Ru guo · Ai
- 2005
- 1 घं 48 मि
IMDb रेटिंग
6.8/10
2.8 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA love triangle develops during the making of a musical in mainland China.A love triangle develops during the making of a musical in mainland China.A love triangle develops during the making of a musical in mainland China.
- पुरस्कार
- 32 जीत और कुल 23 नामांकन
Sandra Ng
- Lin's Manager
- (as Sandra Kwan Yue Ng)
Yi-Chun Chang
- Press Conference MC
- (as Yi-qun Zhang)
Tung-Min Chen
- Hotel Receptionist
- (as Tung Man Chan)
फ़ीचर्ड समीक्षाएं
I love musicals.. somehow I have doubts for this one.
I expected to see a musical, albeit one without any plots. Musicals are born that way, actors sing to what they suddenly feel like. If you look for a plot in a musical, you're going into the wrong movie.
However, this film is.. I can't describe really what it is. It's a musical, yes, and there's a story. I didn't like the way the music is performed in the movie, though. They depended too much on the play-within-play idea to present the music. All the musical performances happened within the 'film' that the three characters were involved in. You can see that whenever the characters are singing, they are doing it in the 'film', and not in the real life situation. I was expecting a performance to come out from the feeling of that character - like Chicago, when Roxie feels like it, she would suddenly sing to the tune 'Roxie Hart' - of course then the song "All That Jazz" is still done in a 'performance' within the movie. In fact, Tsai MingLiang's The Wayward Cloud, sex and other things aside, would make a better musical - the leads would suddenly change clothings and sing whenever they feel like it.
Am i making sense here? Instead of that sort of thing, I wish that the characters would just sing when they're happy (like that scene in "Singing in the Rain") or when they feel sad, and not doing it because the characters are 'in a movie set'. It just takes the notion of Musical away.
Yes, there is a plot, probably better than other musicals, but then the plot is not strong enough on its own. The music is great, at times touching. Jacky Cheung is an amazing singer, and I didn't know Takeshi could sing that well either (plus good looking and can speak canto, oh my..) The slow love songs are the most beautiful. The cinematography are obviously beautiful and carefully arranged. There are many dancing scenes that are nicely choreographed (except that I wished the singers would dance with the background dancers too, instead of them singing in the middle, doing nothing). I wished also that there would be more singing done by more characters instead of just Jacky or Takeshi, and the other Korean guy, whats his name..?
Nevertheless, its a really good try by an Asian director trying to go global. I just wished it would be less Broadway and more unique Chinese/Asian (the setting are all 20s Harlem sort of feel).And I also really wished there were more people singing. I like the Korean guy's character because he's exactly what musical is all about - who that person is doesn't matter, what matters is that he sings whenever he wants to!
So I think it's a good watch, just to see how Asia can make a musical, too. Plus, the music/costumes/set/cinematography are just too nice to miss.
I expected to see a musical, albeit one without any plots. Musicals are born that way, actors sing to what they suddenly feel like. If you look for a plot in a musical, you're going into the wrong movie.
However, this film is.. I can't describe really what it is. It's a musical, yes, and there's a story. I didn't like the way the music is performed in the movie, though. They depended too much on the play-within-play idea to present the music. All the musical performances happened within the 'film' that the three characters were involved in. You can see that whenever the characters are singing, they are doing it in the 'film', and not in the real life situation. I was expecting a performance to come out from the feeling of that character - like Chicago, when Roxie feels like it, she would suddenly sing to the tune 'Roxie Hart' - of course then the song "All That Jazz" is still done in a 'performance' within the movie. In fact, Tsai MingLiang's The Wayward Cloud, sex and other things aside, would make a better musical - the leads would suddenly change clothings and sing whenever they feel like it.
Am i making sense here? Instead of that sort of thing, I wish that the characters would just sing when they're happy (like that scene in "Singing in the Rain") or when they feel sad, and not doing it because the characters are 'in a movie set'. It just takes the notion of Musical away.
Yes, there is a plot, probably better than other musicals, but then the plot is not strong enough on its own. The music is great, at times touching. Jacky Cheung is an amazing singer, and I didn't know Takeshi could sing that well either (plus good looking and can speak canto, oh my..) The slow love songs are the most beautiful. The cinematography are obviously beautiful and carefully arranged. There are many dancing scenes that are nicely choreographed (except that I wished the singers would dance with the background dancers too, instead of them singing in the middle, doing nothing). I wished also that there would be more singing done by more characters instead of just Jacky or Takeshi, and the other Korean guy, whats his name..?
Nevertheless, its a really good try by an Asian director trying to go global. I just wished it would be less Broadway and more unique Chinese/Asian (the setting are all 20s Harlem sort of feel).And I also really wished there were more people singing. I like the Korean guy's character because he's exactly what musical is all about - who that person is doesn't matter, what matters is that he sings whenever he wants to!
So I think it's a good watch, just to see how Asia can make a musical, too. Plus, the music/costumes/set/cinematography are just too nice to miss.
I watched this movie during its recent release in Singapore. I'm not particular musical fan. But this movie is really worth to watch. It's simple story, about love triangle, but I guess the credit goes to its wonderful, simple and touching delivery. Its flashback delivery makes this movie unique. Frankly speaking, it was kinda confusing at the beginning but as the story flows, you may feel the movie touch slowly. Started with how Lin Jian Dong (starting Takeshi Kaneshiro) acts together with Sun Na (starring Zhou Xun) in musical love triangle show, that actually tells the story about their love journey a decade ago. And the movie director Nie Wen (starring Jacky Cheung)trapped in love triangle between the lead actor and actress.
