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Dreamgirls

  • 2006
  • PG-13
  • 2 घं 10 मि
IMDb रेटिंग
6.6/10
79 हज़ार
आपकी रेटिंग
लोकप्रियता
4,504
3,299
Beyoncé, Anika Noni Rose, and Jennifer Hudson in Dreamgirls (2006)
Theatrical Trailer from Dreamworks
trailer प्ले करें2:31
17 वीडियो
99+ फ़ोटो
ड्रामापीरियड ड्रामासंगीतमय

बेहतरीन अदाकारी और लाजवाब स्टारकास्ट के साथ Dreamgirls तीन गायिकाओं की गज़ब की कहानी है जिन्होंने जाना है कि सबकुछ मुमकिन है अगर आपको अपने सपनों पर भरोसा है।बेहतरीन अदाकारी और लाजवाब स्टारकास्ट के साथ Dreamgirls तीन गायिकाओं की गज़ब की कहानी है जिन्होंने जाना है कि सबकुछ मुमकिन है अगर आपको अपने सपनों पर भरोसा है।बेहतरीन अदाकारी और लाजवाब स्टारकास्ट के साथ Dreamgirls तीन गायिकाओं की गज़ब की कहानी है जिन्होंने जाना है कि सबकुछ मुमकिन है अगर आपको अपने सपनों पर भरोसा है।

  • निर्देशक
    • Bill Condon
  • लेखक
    • Tom Eyen
    • Bill Condon
  • स्टार
    • Beyoncé
    • Jamie Foxx
    • Eddie Murphy
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.6/10
    79 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    4,504
    3,299
    • निर्देशक
      • Bill Condon
    • लेखक
      • Tom Eyen
      • Bill Condon
    • स्टार
      • Beyoncé
      • Jamie Foxx
      • Eddie Murphy
    • 564यूज़र समीक्षाएं
    • 238आलोचक समीक्षाएं
    • 76मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 2 ऑस्कर जीते
      • 67 जीत और कुल 93 नामांकन

    वीडियो17

    Dreamgirls
    Trailer 2:31
    Dreamgirls
    Dreamgirls
    Trailer 2:31
    Dreamgirls
    Dreamgirls
    Trailer 2:31
    Dreamgirls
    Dreamgirls
    Trailer 1:18
    Dreamgirls
    Dreamgirls
    Trailer 2:31
    Dreamgirls
    Bill Condon on Directing J.Lo, Making Twilight Sing, and the Best Movie Musicals
    Clip 5:34
    Bill Condon on Directing J.Lo, Making Twilight Sing, and the Best Movie Musicals
    Black Fashion in Film & TV History
    Clip 1:55
    Black Fashion in Film & TV History

    फ़ोटो252

    पोस्टर देखें
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    + 246
    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Beyoncé
    Beyoncé
    • Deena Jones
    • (as Beyoncé Knowles)
    Jamie Foxx
    Jamie Foxx
    • Curtis Taylor Jr.
    Eddie Murphy
    Eddie Murphy
    • James 'Thunder' Early
    Danny Glover
    Danny Glover
    • Marty Madison
    Jennifer Hudson
    Jennifer Hudson
    • Effie White
    Anika Noni Rose
    Anika Noni Rose
    • Lorrell Robinson
    Keith D. Robinson
    Keith D. Robinson
    • C.C. White
    • (as Keith Robinson)
    Sharon Leal
    Sharon Leal
    • Michelle Morris
    Hinton Battle
    Hinton Battle
    • Wayne
    Mariah Iman Wilson
    Mariah Iman Wilson
    • Magic
    • (as Mariah Wilson)
    Yvette Cason
    Yvette Cason
    • May
    Ken Page
    Ken Page
    • Max Washington
    Ralph Louis Harris
    Ralph Louis Harris
    • M.C.
    • (as Ralph Harris)
    Michael-Leon Wooley
    Michael-Leon Wooley
    • Tiny Joe Dixon
    Loretta Devine
    Loretta Devine
    • Jazz Singer
    John Lithgow
    John Lithgow
    • Jerry Harris
    John Krasinski
    John Krasinski
    • Sam Walsh
    Alexander Folk
    Alexander Folk
    • Ronald White
    • निर्देशक
      • Bill Condon
    • लेखक
      • Tom Eyen
      • Bill Condon
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं564

