Fast Track

Jason Bateman shined in this average comedy featuring Zach Braff and Amanda Peet. Despite being in a wheelchair for the entire movie, Jason Bateman does a fantastic job making the audience despise his character Chip Sanders. Tom Reilly (Braff) moves back to his wife's home town to take a job working with his father-in-law. Despite his nice-guy efforts, co-worker Chip just won't let Tom feel like he's doing anything right. When we discover that Chip is actually Tom's wife's ex, Bateman's performance had me wishing that Zach Braff would strangle Chip in a fit of rage.

Zach Braff plays the likable main character who, just when you start to cheer for him, finds some idiotic way to disappoint you. I expected a little more from Amanda Peet after her hysterical performance in The Whole Nine Yards, but she performed solidly.

Jason Bateman proves in this flick just why he received so much critical acclaim for Arrested Development.

Writers David Guion and Michael Handelman and director Jesse Peretz must have called in a lot of favors when they made "The Ex," for how else to account for the presence of Zach Braff, Amanda Peet, Jason Bateman, Charles Grodin, Mia Farrow, Amy Poehler, Fred Armisen, Paul Rudd and Amy Adams in as slight an indie comedy as the one they have manufactured here? And "manufactured" is definitely the operative term in this case, for "The Ex" feels contrived and phony from the get-go.

After he gets fired from his job as a chef in an upscale Manhattan restaurant, Tom Reilly (Braff) moves with his wife and infant son back to her hometown in Ohio where he gets a job at the same ad agency where his father-in-law (Grodin) works. One of the employees, Chip (Bateman), an old flame of Tom's wife, Sofia (Peet), tries to sabotage Tom at every turn, undercutting him at work and trying to rekindle the romance between Sofia and himself.

"The Ex" fails on a variety of levels, but the primary one is that, while it is supposed to be a satire of small town, middle American values, most of the characters - with their New-Age quirkiness and bohemian eccentricities - seem as if they'd be more at home living in some converted loft in Soho than on a tree-lined street in suburban Ohio. The setting of "The Ex" doesn't feel like Anyplace, USA; in fact, it doesn't feel like anyplace, period, except maybe the fantasy world of two overpaid Hollywood screenwriters. Add to this an assortment of unappealing and unappetizing characters, a tendency towards sitcom-level humor and plotting, and an over-reliance on heavy-handed slapstick and sight gags, and you have one of the major comedy disappointments of 2007. Braff is definitely a talented actor, but "The Ex" is a career path misfire that should be mercifully forgotten

Just like most people who've written reviews for this film, I too was excited to hear about a film staring two great comedians like Braff and Bateman. How could you go wrong with these two? However, with two inexperienced writers and one inexperienced director; it's not hard to see where this film goes wrong.

The script is at times, very poor and extremely lacking in intelligent or deep humor, the characters are one dimensional and there are a lot of pointless and derivative scenes. There is no real chemistry between Braff and Peet and the soundtrack is somewhat lacking.

It's really awful to see such amazing talents go to waste in such a simple and shallow comedy such as this.

There are however, some great ideas in this film; the only shame is that they are not explored in their comedic entirety. Braff and Bateman are as usual, wonderful and do the best they can with the characters and the script they were given.

Zach Braff ("Scrubs"), Amanda Peet ("Studio 60..") and Jason Bateman ("Arrested Development") help this little film just over the "average" bar. Even though their characters are pretty shallow, they put in a good performance and partly succeed in making you forget about the shabby script. There are a couple of funny moments, but without this cast the movie would have fallen apart, its strictly formulaic approach and lack of any inspiration just being too obvious. It's not as bad as "The Last Kiss", but Braff should choose his options more wisely, unless he wants his well-deserved Garden State acclaim to go down the drain.

Recommended only for fans of the above-mentioned stars, the rest of you is not missing out on anything.

I had high hopes for this film and made my friend watch it. His comment at the end was that he was glad he didn't spend any money on it. I must agree. While I enjoy all the actors involved, the film just doesn't have enough going for it to put it over the top. Too much talent was shown and then not used. This left me wanting.

With regards to the plot element: We care about Tom and Sofia, but Tom acts like an idiot and Sofia appears to brush him off too easily. Of course, this is to play into the plot, but it was too hard to believe after the beginning was set up so solidly. The result is a plot that cannot maintain it's credibility through to the end. It's a light film, so this isn't the greatest of crimes.

All in all, it is enjoyable, but it's middle of the road fare and certainly not worth the 8.1 rating that it is currently riding at. Rather somewhere between a five and a six depending on your perspectives and your mood. If you are rating this film higher, go watch Zach in Garden State and rethink your rating. That film is truly worth it's current 8 rating.

Enough said, 5 of 10.