With Takeshi's handsome face, Zhou Xun's good acting and not to mention Jacky Cheung's beautiful and clear voice, it's indeed a good movie to catch!
With Takeshi's handsome face, Zhou Xun's good acting and not to mention Jacky Cheung's beautiful and clear voice, it's indeed a good movie to catch!
This movie is a stunning masterpiece that showcases a whole new versatility for Asian Cinema. It takes the brash exuberance of Moulin Rouge, the musical-bizaro world of Cirque du Soleil, the color palate of Amelie and ratchets up the imagery and the volume to achieve new heights in cinematography. Farah Kahn leaps to the top of the list of my favorite choreographers of this new century. Easily some of the smoothest vocalists of China's pop and ballad scene have been assembled plus a handful of triple-threat actors weigh in to truly pull off this brave work. This is a beautiful film and my favorite foreign film of the new year.
10siensien
I love this movie.
First of all, please do not compare it to Moulin Rouge. Yes, it's opening made it look like a boring musical, but actually the singing and dancing are just eye candies for the audience. The love story presented is simple. I don't even think it as a romance movie. I think of it more as a drama about love more. I guess the reason I felt this way is because I watched the Chinese version (better communication compared to English sub.) and I was in a situation that questioning my own love life. This movie gave me another perspective looking at love relationship.
Don't you feel related to any one of them, or part of? How many of us really have something true? Why do you think Sun Na and Lin Jian Dong still break up at the end of movie? Answers can be diverse and it all depends on your own experience. Yes, Sun Na was once Jian Dong's true love. She messed it up. He loved her ten years ago and still presently, but more complicated with hatred, revenge. There is no way they will be together any more.
It looks like the movie is talking about a love triangle, but I think it's talking about love in general. I relate it to real life. People can be running away not just from poverty, they can be running away from a bad love relationship, bad family relationship to start a new love relationship. How many of us had relationship like Sun Na and Nie Wen's? (Gain from each other's strength, not necessary in a bad intention.) I bet there are a lot.
Anyway, the movie is beautiful. Zhou Xun has always been great. Takeshi did a good job in this film surprisly. Director Chan, I'm waiting for your next great work! No pressure :) When I got time, I will write more.
See you.
First of all, please do not compare it to Moulin Rouge. Yes, it's opening made it look like a boring musical, but actually the singing and dancing are just eye candies for the audience. The love story presented is simple. I don't even think it as a romance movie. I think of it more as a drama about love more. I guess the reason I felt this way is because I watched the Chinese version (better communication compared to English sub.) and I was in a situation that questioning my own love life. This movie gave me another perspective looking at love relationship.
Don't you feel related to any one of them, or part of? How many of us really have something true? Why do you think Sun Na and Lin Jian Dong still break up at the end of movie? Answers can be diverse and it all depends on your own experience. Yes, Sun Na was once Jian Dong's true love. She messed it up. He loved her ten years ago and still presently, but more complicated with hatred, revenge. There is no way they will be together any more.
It looks like the movie is talking about a love triangle, but I think it's talking about love in general. I relate it to real life. People can be running away not just from poverty, they can be running away from a bad love relationship, bad family relationship to start a new love relationship. How many of us had relationship like Sun Na and Nie Wen's? (Gain from each other's strength, not necessary in a bad intention.) I bet there are a lot.
Anyway, the movie is beautiful. Zhou Xun has always been great. Takeshi did a good job in this film surprisly. Director Chan, I'm waiting for your next great work! No pressure :) When I got time, I will write more.
See you.
I saw this movie aboard the plane when I flew back from Beijing to Amsterdam. I saw it on a very bad small 10" (or so) screen, with crackly sound and with a lot of annoying kids around me.
Still I have not enjoyed a movie this much for quite some time. It's much -and I really mean MUCH- better than most of the stuff Hollywood chunks out and I bought it on DVD the day I got back!
For everyone who has ever felt the feeling of losing a love or having an unreachable love, this movie will be very recognizable. It greatly depicts the pain and suffering that can come from true love and although the movie isn't always as easy to follow, it will captivate you and keep you hooked right up to the end.
Apart from the wonderful story, the great backgrounds and superb acting made me an instant fan of Asian cinema. I'd seen a couple of more well known Asian films (like Il Mare for example), but this one opened my eyes entirely. I hope to see more movies like this soon and I recommend it to anyone who can appreciate a good love story!
Still I have not enjoyed a movie this much for quite some time. It's much -and I really mean MUCH- better than most of the stuff Hollywood chunks out and I bought it on DVD the day I got back!
For everyone who has ever felt the feeling of losing a love or having an unreachable love, this movie will be very recognizable. It greatly depicts the pain and suffering that can come from true love and although the movie isn't always as easy to follow, it will captivate you and keep you hooked right up to the end.
Apart from the wonderful story, the great backgrounds and superb acting made me an instant fan of Asian cinema. I'd seen a couple of more well known Asian films (like Il Mare for example), but this one opened my eyes entirely. I hope to see more movies like this soon and I recommend it to anyone who can appreciate a good love story!
क्या आपको पता है
- ट्रिवियाThe Shanghai sequences were lensed by Peter Pau, while Christopher Doyle lensed the Beijing sequences.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Perhaps Love?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $26,04,414
- चलने की अवधि1 घंटा 48 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें