आलोचक समीक्षाएं

Requiem, the new film from German director Hans-Christian Schmid, is absolutely astonishing. See it if you possibly can.

Requiem is drawn from an incident that was also the basis for last year's demon-seed hit, "The Exorcism of Emily Rose."

Stunningly played story of faith vs. family.

Bogumil Godfrejow's raw cinematography and Huller's poignant, close-to-the-bone performance transform what might have been a morbid curiosity into an entirely enthralling, quietly terrifying experience.

Sandra Hüller, a young German stage actress making a harrowing feature debut, invests Michaela's terrified, possibly schizophrenic outbursts with unholy conviction.

While "Exorcism" focused on a murder-trial battle between the priest and a prosecutor, Schmid's film beautifully details the behavior, events and socio-religious pressures that lead to the decision to perform such an extreme ritual.

Requiem is a moving study of a tortured young woman more at peace with medieval ritual than with modern medicine.

In its subtlety, complexity and dexterity, Requiem is a notably original work.

Though its heroine's mysterious seizures and blackouts are terrifying in the way they undermine her quest for self-determination, Requiem isn't a horror movie so much as a thwarted coming-of-age story, like "Carrie" without the bloody reckoning.

Anybody who's ever seen a movie about exorcism knows that, in cases like this, the first thing to do is call 1-800-PRIEST, which the family does.