Mørke
- 2005
- 2 घं 4 मि
IMDb रेटिंग
6.7/10
4.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThe story of Jacob, who investigates the circumstances surrounding the death of his sister on their wedding night.The story of Jacob, who investigates the circumstances surrounding the death of his sister on their wedding night.The story of Jacob, who investigates the circumstances surrounding the death of his sister on their wedding night.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 7 कुल नामांकन
Lisbet Lundquist
- Caroline
- (as Lisbeth Lindquist)
Anne Sofie Espersen
- Sonja
- (as Anne Sofie Byder)
Lærke Winther
- Hanne
- (as Lærke Winther Andersen)
Hother Bøndorff
- Joan
- (as Hother Bøndorf)
- …
Katrine Hartmann
- Rikke Bjerre
- (as Katrine Hartmann Nielsen)
फ़ीचर्ड समीक्षाएं
Mørke... Darkness... a movie consisting of, revolving around, set in and taking place in the cover of darkness. A movie about suicide close to you, made by probably the two most fitting people in Danish show business; Nikolaj Lie Kaas, whose mother committed suicide, and whose father drowned, in what may have been a suicide, and Jannik Johansen, whose sister committed suicide. This was a necessary film to make, for both of them. And us Danes need it too, because of the message it so beautifully communicates: we're not open enough about death. It's taboo. We don't talk about it... we just don't. And that's a mistake. As a character so perfectly says it in this film: "We don't talk about death. That's why it's so hard." The plot is brilliant. It makes sense and holds water(to some extent; it will be become clear to most viewers that Jannik Johansen chose dramatic effect over realism for some parts in the film). Also, it leaves room for Kaas' character to ponder, wonder and feel guilty. Without the internal conflict of Jakob, our main character, the film wouldn't be what it is. The pacing is absolutely perfect. I was never bored for a second. The acting is flawless. Nicolas Bro and Kaas are astounding. The characters are exceptionally well-written and credible. The dialog is great. Not one line seems contrived. It's put to great use, too; in one of the first scenes, Jakob's relationship with his sister and their mother, not to mention their(or is that... our?) relationship with death. Johansen also does a great job of underplaying cinematic effects... several scenes end with an unpleasant twist that adds something entirely new to the whole scene. The whole film through, we're delved into the mystery, not knowing who to trust, or what to think. We feel Jakob's powerlessness, his panic, and his guilt. We follow his travel into his own darkness as he unravels the truth. There are several scenes of high intensity, incredible tension and great suspense. Johansen has a tendency to draw out scenes that are in actuality quite short, and with great effect. This is, in my opinion, the greatest accomplishment in Danish cinema. I recommend this film to any fan of Danish films, thrillers and/or dramas. If you think you can take it(it's definitely not for the faint of heart), you should give it a chance. There's a big chance you'll find it every bit as deep, strong and emotionally involving as I did. 10/10
I like psychological thrillers...Danish films are good at that. Movie to think about and dwell on tomorrow...and then let it go.
Watching "Mørke" is a tedious affair, especially given that the Danes are currently far ahead of the other Nordic countries when it comes to cinematic artistry. Why Jannik Johansen settled for such a monotonous narrative will be the actual great mystery of this film. "Mørke" is a highly generic thriller film, that doesn't even attempt at delivering some actual thrills or suspense for its viewers. The otherwise talented Nikolaj Lie Kaas seems uncomfortable venturing around the eponymous town, looking for answers to the death of his sister. While perhaps not outright uncomfortable for the audience, it definitely is a lackluster experience.
Acting is great, photography and ambient is nice, but the story becomes just ridiculously and absurdly stupid somewhere around the middle of the film.
Not just that the main character behaves as a total idiot ( I won't say more, as I don't want this review to have a spoiler but you'll get it) but also all the other characters behave like brainless crowd.
Not just that the main character behaves as a total idiot ( I won't say more, as I don't want this review to have a spoiler but you'll get it) but also all the other characters behave like brainless crowd.
I wasn't exactly sure quite what happened in this film. The more I thought about it the more murky it got.
The film begins with some obscure quote from philosopher Albert Camus who apparently propounds the idea that the we struggle to seek meaning in a meaningless world. I assume that this was a film about assisting or facilitating suicide.
Ankers parents may have been assisted towards their demise. Anker seems compelled to help people to slip their mortal coil. But what are the chances that every young female disabled person that he meets seeks to end their own life. Or that they would all choose to marry him. Or that they would all commit suicide on their wedding day in the bath. It is so unlikely that if this did ever happen then actually they must all have been murdered.
The essential mystery is 'Did he kill them or didn't he?'.
The one person who definitely did kill someone by stabbing them was subsequently allowed to go free? I struggle to come to terms with the central absurdity of the film.
Ultimately are we supposed to believe this unlikely series of suicides or are we invited to suspect that this is serial murder.
It would have been better with only two victims instead of four. With four, the central concept collapses under the weight of improbability. Otherwise it is a well made film.
The film begins with some obscure quote from philosopher Albert Camus who apparently propounds the idea that the we struggle to seek meaning in a meaningless world. I assume that this was a film about assisting or facilitating suicide.
Ankers parents may have been assisted towards their demise. Anker seems compelled to help people to slip their mortal coil. But what are the chances that every young female disabled person that he meets seeks to end their own life. Or that they would all choose to marry him. Or that they would all commit suicide on their wedding day in the bath. It is so unlikely that if this did ever happen then actually they must all have been murdered.
The essential mystery is 'Did he kill them or didn't he?'.
The one person who definitely did kill someone by stabbing them was subsequently allowed to go free? I struggle to come to terms with the central absurdity of the film.
Ultimately are we supposed to believe this unlikely series of suicides or are we invited to suspect that this is serial murder.
It would have been better with only two victims instead of four. With four, the central concept collapses under the weight of improbability. Otherwise it is a well made film.
क्या आपको पता है
- ट्रिवियाWhile 'Mørke' is in fact a town in Jutland, Denmark, it is also the Danish word for 'Darkness'.
- कनेक्शनReferenced in Natholdet - med Anders Breinholt: Nikolaj Lie Kaas (2012)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Murk?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- DKK 2,20,00,000(अनुमानित)
- चलने की अवधि
- 2 घं 4 मि(124 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें