Ti piace Hitchcock?

Most enjoyable and suspenseful tale, featuring in the main elements of 'Strangers On A Train' and 'Rear Window', but also making reference to many of Hitchcock's movies. Much fun can be had spotting all the amusing/effective references without the ongoing tale being spoiled. There are at least two excellent sequences, one involving a moped and the other a bath, but although the pace may be a little erratic, the dialogue rather strange and the dubbing diabolical, this is as much fun for us as it must have been for Mr Argento. I'm not one of those that will talk of a 'return to form' because I'm just happy to enjoy what I enjoy without harping back, but I don't think any fan of Argento or Hitchcock should miss this.

Me and my girlfriend had the opportunity to watch Ti Piace Hitchcock at the Brussels fantastic film festival last Saturday. He directed this movie for the Italian television (RAI) and in mine opinion with success.The movie was introduced to the crowd by the master of horror himself.

The movie isn't as gory like the seventies eighties Argento movies but it still contains a lot of suspense and the murder scene is in "Argento style". If you are looking for a real gory giallo then you'll better skip it. It's an Argento movie and expectations may be high but it's a television movie and when you are an Argentofan you'll notice.

I'm really looking forward to his next movie.

greets

I think this is a pretty good movie. There is not much gore in it, and sometimes the humor gets a bit too silly, but I still enjoyed it. There's more to Argento than just gory murder scenes. It's actually slightly more suspenseful as a whole than most Argento flicks, in a lighthearted and cheerful kind of way, and it's still has some pretty nice visuals. For being a made for TV movie, it's got a lot of style, with some nice camera work, and like the old Hitchcock movies, it has a lot of humor in it, and a lot of references to a lot of Hitchcock's films. After all, the movie is a homage to the old master of suspense, Sir Alfred Hitchcock. The movie is more like an old fashioned thriller with some of Argentos own unusual style. It was shot on 35 mm film. Sometimes it has the look of a TV movie, but with a lot of cinematic flair still there, and I was surprised of how much of the old Argnto trademarks that was still left in. Surprisingly, the picture's got a lot of mild nudity. The plot resembles a lot of Hitchcock's Rear Window and is about a film student who is a Peeping Tom who cant restrain himself from spying on his sexy neighbor and he gets in a lot of trouble for it.

I thought it was a nice change to this time see Argento experiment with a different kind of a movie, and the script moves forward in a much more straightforward manner than any film he's done before.

If you can live without the excessive gore, and are up for an unusually lighthearted Argento movie, mixed with some of his old visual style, then it's definitely worth a watch.

One thing concerning this film should be made clear immediately, otherwise several Dario Argento fans will risk being disappointed: "Do you like Hitchcock" is a TV-movie and therefore not as outrageous and/or shocking as we expect Argento films to be! Don't prepare yourself to see another "Opera" or "Tenebre" in which repulsive gore will burst from the screen or demented giallo plot-twists stun you constantly! This is a decent, but overall ethically correct thriller, in which the master's touch is only detected in details and style aspects. This is by no means a bad film and please don't see this warning as sign not to watch it, but I only want to prevent that people will start making comments like "Dario Argento continues to lose his touch" etc... As stated above, "Do you like Hitchcock" is the first in a series of eight films produced by the Italian TV-station Rai Uno that are meant to bring the ultimate tribute to Alfred "Master of Suspense" Hitchcock. His classic titles will serve as pivot elements in newly written thrillers, of which only the pilot film is directed by Dario Argento. This general idea is terrific for a homage, I think, and admirers of classic cinema will certainly enjoy the blend of all these Hichcock highlights in modern settings.

Argento's film largely focuses on two Hitckcock milestones, namely "Strangers on a Train" and "Read Window". Giulio is a young film-student who occasionally watches his gorgeous neighbor girl across the street with binoculars. He witnesses how she and her mother regularly argue and when the mother is found murdered one morning, Giulio becomes obsessed by figuring out who did it. He discovers that the daughter recently made acquaintance with someone at the local videostore. Giulio begins to suspect that the two persons agreed to commit a murder for each other, just as it was the case in Hitchcocks's "Strangers on a Train". It's really nice to see how Argento blends all Hichcock references into one giant tribute. Aside from the two obvious titles, there are multiple other, smaller references towards Hitchock's oeuvre and, at times, you really do need to be a specialist to discover them all. The story is compelling enough to keep you interested and some really tense moments point out that Argento is still – and will always be – a powerful director. For example, there's a sequence in which the hero desperately tries to flee from the scene of a crime on a scooter, but secondary influences, like the rainy weather or technical difficulties, prevent him from getting away. Do not, repeat DO NOT, watch this film in case you're searching for nasty gore! The few murder scenes are, however, rather unsettling (and typically Argento!) but they surely can't live up to most of the director's previous work. "Do you like Hitchcock" is a worthwhile thriller and I personally rated it higher than Dario's last film, "the Card Player".

With this film, made for television and shot with DV camera, Argento delivers a very enjoyable and stylish little thriller. There are lots of references to several Hitchcock-films, but Ti Piace Hitchcock also reminds us a lot of the thrillers of Brian De Palma (such as Sisters, Dressed to Kill, Obssesion...).

Its not the greatest film of the Italian master of suspense but with this film Argento re-found his former style. A style that goes back to his films he made during the 70 or 80 period (Suspiria, Deep Red, Inferno...).

Of course being made for television the production values are not as high as in the films I quoted above. Sometimes the colors are (too) saturated and there is more emphasis on the story then there is on the visual style of the film. On the other hand the photography and the overall style of the film really look fine: certainly a lot more then the average TV-film. That also counts for the scenes involving nudity and violence. There is at least one scene of violence (a typical Argento-style murder) and several scenes of nudity which won't be pleasing several TV-censors. Hopfully this film will soon be available, uncut, on DVD. Catch it if you can.