Lassie

I haven't seen the Liz Taylor version but I'm guessing that this one is a bit grittier. There are some nasty scenes of cruelty to dogs, although you never actually see one getting hit (they wouldn't be allowed to, would they!) so don't take a child if they're exceptionally sensitive. There are some great supporting roles from legendary actors such as Peter O'Toole and Gregor Fisher (Rab C Nesbitt), with cameos from the likes of Robert Hardy, Edward Fox and Angela Thorne (To The Manner Born, Maggie Thatcher impersonator) and the kids are cute but not too saccharine. But the scene is definitely stolen by the dog. Just as it should be, and a Christmassy ending to boot. Great family entertainment for kids over eight.

Wonderous, wonderful, charming, excellent, sad and happy. I really enjoyed this movie. So will most people except for one moron on this review board. What a lovely movie--the direction, the acting--animal and human---the photography, all superb. A lovely story of a dog's courageous return to the family he loves. Set in the days before WWII, this version of Lassie, to me, is far superior than the 1994 version by a wide margin. Don't miss Lassie. The theater was packed where I went and that says a lot. Reviews for Lassie echo my sentiments. It is a truly heartwarming and tender story. Lovely film that tells a sad story with a happy ending. Great photography. I have nothing but praise.

Lassie is just a wonderful movie. It has a sweet, engaging story, and everything works so well that you completely forget any areas that fall on the predictable side. Lassie's greatest strength is that it is never afraid to explore deeper and present some mature themes.

The film also looks beautiful. The photography is just marvellous and wonderfully evergreen, while I loved the scenery just as much as it was stunning and quite picturesque. The script is also a strength; it is a very poignant one that cleverly avoids falling into mawkish sentimentality and also balances subtle humour social tension adeptly.

The cast are just excellent. It also helps that the characters are well fleshed out and easy to relate to. Jonathan Mason brings the right amount of pathos to his character, while Peter O'Toole is a warm and charismatic presence and John Lynch, Peter Dinklage and Samantha Morton are also impressive. Lassie though makes the picture endearing, what a cute and talented dog and it makes it easier for the audience to sympathise with Lassie's predicament too.

All in all, a very beautiful and moving film. 9/10 Bethany Cox

The worst thing that can be said about this excellent film is that it is a "family movie" as that term may turn off many cinema buffs from seeing a film that is first rate from practically all aspects. It is brilliantly directed by Charles Sturridge ("Brideshead Revisited") and features several cream of the crop actors starting with the marvelous Peter O'Toole. It is also a superb adaptation of Eric Knight's wartime novel, "Lassie Come Home." (Unfortunately, the viewer would not know this until the end of the credits.) The photography is absolutely breathtaking with scenes of the Scottish Highlands that I haven't seen equaled. There is also a grittiness and realism to the film that was impossible to capture in a 1943 version filmed on the back lots of MGM. Rather than a mere remake, this film is classic in its own right and deserves a wider audience than I suspect it has found thus far. High fives all the way.

This wonderful adaptation of Eric Knight's "Lassie Come Home" is not only the best film version but also the best British Family film since the early seventies (Lionel Jefferies' wonderful duo of "The Railway Children" (1970) and "The Amazing Mr Blunden" (1972)). It is blessed with a great cast without a dud performance between them. Particularly worthy of mention are the two wonderful child actors Jonathan Mason and Hester Odgers as well as a charming performance from Peter O'Toole as the crusty Duke who thankfully does not turn out to be the cliché villain that he initially appears. Along with gorgeous photography by Howard Atherton and a script by director Charles Sturridge that mixes enough grit into the story to stop it from becoming too twee, this truly great family film should have become better known than it is. For those of us that have been lucky to discover it, it is an instant classic.