A Bird of the Air

A man finds a bird and tracks down its previous owners with the help of a traveling librarian. This is an interesting story that kinda makes me want to check out the book it's based on. And I don't even like birds.

I feel like this movie takes a search for identity in a unique direction and pulls off the romantic subplot more successfully than other films I have seen in this tone.

My biggest complaint is the characterization of the female lead. She has a manic pixie dream girl vibe going, and at times she seems obnoxious for no reason. I never really felt like I understood her the way I understood Lyman. There's also some narration that doesn't feel needed; it's not very consistent and it doesn't go all the way through the film.

That being said, I think this films succeeds more than it fails. Seeing Lyman develop and interact with more and more people felt gratifying to watch.

and little more. a bird, a search and a couple. the story is, in same measure, adorable, credible, sweet and wise. a kind of parable about life beauty and sense. and a not little role for its success remains the work of Rachel Nichols and Jackson Hurst chemistry. a film with all spices who gives to its public joy and few crumbs of cinnamon. and a not bad script who creates interesting characters and gives precision to details and inspired rhythm to atmosphere. histories, humor, duty and love. in a perfect package. that is all. is it enough ? in this case, strange fact, the answer may be yes. only for few animals. and a green bird.

There were a lot of good moments in this movie. But how to describe it overall? Perhaps it tried to be just a little bit slice of life and just a little bit stream of consciousness? The two leads each did a great job and they worked well together. I thought it was fairly well written. And the subtle humor moments were perfect! Pretending for a moment that I can tell for sure, I thought the directing, the editing, even the camera work were all mostly quite well done too.

On the rating, there was one sex scene that could have been (should have been) toned down. There's always something bizarre about our entertainment world and their ratings always trying to overtly sexualize kids. Why give 13 year olds a short snippet of a super sexualized moment to take notice of? Well there are a few obvious guesses, none of them good. Why for any of us across all ages? Most aren't after vicarious sex for a lovely, healthy sex life. There's naturally a lot of questioning across the land about the healthiness of relationships among those who think we all need a lot of vicarious sexuality. And there are a lot of face palms out here in the world.

I just can't say enough about this great little indie jewel. All the actors shine, the production values are superb and the normal compressions and compromises inherent in bringing a sparkling novel to the screen have been thoughtfully and artfully chosen. Sure, all we jaded film fans have seen it before, just not always this heartfelt and fun. This film left me wanting more, in the good way.

I highly recommend this for those who want to share a moving experience with someone special. Even better share this with someone you want to become special.

This film is virtually bereft of objectionable content. Younger children may become invested in characters that suffer the vicissitudes of temporal existence. There are some suggestive situations. Parents may want to preview the movie before sharing it with the family. That said, a very rewarding film. Highly recommended!

Character actress turned filmmaker Margaret Whitton demonstrates real directorial savvy with A BIRD OF THE AIR, an appealing dramedy adapted by Roger Towne ("The Natural") from Joe Coomer's 1992 novel THE LOOP. Indie production may be low-profile amongst the high-concept Hollywood product out there, but is a highly recommended movie.

Originally optioned by Oprah and later acquired by Matthew McConaughey as a vehicle for himself and post-SAHARA (but pre-Oscar) Penelope Cruz, Whitton's eventual version benefits from casting unknown leads.

Jackson Hurst toplines as Lyman, a handsome introvert with zero social skills, whose job is cleaning up the interstate in rural New Mexico by night, aiding stranded or injured motorists. A beautiful, flighty young librarian Fiona (winningly personified by Rachel Nichols) sets her romantic sights on Lyman, and a decidedly unconventional bond develops between the mismatched pair.

A couple of non-human characters balance and amplify the drama, as a parrot mysteriously flies into Lyman's trailer home one day, an aged, lost soul like our orphan hero. Fiona's basset hound is the other leading player, at first downright hostile to Lyman, but later helping to break down his protective shell.

Much of the narrative revolves around Lyman's quest to track down the previous owners of the parrot, while Fiona researches Lyman's own shady background. Director Whitton has cleverly distorted the voices of those owners to provide a voice for the humorously loquacious bird, whose pronouncements hint at the film's underlying themes.

Brief but telling character turns are provided by the succession of owners, all sympathetically acted by a diverse group of talents including Buck Henry, Judith Ivey and Phyllis Sommerville. Film buffs will also note a welcome (albeit fleeting) return to the screen by Anjanette Comer as Buck's wife. Also forceful in support is Linda Emond as a diner waitress who mothers Lyman and narrates the picture.

Flavorful but not showy lensing by Oscar-winner Philippe Rousselot is a plus, and the film remains offbeat without succumbing to the cutesy clichés that tempt so many indie efforts of late. Hurst is disarming as the central hunk, acting in a style reminiscent of early Harrison Ford (before he started taking himself a bit too seriously) and Nichols, in quite a turnabout after co-starring opposite CONAN THE BARBARIAN, is a radiant heroine.