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    फ़ीचर्ड समीक्षाएं

    6nayanbhula

    Overrated

    After all the nominations and wins, my wife and I finally saw this -- I love this era of soul music, so i was really excited about the music. For the most part the music was good...some overblown American Idol theatrics and shrieking instead of singing, but overall good. I was also excited to see the acting...and in the end I wasn't that impressed. Jennifer Hudson seems to be everyones favorite this year, but I didn't think she had to do to much acting...it was good to see a newcomer, so confident in a role -- but in regards to actual nominations, this is probably the last you'll see of her. Eddie Murphy was good in his very small role, I wish that he was given more dialog or more story...if he wins the Oscar, I guess it's the Academy giving him an award for the bulk of his work. But, Hudson clearly shouldn't win...I hope the Academy looks to the Babel nominees, who had to act, not make music videos with emotion! Costumes and make-up were great, Beyonce's role shadowed her real life...in the sense, beautiful woman, good in various forms, singing, dancing, acting...a great product. Not actual a standout in any of them. In the end OK movie, overrated....definitely.
    7Chris_Docker

    An undemanding and thoroughly enjoyable date movie

    A dream date-movie, Dreamgirls offers to fulfil your fantasies and, if this is the type of movie you dream about, maybe it will.

    A film version based on a stage musical's original book, Dreamgirls scales the octaves of anonymity to eminence for an African-American girl group amid 1960s racial turmoil.

    Just looking at the publicity photos may have persuaded you that Dreamgirls is a sight for sore eyes. Lavish sets and costumes, fabulous choreography, and the lighting and razzamatazz associated with the best stage musicals, all exploding onto the big screen with a grandeur that can banish thoughts of anything else. Watch it as you melt into the arms of your lover. Two very powerful lead singers (Beyonce and Jennifer Hudson) to amaze you with their vocal ranges, and the sort of blockbuster publicity that makes going to see it almost an obligatory cultural event.

    Dreamgirls is intense, emotion-laden eye-candy, but will it satisfy your every wish? Curtis Taylor Jr (Jamie Foxx) is a car salesman bursting to get into the music business as a forward-looking manager at a time when the industry is about to change. At a local talent show, he hears the Dreamettes - young, full of ability, but not getting the breaks. He gets them a deal as backing singers for James 'Thunder' Early. Thunder's blend of soul and rock 'n' roll is at its height, but times are a-changin' and soon the girls are re-launched as The Dreams - at the same time as Thunder's career fades. A few jealousies and heave-hoes later, and they rocket to success.

    Dreamgirls relies on well-established techniques seen in MTV and director-writer Condon's earlier success, Chicago, to ratchet up emotional intensity. A song will start low key in an ordinary setting and modest musical backing, and then segue visually through more extravagant sets until it reaches an emotional climax with full orchestra and bright lights. At times it feels like watching a stage show. The devices are effective but formulaic to the point of being hackneyed. Many of the songs also feel like standard written-for-Broadway numbers, contorted lyrics being used to tell the story and the emotions that the players expect us to share.

    The story has little substance beyond the songs (and the posturing that goes with them), but this matters little if you want to be entertained in a way that demands no long/deep attention span, or if you want to nip out for more popcorn, or even turn away for a canoodle until the volume tells you to come up for air. The inclusion of many set stage productions as the girl-group tours enables ample opportunity for show-stopping dance sequences, fabulous lighting and costumes to die for.

    The film showcases two discoveries: one is that Eddie Murphy can work outside of comedy. The other is the remarkable talent of Jennifer Hudson (a competitor from the TV singing contest, American Idol) who demonstrates that she can stop you in your tracks as an actor as well as a singer.

