The Last King of Scotland

I watched this film because i had heard so much about it and it lived up to they hype. The film is totally gripping and Forrest Wittaker is superb as the dictator. I didn't stop watching the film for one second throughout you simply couldn't. Both Whittaker's and the Scottish doctor are very charming characters particularly Whittaker's in the beginning.

Its rare to see such a fantastic film as this which moves at a nice pace pealing away the layer of the dictators true persona and having such a great cast and great acting as well.

Its a pity Gillian Andersons character didn't get more time on screen as shes such a great actress and of course beautiful.

A superb film 9/10

Gripping, brutal and powerful, 'The Last King of Scotland' is a brilliant dramatic depiction of the life of megalomaniac Ugandan dictator, Idi Amin, perfectly portrayed by Forest Whitaker in his Oscar-winning performance as one of the greatest casting against type roles seen in film. His Amin is capricious and unpredictable, a personality that can seem volcanic one moment and vulnerable a few minutes later. A blunt and brutal tale, and one that is highly engaging from start to finish. A taut political thriller about power and corruption. Macdonald's riveting and incandescent direction caps this fictionalised drama, a truly stunning flick that remains as a highlight of film in 2006.

The newly qualified Dr Nicholas Garrigan travels to Uganda to take up a post with a village mission. He arrives just after a coup puts Idi Amin in power of the country. During a visit by Amim to the village, Garrigan captures the President's attention by tending to a small injury to his hand and showing himself decisive and strong-willed. It is not long before the young Garrigan finds himself appointed as physician to the President and ensconced as one of his "closest advisors". However the initial charm shown by Amin gives way to a darker violent streak as Garrigan finds the superficial stability of the country and its leader is nothing of the sort.

Famous now for the performance that will deservedly win an Oscar in a few weeks time, this film actually doesn't have Amin as the "main" character despite him being the draw and the title character. Instead we actually spend a lot of time with Garrigan, his experiences and his problems. Of course I understand why this was the way because Garrigan is out narrative device – a composite character who acts as our way into the inner circle of Amin and allows the audience to experience him as outsiders as well. This works well in doing this but it does also introduce problems, or at least one problem. This is the fact that, as the story goes on, we find ourselves more and more focused on Garrigan (who doesn't actually exist) rather than Amin or Uganda (who did and does exist respectively). I found this a bit irritating as it got worse because I had come to the film for Amin – as, I suspect, many will have done.

Even with this though the film still works well and makes for an engaging piece. Macdonald's direction is good and his moving camera does give it the air of a documentary while still very much being a drama. Of course the thing that makes the film work is the central performance from Whitaker. The character of Amin allows him to play to his strengths and he delivers a convincingly unhinged turn, constantly menacing but also managing to have a child-like sense of fun at times and a terrifying tendency towards ruthlessness and violence. I have said before, he was brilliant in The Shield (making the whole season his own) and he is equally brilliant here. Alongside this it is no surprise that McAvoy is a bit weak by comparison. His character is not so convincing (a side effect of being a composite) and some of the narrative turns ask a lot of him – he is still good and it is not his fault that he is in Whitaker's shadow. Washington has a small role but was pretty good in it even if her presence made me wonder why they felt they had to cast an American actress, likewise Anderson but I assume that they helped get funding so fair enough. McBurney is a bit too slimy and sinister and I wasn't sure what the film was trying to say. Audiences may also recognise Oyelowo from his recent high-profile roles in HBO's Five Days and BBC's controversial Shoot The Messenger.

Overall then not a perfect film but a pretty good one. The use of Garrigan is good at getting us into the story but it is a weakness that we stick with him as the focus. The performances are roundly good but of course it is another terrific turn from Whitaker that makes every scene he is in worth seeing.

How can an actor terrify you without saying a word, without even hardly moving his face or body? I'm not sure how he does it, but Mr. Whitaker does it over and over again in this movie. And then he turns around the next minute and becomes giant hug-able teddy bear superhero. Forget all the others, this is the best horror film of the year. This movie, and his performance in particular, grab hold of you and never let go. Whitaker should win an Oscar for best actor, I've never seen a better performance in my life. Also notable is the Nicholas Garrigan character who is written and acted very skilfully to draw the (non-African) spectator into the world of Uganda and Amin. The way his character willingly "falls into" Amin's web of charisma somehow goes a long way toward mitigating the racist potential of a story about a very troubled (African black) man. The way the interplay of the two lead character's cultural backgrounds plays out on screen moves the story beyond just their personalities and into the realm of incisive socio-political analysis and critique. This movie is quite incredible, really.

Forest Whitaker's ferociously charismatic turn as Idi Amin so dominates this intense historical fiction that it is honestly difficult to pay attention to anything else in this 2006 political thriller. Even though he is definitively the emotional locus, he is intriguingly not the protagonist of the story. That role belongs to young James McAvoy, who plays Nicholas Garrigan, a precocious Scottish doctor who ventures to Uganda to satisfy his need for adventure after graduating medical school. By happenstance, Garrigan is called upon to help Amin with a minor sprain after his private car plows into a cow. Impressed by the young man's lack of hesitancy to take action, Amin appoints Garrigan to be his personal physician, a post that seduces the impressed doctor into the Ugandan dictator's political inner circle and extravagant lifestyle.

Scottish director Kevin MacDonald brings his extensive documentary film-making skills to the fore here, as he creates a most realistic-feeling atmosphere in capturing the oppressive Uganda of the 1970's. Helping considerably with this image are the vibrant color contrasts in Anthony Dod Mantle's cinematography and the propulsive action induced by Justine Wright's sharp editing. Screenwriters Peter Morgan (who also wrote "The Queen") and Jeremy Brock have developed a sharply delineated character study of Amin, who evolves from a magnetic leader giving hope to his people to a scarifying tyrant conducting murders on an imaginable scale (at least until the genocides in Rwanda and Darfur). It is impossible to over-praise Whitaker's towering performance here. He conveys the dictator's playfulness as well as his unmitigated rage moving from simmering to full boil with a power that is at once bravura and subtle. His relationship with the fictionalized Garrigan turns out to be the plot's essential pivot point, although the contrast between the two can be almost too extreme at times.

While McAvoy admirably captures the boyish naiveté of Garrigan, the character is drawn out in rather broad strokes that make his self-delusion all the more contrived as the story progresses. To intensify the political upheaval portrayed, the plot takes a melodramatic turn into an adulterous affair and even folds in the infamous 1976 Entebbe hijacking incident to illustrate Garrigan's increasingly precarious situation. It's all exciting and even downright brutalizing toward the end, but it also starts to feel a bit too Hollywood in execution. Kerry Washington shows genuine versatility as Amin's cloistered third wife Kay, while Simon McBurney oozes cynical suspicion with ease as a British operative. A convincingly Brit-accented Gillian Anderson makes her few scenes count as a weary clinic worker who proves to have better instincts than Garrigan. But see the movie for Whitaker's magnificent work. He is that good.