The Hitcher

There is 1 good thing in this film Sophie Bush. Having watched the original Hitcher with the legendary Rutger Hauer i always remember thinking how creepy the guy was. He was a natural and also pretty much unknown at the time. This remake however had nothing like the effect of the original. Yes maybe because I know whats going to happen even though there are some subtle differences but Sean Bean. I don't think an actor that well known fits this part. The other annoying thing is that no matter what happens to the kids in the film, Attacked, accused of murder blah blah they still continue to their ultimate destination. Any normal person would ring the police or turn around and go back... DOH !!!!

Don't bother in my opinion

So it's no masterpiece. I wasn't expecting one. As a good ol' blood-and-guts horror/thriller, it delivers. I will say is that it's not for the faint of heart, though. This is definitely a gruesome flick, even for today's standards. I was pretty close to the edge of my seat throughout 80 % of the film--so I'd say the film did its job. And watching Sophia Bush (from "John Tucker Must Die") run around in short skirts and tops made the film even more fun to watch. I do have a few mild criticisms. There are some clichéd scenes, like the main characters getting arrested and being taken to one of those precincts that only exist in movies. Only about three people are on staff, making it convenient for the killer to stroll inside, murder the officers in cold blood, and track his prey. Sean Bean plays the villain/title character. Sean's a significantly talented character actor, who most people probably recognize by face, rather than by name. This could've been a much more juicy role for him, but he's not given much to do. His performance consists of sneering and delivering sadistic one-liners in a monotone. I blame this more on his character being underwritten, rather than the actor himself. He has proved in movies like "Goldeneye" that he's capable of playing villains with much more depth. On the other hand, character actor Neal McDonough is given a pretty juicy role as the somewhat sympathetic sheriff. "The Hitcher" is not a film that will go down in history, but if you want to kill an hour and 30 minutes with a kick-a** popcorn flick, it's definitely worth watching.

This high-budget(produced by great producer-director Michael Bay) new version about the classic horror film deals about a young couple(a gorgeous Sophia Bush and Zachary Knighton) driving on a rural highway along barren landscapes. They pick up a hitchhiker(with decent acting by Sean Bean in the role of Rutger Hauer)with diabolic plans, and he results out to be a psycho.The sadistic serial killer terrorizes them while killing several people and framing them for his murders. The hitcher sets up machinations and the cops(Neal McDonough)won't believe them.

In this big budgeted version is showed on screen overwhelming car crashes, breathtaking pursuits, kinetic action scenes, unflinching terror and extreme violence .The film is told with nimble edition and fast pace .There are some noisy scenes with gunfire and blowing up and also the pleasantly visual look is quite nice. Moving and thrilling musical score by Steve Jablonsky. Colorful and atmospheric cinematography by cameraman James Hawkinson. The tale is professionally directed by Dave Meyers, though with no originality. Not without interest, however is obvious needless thriller is justly a spectacular remake inferior to predecessor.The film transpires frenetic action, and sadism that will leave you emotionally and psychically affected.

The previous films were the original, the superior ¨Hitcher¨(1986)directed by Roger Harmon with C. Thomas Howell,Jeffrey DeMoon and Rutger Hauer, ¨The hitcher II: I've been waiting¨(2003)with Thomas Howell, Jake Busey and Kari Wuher( in similar role to Sophie Bush).

I looked forward to the Hitcher remake since the original didn't quite get it right. It had moments and great ideas that I liked, sure. But overall, transparent gimmicks won out over exploring a wonderful premise. Maybe the remake would fix things? Iron out the details? Do things right? Yeah, these hopes came crashing down when I realized it would only compound the problem with even more gimmicks starting with an additional character, Grace.

Now, Grace by herself? No problem. Grace with Jim against the titular Hitcher? Problem. Big problem. Two main characters means dialogue, which for the typical formula screenwriter means opening up Pandora's box. The thriller's plot slows to a crawl so they can chatter, and really, who the hell wants to listen to two characters hysterically informing each other of things we, the audience, can see ourselves? For example, the couple comes across a car on the side of the road. They know the Hitcher has struck. Jim approaches the car, telling Grace over and over (and over) again to, "Stay there! You don't want to see this!" To which she questions, "What is it? What's there?" "Stay there Grace! You don't want to see this! Oh it's horrible!" For all the time spent discovering the car, the bodies inside, and listening to these two, there's surprisingly little there except for the traditional jump scare.

And if you're going to include another character to run around with Jim, write the scenes to play out for two characters instead of mindlessly regurgitating the original (written quite specifically for one character.) The whole "Say: I want to die" sequence, one of the few things I liked about the original loses all of its potency because the knife is on the wrong damn character. Granted it could theoretically play out that way, but as it stands in the film it wants to mimic the original with half-assed sloppy changes so it can make the shallow claim, "Look! I did something on my own." If you're going to change something, have the balls to follow through.

One beef I have with remakes in general (like, The Fog for example) is the tendency for filmmakers to show more under the false pretense that this brings something worthwhile and original to the remake table. A key to any art form (whether it generates art or not) is the idea of restraint – knowing when to show something, knowing when to keep it in shadows, and knowing when to not even bother. The 2007 Hitcher wants to show you everything that happened off screen in the 1986 (the dead family, the equivalent to Nash's death, and how John Ryder escapes from custody) and it forgot to ask, "why did the original choose not to show these things?" and, more importantly, "would it be a better movie if it did?" Another gripe (also in the Fog remake) – the "bigger, badder" phenomena where the remake feels obligated to one-up the original. More explosions! Bigger explosions! More blood! More guns! More cars! Faster! Badder! Yay! Funny thing about the ridiculous, like for example Rutger Hauer taking down a helicopter with a revolver – outdoing it looks just plain stupid. I mean, someone got paid for this script? Why bother when any idiot could take a bottle of white out and some sticky notes to the original and get the same thing? And at the risk of turning this review into a list of complaints, lastly Grace, herself. Certainly the Hitcher had done enough killing, stalking, and taunting throughout the film to take a normal person to the brink of violence, certainly she had motivation for extracting revenge, strangely enough I did not buy that she'd actually arrived at that point to heartlessly pull the trigger despite everything else in play.

Like many remakes, the Hitcher feels like an imitation. The 2007 version may have its hands on the wheel, but the 1986 original is the one really driving.

College couple picks up a mysterious stranger while traveling and soon find themselves in a terrifying situation.

The Hitcher 2007 is a needless remake of the 1986 road horror film that adds nothing nor improves upon anything from the original film. This is one of those remakes that just turns the story of a unique original into a generic, uninspired horror flick. This remake simply ignores the eerie psychological elements of the original, not to mention the road action isn't nearly as exciting or impressive as that of the original. It just pales in comparison on every level. The fact that the hero of the film is changed to a girl is hardly a surprise either. It's just more clichés for a mainstream audience there.

The cast is OK, Zachary Knighton being the only real standout among them. Sean Bean tries for a menacing villain, but isn't nearly as threatening as he could have been. He's a far cry from the convincing madman that Rutgar Hauer with in the original film.

Folks, The Hitcher 2007 is nothing new. Anyone that's seen the original film will find no surprises here, well not any pleasant ones. Though there's some gruesome violence, a fast pace, and a so-so cast it still fails to rise to the greatness of its superior source material. Do yourself a favor and rent the 1986 film instead. You'll get a far better pay off.

* 1/2 out of ****