    But having Hudson and Beyonce together has its problems as well as benefits. Both are remarkable singing divas. This has some relevance to the story since there is a certain rivalry between their characters, but in a movie about a girl-band that is meant to evoke images of groups like the Supremes, they are vocally two divas too many. The large proportion of songs show off their incredible individual vocal talents - but as leads rather than as harmonies. At times, it is maybe like having two high-intensity Aretha Franklins advertising the Dolby-Digital sound dynamics rather than having Ronettes, Stylistics or Supremes soothe the eardrums. The film is about a girl group, yet focuses almost entirely on its two strongest singers. In the absence of a story with depth, characters with substance, or a worthier tribute to an era that had more originality than this big budget production, I longed for a gentle, all-girl ballad.

    Dreamgirls contains all the talent that money can buy and more. It has more Academy nominations in its year than any other movie, but none of them in the major categories. So sad, but it lacks true greatness.
    9Screen-Space

    A great American musical....

    Screened overnite in Australia for critics and industry.

    Ten minutes into director Bill Condon's adaptation of the hit musical, I whispered to my friend "There's no way the film can go at this pace for two hours!" Because up to that point, we had been utterly dazzled by breathtaking staging, impassioned performances and a display of film-making craftsmanship in all its forms (direction, editing, design) that had the packed audience stunned.

    Well, two hours later, I'd been proved wrong. Condon has created a vivid, emotional spectacle that will dominate the 06/07 Oscar nominations. Dreamgirls is one of the five best movie musicals ever made.

    There is really nothing new about the storyline - smalltown singers make it big and ride the roller-coaster of fame. But thats what works so well for the film - the great cinematic clichés are embraced and played to the hilt by a creative team, both behind and in front of the camera, that knows what makes a great Hollywood musical.

    There's not one weak link in the cast. Condon's camera is in love with Beyonce Knowles and she handles the journey from the innocence of the groups early years to the staggering success and fortune of the group at its peak with surprising range. While most singer/actress attempts are failures (Madonna, Whitney, Britney, k.d. lang), Beyonce proves to have genuine talent.

    Jamie Foxx centres and grounds the film in a less-flashy role but one that is crucial to the films credibility.

    But there are two standouts. Eddie Murphy as fading star Early has never done better work. And Jennifer Hudson delivers an absolute tour-de-force performance in a role that sees her dominate every scene she is in. Her belting solo number was applauded by the audience (a rare enough occurrence during an industry screening but a moment that was repeated a few times thru the film). Hudson is a lock for the supporting actress Oscar, even this far from the ceremony.

    Dreamgirls is a better movie in every way than recent award winning musicals Chicago and Moulin Rouge (both of which I am a huge fan). It is a film that tells a classic rags-to-riches story utilising great cinematic technique and bravado. 2006 has offered up some great movie-going experiences for me (Thank You For Smoking, Children Of Men, V For Vendetta, Little Miss Sunshine); for the sheer cinematic thrill it provides, however, Dreamgirls proves to be the best two hours I've spent in a cinema this year.
    6Britinmiami

    Jennifer's Show!

    You have to put this movie into perspective! I enjoyed it but it was not until later that I realized that it was not that good! It entertains and that is about it! Well some people may say what more do you expect! Well I suppose I wanted the film to be more than it really is. Then again I also wanted the score to be bigger and better than what it was! The story line is OK and does refer to the Supremes story as we all know... However, the music apart from the "BIG" number is boring. I bought the CD and played it twice and got bored! I immediately listen to Wicked and what a major difference! Now that is what you call a great score! The greatest thing about this movie is Jennifer Hudson! She is perfect for the part and she does a great job with her acting. Also she gives a great performance of a really great song. Everyone knows she was under pressure to reach the levels of Jennifer Holiday and I think she did a good job. However, its was her acting ability that pulled it off.

    The other star of this show was Eddie Murphy. He was quite outstanding in this film and his role was almost believable. The problem he had was that he was not given enough time to develop the role...

    The other huge gap in this film was the relationship that was supposed to exist between Foxx and Hudson. Where was it? I think they could have cut the terrible slushy scenes with Foxx and Knowles and concentrated on the relationship with the other two. Now that would have made the film much more interesting.

    Ah but we have to have our eye candy Beyonce to sell the film. What a pity any time was spent on her as I must be the only person around who is not bothered if I never saw her again! However, I am certainly going to follow the career of the brilliant Jennifer Hudson! You go girl!
    9nibbly

    A Triumph!!

