IMDb रेटिंग
5.4/10
1.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंFranssou, a Parisian teacher inherits money and goes to French Riviera. At hotel, she meets Stéphane arranging Elton John's visit. Intrigued, she pursues him as he's vulnerable, seeing an op... सभी पढ़ेंFranssou, a Parisian teacher inherits money and goes to French Riviera. At hotel, she meets Stéphane arranging Elton John's visit. Intrigued, she pursues him as he's vulnerable, seeing an opportunity.Franssou, a Parisian teacher inherits money and goes to French Riviera. At hotel, she meets Stéphane arranging Elton John's visit. Intrigued, she pursues him as he's vulnerable, seeing an opportunity.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
1jrwp
This may be indeed the worst film billed as a serious feature to have ever been made. Besides the ridiculous "love story" between two disgusting characters, the plot proceeds without giving any regard to the several propositions (some of them admittedly intriguing) which are made at the film's start. As the standards of production are up to the commercial circuit, one does not feel immediately tempted to click out the DVD and go on to some more rewarding chore. Thus proceeds the expectation that, somehow, the apparently random sequences of scenes - some of them slightly funny, mainly due to the performance of the Formula 1 retired driver - will wrap up in some slightly logical way. No way. The ending is so absurd, that I felt inclined to shoot at my TV set. Of course, this would only add injury to the insult.
It's so awful it's not logical; the character of Stéphane is never charming, gentle or other nice adjective, which would make me believe Frassau could fall in love with the guy. He is not even handsome, and he doesn't have the ability of saying the worst things one can imagine and still be cute and charming. He uses her, he slaps at her, and she stays with him like a puppy with his master. I must say that as a girl I was offended, to fall in love with a guy like that one has to be or mad or desperate, and very in both cases. The scenario is not beautiful; there is not even formal beauty in the takes, or something that would make the film worthy. Sorry to say this, but at least is true for me, if I could grade it with a 0 I would
Do not try to compare this movie with the eyes of watching American cinema. It is a simple and funny french movie. Cluzet is perfect, Garcia and Carré are great and the scenery lives up to the beauty of Cote D'Azur. Yes, the end was due for the rest of the movie but, who cares?
This french movie is not so bad.There's maybe not so interesting and very regular,or even a little bit Hollywood,in the beginning,but it's gonna be cool after that.If you like movies made by France,so buy this movie on DVD and watch this.That's my recommendation.The acting is good,the directing of the picture is also good enough.This is comedy and you find yourself really funny till the end of the film. " "When I was just as far as I could walk
From here today,
There was an hour
All still
When leaning with my head against a flower
I heard you talk.
Don't say I didn't, for I heard you say--
You spoke from that flower on the windowsill--
Do you remember what it was you said?" Robert Frost"
From here today,
There was an hour
All still
When leaning with my head against a flower
I heard you talk.
Don't say I didn't, for I heard you say--
You spoke from that flower on the windowsill--
Do you remember what it was you said?" Robert Frost"
When I first watched this movie, I had absolutely no clue as to what it was about - perhaps one of the reasons I enjoyed it so much, since I (apparently unlike the other people who commented) didn't expect it to be a romantic comedy.
The movie itself is very surprising and funny - the story is that of Franssou, a young woman who inherits a large sum of money and decides to live it out in Cannes. There she meets Stéphane, a conman who desperately needs money... and from then on, the plot evolves into a delightful love story where Franssou tries to con Stéphane into admitting he's in love with her.
The dialogues were amazing and served by the acting: José Garcia was wonderful in his role - sure of himself and macho when conning people while sometimes completely baffled when faced with Carré's cheeky Franssou; Cluzet's René... I can't even begin to define how much the character made me laugh. The use of a few running jokes (René's obsession with cars, the Asiatic tourists at the hotel) didn't hamper the movie but indeed made it even more enjoyable and I can't help but find the writing truly wonderful. Another plus is Luis Rego's role in the movie - the man is always funny.
To address some of the other commenter's criticism, I'd like to say that: 1) While the movie does work with the same theme great American comedies of the 50's do, it uses their basic premise and works on it to achieve something different and new which, IMHO, is worth seeing. 2) Re: Mr Bowen's idea that because Stéphane is French-Arab, the movie is a parable for... well, he doesn't actually say, but apparently it's bad. I'm amused by that reaction because Stéphane's ancestry is not a plot-point in the movie - indeed it is not mentioned at all, which makes me wonder how he got "French-Arab" from an actor of Spanish decent. The film is a romantic comedy, stop trying to see metaphors on society in it.
This movie is basically good, light-hearted fun. Watch it and you'll have a smile on your face for the rest of the day - it's the best thing that can be said about a romantic comedy.
The movie itself is very surprising and funny - the story is that of Franssou, a young woman who inherits a large sum of money and decides to live it out in Cannes. There she meets Stéphane, a conman who desperately needs money... and from then on, the plot evolves into a delightful love story where Franssou tries to con Stéphane into admitting he's in love with her.
The dialogues were amazing and served by the acting: José Garcia was wonderful in his role - sure of himself and macho when conning people while sometimes completely baffled when faced with Carré's cheeky Franssou; Cluzet's René... I can't even begin to define how much the character made me laugh. The use of a few running jokes (René's obsession with cars, the Asiatic tourists at the hotel) didn't hamper the movie but indeed made it even more enjoyable and I can't help but find the writing truly wonderful. Another plus is Luis Rego's role in the movie - the man is always funny.
To address some of the other commenter's criticism, I'd like to say that: 1) While the movie does work with the same theme great American comedies of the 50's do, it uses their basic premise and works on it to achieve something different and new which, IMHO, is worth seeing. 2) Re: Mr Bowen's idea that because Stéphane is French-Arab, the movie is a parable for... well, he doesn't actually say, but apparently it's bad. I'm amused by that reaction because Stéphane's ancestry is not a plot-point in the movie - indeed it is not mentioned at all, which makes me wonder how he got "French-Arab" from an actor of Spanish decent. The film is a romantic comedy, stop trying to see metaphors on society in it.
This movie is basically good, light-hearted fun. Watch it and you'll have a smile on your face for the rest of the day - it's the best thing that can be said about a romantic comedy.
क्या आपको पता है
- साउंडट्रैकDon't go breaking my heart
Composed by Elton John (as Ann Orson)
Written by Bernie Taupin (as Carte Blanche)
Duet
Performed by Elton John & Kiki Dee (1976)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $69,67,931
- चलने की अवधि
- 1 घं 46 मि(106 min)
- रंग
- पक्ष अनुपात
- 1.85 : 1
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