcha" machine. The premise is vintage King: a cynical writer (Cusack) who's books go over the paranormal (with the exception of a personal book about a father and son), and gets sent an anonymous postcard about the Dolphin hotel and room 1408. The manager warns him, fervently, to not stay in the room. But he's insistent to the point where there's no turning back. Slowly, but extremely surely, things start popping up in the room, out of Elsin's own consciousness, perhaps, and as well with the environment changing (fix that heater!), and even a pint-sized version of the hotel manager (who doesn't want to see Jackon ala Indian in the Cupboard?).

It all leads up to a few good twists and turns, but good being the important word here. Unlike the unsuccessful pot-boiler Identity, which also (regrettably) starred Cusack, this isn't contrived for the sake of it. The sudden images of a man with an ax swinging at Elson, the images of ghosts jumping out of the windows (one of them, which I found extraordinary, was shown with the same marks that come with an old movie print), isolation enhanced by a lack of windows to either side, and that bottle of booze. Spiked? Probably not- this is a thrill-ride predicated on lightning-fast imagery, but too fast (it isn't Saw thank goodness), and Elsin's past, notably the death of his daughter. It's usually a conceit that the filmmaker puts in to have the central character to have a dark past loaded with sadness, but here it works effectively in how gradually it all comes out, and how the fear/acceptance of death is something just as, if not more-so, terrifying than anything else the room has to offer.

As I said, not a great film, as sometimes it has that feel of an all-too well-oiled machine by director Mikael Håfström, edging on feeling like there's a checklist somewhere of things to happen in the room to Elsin. But, as mentioned, it doesn't come off as being too unsurprising. On the contrary, there is some originality to how the special effects team- via Cusack, going through many modes of acting like it's a powerhouse audition- bring out the best of what can be offered with a horror-show amusement park. It may be in part like a ghost house, but it's a fun and exciting one, and more watchable than any other PG-13 horror film I've seen in a while. 7.5/10

This adaptation started out very enjoyable, but finished poorly.

I get the feeling (with a certain sour deja-vu) that the movie was written by someone who didn't really appreciate the details of the (very good) source material, and, surprise surprise, who thought their ideas were -so- much better than what the author had come up with.

Wrong.

Where the movie diverges sharply from the original story is where it loses all the atmosphere that has been built up - which is a terrible shame, because there is a lot of well-constructed suspense, the acting is excellent, and there is even a little dark humour thrown in.

My suggestion would be to read the story as King wrote it. It won't take as long, and the ending's better.

A man named Mike Enslin (John Cusack ,though Keanu Reeves was attached for playing lead role in the movie) writes books evaluating supernatural phenomena in hotels, and other haunted locations , as he specializes in debunking paranormal occurrences . Shortly thereafter Mike meets the manager of the hotel Gerald Olin (Samuel L. Jackson) and he checks into the fabled room 1408 in the Dolphin Hotel . Soon after settling in , he confronts genuine terror and stays locked-up . Later on , he gets to communicate his wife (Kate Walsh was originally cast in this film, but was forced to drop out due to scheduling conflict and she was replaced by Mary McCormack) by means of a computer .

This exciting film based on the terrifying story by Stephen King contains chills , thrills , suspense , and supernatural situations . The picture succeeds because the thriller , tension , suspense , as well as a superbly written script delving into the human psyche in such extreme situation and ours instinctive urges for survival . The screenplay manages to be intelligent , intriguing and thrilling , the good thing about this film is that the director made it on an acceptable budget only having to do a few sets , yet the movie works on many levels but is constantly reconfigured . Extraordinary performance from John Cusack in his second appearance in a Stephen King film adaptation , the first was Stand by Me. The picture bears certain relation with ¨The Shining¨ both movies were also shot at the same studio - Elstree, in London . The story this film was based on was almost never written ,Stephen King originally created the first few pages of '1408' for his nonfiction book, "On Writing," as an example of how to revise a first draft. The story, however, intrigued him, and he wound up not only finishing a complete draft, but adapting it for an audio-book compilation of short stories. Colorful and evocative cinematography by magnificent cameraman Benoît Delhomme . Thrilling and suspenseful musical score by Gabriel Yared who had formerly won an Academy Award for Anthony Minghella's The English patient . The motion picture was compellingly directed by Mikael Hafstrom , an expert on terror and sinister atmospheres as proved in ¨Drowning ghost¨, ¨Evil ¨, ¨The rite¨ , and of course ¨1408¨, he's now filming ¨The Tomb¨. Rating : Good , above average . The picture will appeal to Terror buffs and Joan Cusack fans .This is without a doubt a thought-provoking and mysterious film to be liked for terror fans , turning out to be one of the most original horror movies of the last years .