    What a spectacular movie musical experience! This is one worth waiting in line, if not purchasing advance tickets for. Beautifully realized by writer-director Bill Condon, 'Dreamgirls' brings back thoughts of a few years ago when the movie musical version of 'Chicago' knocked our socks off, and (with the help of the gorgeous 'Moulin Rouge') helped to revive the modern movie musical. The sets, costumes, musical numbers all flow beautifully and make for an incredibly affecting motion picture.

    As amazing and eye-popping as all of the scene work and musical numbers are, this is, ultimately, a movie rooted in its performances. Jamie Foxx gives further credence to his stature as an incredibly talented musician, and Beyonce Knowles (known for her vocal talents) still manages to impress with her songs and her voice. Not to mention her stunning beauty, as each costume and scene in which she appears seem to top one another in terms of showcasing her incredible beauty. Eddie Murphy blew me away with not only his truly heartfelt performance as Jimmy Early, but his amazing voice and showmanship. What a talent! Anika Noni Rose, who I fell in love with on Broadway in 'Caroline, or Change,' gives her performance as Laurelle soul and a deep, rich vocal styling. But let's face it..we are all going into 'Dreamgirls' wondering if 'American Idol' contestant Jennifer Hudson can pull it off. She has quite a bit to live up to, as Jennifer Holliday's performance as Effie White in the original Broadway production is legendary. Add to that the fact that this is Ms. Hudson movie debut, she must have been feeling a huge weight on her shoulders to do the part, as well as the show, justice. If she isn't able to do anything less than nail the part of Effie, as well as her signature song, 'And I am Telling You,' the whole production, no matter how great the other aspects hold up, runs the risk of crashing loudly. The question on everyone's mind is: Can she do it?

    Let me just say this... I have never sat in a theater watching a musical where the audience erupted in applause like they would in a Broadway theater after a performer's song. Everyone (and I mean everyone!) was wildly applauding when she struck her last note in 'And I am Telling You.' It was such an intense experience to be a part of. I mean...as I am writing this, I am getting goose bumps. But not only is her singing tremendously effective, but her actual performance is just as good. She brings a vulnerability and an innocence that perhaps would not have come through had the part been given to a more experienced movie performer. Ms. Hudson is nothing short of breathtaking and, even if you are not crazy about the rest of the picture (doubtful), you will almost certainly be amazed by her talent. Just remarkable. This has to be one of the most impressive motion picture debuts in the history of cinema. Even during the closing "curtain call," when Jennifer Hudson's name was shown, there was, again, wild applause. A star has been born!!!

    Eddie Murphy Through the Years

    Eddie Murphy Through the Years

    From Reggie Hammond in 48 Hrs. to Chris Carver in Candy Cane Lane, take a look back at the iconic career of Eddie Murphy.
    See the gallery
    Production art
    फ़ोटो

    इस तरह के और

    एक असुविधाजनक सच
    7.4
    एक असुविधाजनक सच
    The Queen
    7.3
    The Queen
    Dream Girls
    7.5
    Dream Girls
    The Last King of Scotland
    7.6
    The Last King of Scotland
    Little Miss Sunshine
    7.8
    Little Miss Sunshine
    Ray
    7.7
    Ray
    4.6
    Dream Girls
    If Beale Street Could Talk
    7.1
    If Beale Street Could Talk
    हार्लम नाइट्स
    6.1
    हार्लम नाइट्स
    Boomerang
    5.6
    Boomerang
    नटी प्रोफेसर
    5.7
    नटी प्रोफेसर
    Respect
    6.6
    Respect

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The film, and the original Broadway musical, are based heavily on The Supremes (later known as "Diana Ross & The Supremes"). Curtis Taylor, Jr. represents Motown Founder Berry Gordy. Both men worked in the automotive industry before focusing on music, and integrated aspects of the automotive business into the music making process. Both were romantically involved with the lead singer of their label's most successful female group. Effie's departure from the group closely matches Florence Ballard, whose voice was much more powerful than Ross's.
    • गूफ़
      When Deena and the girls perform the disco version of 'One Night Only', the stage backdrop is made up of computerized moving head lights, which didn't exist at the time.
    • भाव

      Curtis Taylor Jr.: Who was the first artist to sing "Hound Dog"?

