Maine Gandhi Ko Nahin Mara

When I say disappointment, I mean by Jahnu Barua's standard, and not by Bollywood 'standard', if there is any such thing as standard in Bollywood! Undoubtedly, by the yardsticks of Bollywood, Jahnua Barua's "Maine Gandhi Ko Nahin Mara" is a masterpiece, but....

...by Jahnu Barua's standard, this movie is sub par. Jahnu Barua had won awards in Fribourg, Locarno and other places for his movies, he had been one of the pioneers of serious cinema in Assam (after Dr. Bhabendra Nath Saikia,and also, to some extent, Padum Barua, Deuti Duwara and a handful of others) probably the best known Assamese name to the moviegoers outside Assam (after Bhupen Hazarika and maybe, just maybe, Begum Parbeen Sultana); he showed that someone like Indra Bania, otherwise known only as a comedic actor, could deliver serious performance, he has used the talents of Bishnu Kharghoria, the best Assamese actor of all time (in my subjective opinion), in all his movies, he used theater personalities such as Dulal Roy, and has made many Assamese persons think (and to appreciate serious movies).

Of course, the pitfall of making serious movies in a society plagued by cheap Bombay formula movies is that Jahnua Barua had real problems arranging even Rs. 15 Lakhs (that is, Rs. 1.5 Million, or equivalent of USD 35,000), the minimum amount he needed to make a movie in Assamese. I read this in an interview, where he said that, he would give up making movies in Assamese, as it was too much waste of his time and effort to keep struggling to arrange the money. I also read a letter to the editor by someone in Guwahati, who said that when he arrived to watch a Jahnu Barua movie, the manager of the cinema hall declined to run it, not because he was an idiot, but because even after 30 minutes of the scheduled time, there were only 2 (yes, two!) patrons at the box office!

And as a result, someone as dedicated as Jahnu Barua has to make a movie in Hindi in Bollywood style, where a retired college professor gets to live in a huge mansion (in Bombay, of all places!), and the movie has to end with an absurd courtroom drama!

I do not mean that this is a bad movie; this is not. This movie is yards above the usual Bollywood stuff, 99% of which is stolen from Hollywood (and now also European Cinema: a case in point being Bheja Fry). This movie contains the same sincerity of Barua, that made his movies in Assamese excellent. But this movie does not belong to Jahnu Barua; it was obviously handicapped by the terms of the producers, who made it have some of the tell-tale elements of Bollywood escapism.

So, in a nut-shell, between mutation of the Assamese brain and Bollywood, Jahnu Barua is the casualty.

Yet another remarkable film by Jhanu Barua the acclaimed Assamese director in film circles.. Anupam Kher can be proud of his excellent characterization of a retired professor of Hindi literature getting into Alzheimer's disease. Kher can have his soul satisfaction of his best two films in his life-SARAMSH and this film in spite of intervening roles which he has to do for his bread and butter.

Every action of Kher including the way he walks, he smiles, his jokes, his bout of forgetfulness brings tears to the even most rational viewer. Urmila as his daughter is the best support to Kher. The restrained acting by these two and others makes us proud even India can produce such a film. The mock court (more or on the lines of Tendulkar's famous Marathi drama) may be little dramatic but it serves the purpose and clears the cobweb in the minds of the professor. The professor's last reply to the court blames all of us for the death of Gandhi.

This is an excellent serious film. Those whose first language is not Hindi may better see it with subtitles.

Once an English film director was reported expressing surprise why so many Bollywood films come out every year and almost none of them carries a story except filmy romance and skin-show. Here is the answer- Maine Gandhi Ko Nahin Mara, a film by renowned director Jahnu Barua. With Anupam Kher and Urmila's superb acting and Barua's excellent direction the film deserves to be a must see. Bollywood industry should produce much more films of this kind instead of its tradition of producing rubbish films. Direction: 10/10; Acting- Anupam Kher: 10/10, Urmila: 9/10; Story: 9/10; Photography: 10/10; Dialogue: 9/10; Music(Background): 10/10.

What happened to our mainstream Hindi cinema at last? One after other it is coming out with excellent and diverse themes never dealt before. Wow ! When FTII-alumni, internationally renowned Assamese film maker Jahnu Barua and Anupam P. Kher as producer-lead actor comes together, you expect a result to be of very high value. Yes, it is, as what starts off as a touching tale about a Retd. College lecturer (Anupam Kher) who falls prey to Alzheimer disease and how the lives of everybody around him get affected ends on a very topical note of ignorance of values in today's world, very subtly. This is the second feature film in Hindi of Jahnu Barua who directed another one called Apekshaa (1984) though almost all his films are in Assamese and also based in soil there. There are some amazing performances viz. Anupam Kher and also Urmila Matondkar who is quite restrained here. More than anything this film succeeds in making any layman realize and empathize to deal with somebody close whom this disease affects. This film qualifies for select audience, as it is devoid of any of those rubbish commercial elements of forced romance and songs, hero-heroine track or inconsequential sub-plots but come across as very honest film with more substance than style. Bappi Lahiri surprised with his background score. The film has no political overtones as the title suggests but a human story. The problem? Well the story is too simplistically told so much so that to pack it in duration of 1.45 hr, the pace slows down, as the events are not too many. Also, it would be better if it covered more of the disease part and treatment part but of course that was not the focus of the film. The drama in the staged part of the courtroom also lacks that required punch. Nonetheless it put across the message very clearly and aptly and thus succeeds without taking a road to melodramatic Indian ethos or art house cinema. Also, distributor Yashraj Films deserves a pat on their shoulders for bringing a quality product, which is so contemporary, and a must especially for youth audience. A sooner Tax-free status is demanded.

Subtlety is rarely seen in Hindi movies. Maine Gandhi Ko Nahin Mara has plenty of it. The humor, the score, the acting and the story, all come together to make this wonderfully understated film. Yet this movie shows so much depth and understanding of human nature that its able to elicit from the viewer, genuine regard for its characters.

A lot of other reviewers have already talked about how excellent this is. So I will only urge you to watch it. The highlight is certainly Anupam Kher's performance which is layered and brilliant. The day that the Indian audience and critics are able to recognize performances and films like these is the day India can once again be proud of its cinematic history.