      C.C. White: Elvis Presley.

      Curtis Taylor Jr.: Big Mama Thorton. She had the number-one single on the R&B charts, but the white stations wouldn't play it, because to them it was just another race record.

    • क्रेज़ी क्रेडिट
      The film begins immediately after the distribution studio logos, with no opening titles/credits of any kind.
    • इसके अलावा अन्य वर्जन
      In 2017, Paramount released a "Director's Extended Edition" of "Dreamgirls." This version runs ten minutes longer than the theatrical version and contains changes which include the following:
      • The opening talent show scene has extended performances of "I'm Looking' for Something'" and "Goin' Downtown," including a longer scene on the stairs outside the Detroit Theater, where Curtis offers Marty a cigarette and a sales pitch after Charlene and Joanne walk out on him, and Curtis catches a first glimpse of Deena
      • Sung dialogue leading up to "Steppin' to the Bad Side" ("You've got me to think for you now...") proceeds the scene in which Curtis tells Wayne and CC of his plan to sell off the car dealership, similar to the lead-up to the song in the original Broadway show. This scene takes the place of the shorter, spoken word alternate version used in the theatrical version
      • All shots of Wayne enacting Curtis' payload plans at radio stations are replaced with scenes of the Mafia members Curtis makes a deal with distributing the records and the money
      • The Jimmy & the Dreamettes performance section go "Steppin to the Bad Side" is extended
      • "Love You I Do" is extended by adding an instrumental break under the scene in which Michelle gets a job at Rainbow Records, and then showing Effie sing the song's second verse on camera
      • "Heavy" is extended by adding a break and a chorus, and placing more emphasis on Effie keeping an eye on Deena's image taking over the TV studio monitors
      • There is an extra shot of Curtis and Deena's mansion as Deena heads to the service car outside
      • An extra scene shows Curtis, C.C., Wayne and other Rainbow executives at a board meeting, at which Curtis decides to finance his "Cleopatra" film pet project with a 10th anniversary special (This scene includes two F-bombs by Jamie Foxx; the Director's Extended Edition is unrated as a result)
      • "Patience" is extended by adding extra choruses to the section in which Jimmy and Lorrell record the song, accompanied by a choir
      • "Perfect World" is extended by including a full verse and chorus
      • "I Meant You No Harm" and "Lorrell Loves Jimmy" are both extended by a few bars
      • Jimmy's silent glare at Deena basking in her fame at the Rainbow 10th anniversary TV special is replaced by sung dialogue ("Because I was here long before you...") similar to the "Firing of Jimmy" scene in the original Broadway show
      • "I Miss You, Old Friend" is extended by a few bars
      • "Effie, Sing My Song" - sung dialogue in which C.C. and Effie reconcile - is added in place of the spoken word alternate version used in the theatrical version
      • "One Night Only" is performed in full (only half is used in the theatrical version). At the conclusion of the song, Curtis' Mafia associates come to Effie's performance in Max Washington's bar, which is how they get word (and a tape) to alert Curtis
      • Curtis has an extra line of dialogue when being interviewed on the Dreams' farewell performance red carpet, in which he announces that his new artist, Tania Williams, will be releasing her debut album in a month
    • कनेक्शन
      Edited into Dreamgirls: T4 Movie Special (2007)
    • साउंडट्रैक
      I'm Looking for Something
      Written by Henry Krieger and Tom Eyen

      Performed by Maxi Anderson, Charlene Carmen, and Keisha Heely

      Produced by The Underdogs (Harvey Mason Jr. and Damon Thomas)

      Published by Dreamgirls Music (ASCAP) admin. by Universal-Geffen Music and Dreamettes Music (BMI) admin. by Universal-Geffen Music

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल25

    • How long is Dreamgirls?Alexa द्वारा संचालित
    • Is "Dreamgirls" a biographical film about The Supremes, like "Ray" and "Walk the Line"?
    • Why does the film use showtunes instead of songs that have the Motown Sound?
    • Why are there so many songs in "Dreamgirls" (and other song tidbits)?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 25 दिसंबर 2006 (यूनाइटेड स्टेट्स)
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