एक छोटे से शहर पर एक विदेशी प्लेग का कब्जा है, जो निवासियों को लाश और सभी प्रकार के उत्परिवर्ती राक्षसों में बदल देता है.एक छोटे से शहर पर एक विदेशी प्लेग का कब्जा है, जो निवासियों को लाश और सभी प्रकार के उत्परिवर्ती राक्षसों में बदल देता है.एक छोटे से शहर पर एक विदेशी प्लेग का कब्जा है, जो निवासियों को लाश और सभी प्रकार के उत्परिवर्ती राक्षसों में बदल देता है.
- पुरस्कार
- 2 जीत और कुल 5 नामांकन
Rob Zombie
- Dr. Karl
- (वॉइस)
फ़ीचर्ड समीक्षाएं
8w00f
Today, I am a happy gorehound. I've just seen "Slither," and it was a truly good time! OK, let's face it... this one isn't going to win any awards for originality. The story here is "Invasion of the Body Snatchers" meets "Night of the Living Dead" with hints of "The Blob," David Cronenburg's "Shivers," and a more-than-passing special effects nod to Brian Yuzna's "Society." But it WORKS here.
James Gunn, a veteran of Troma Studios, has made a horror fan's horror flick. Laced with homages to everything from 1950's drive in cinema to R.L. Stine's "Goosebumps" books (not to mention a clip from a Troma movie on a TV in one scene). Gunn clearly knows his audience, because he IS his audience. He delivers up a movie that might be formulaic, but its over-the-top gore, it's black humor (this is one horror show that never takes itself too seriously), and it's general gung-ho, pull-no-punches attitude turn what could have been yet another plodding bit of cinematic flotsam into what could well be an instant horror classic on par with "Re-Animator." If you know what I'm blathering about here, if the names and the titles of these films are familiar, then see "Slither." You're going to love it.
James Gunn, a veteran of Troma Studios, has made a horror fan's horror flick. Laced with homages to everything from 1950's drive in cinema to R.L. Stine's "Goosebumps" books (not to mention a clip from a Troma movie on a TV in one scene). Gunn clearly knows his audience, because he IS his audience. He delivers up a movie that might be formulaic, but its over-the-top gore, it's black humor (this is one horror show that never takes itself too seriously), and it's general gung-ho, pull-no-punches attitude turn what could have been yet another plodding bit of cinematic flotsam into what could well be an instant horror classic on par with "Re-Animator." If you know what I'm blathering about here, if the names and the titles of these films are familiar, then see "Slither." You're going to love it.
Surprisingly funny black comedy is a sharp witted throw-back to old school horror films.
Alien creatures inhabit the bodies of some small-town rednecks and reek some bloody havoc!
While it's easy to see the influences of every horror movie from Night of the Living Dead (1968) to Tremors (1989), Slither is itself a gutsy horror ride that firmly stands on its own. Writer/Director James Gunn delivers a story thats equally gripping and comical. There's plenty of action, suspense, and steely chills to be had as well. The special FX are nicely well-done and provides for some unforgettably wild scenes.
Cast-wise the movie isn't half bad either, although it's really Gregg Henry who steals the show as the town's foul-mouthed mayor.
All around Slither is an enjoyable creature show for those that like their horror films gooey! It's also a heck of dark comedy, yall.
*** out of ****
Alien creatures inhabit the bodies of some small-town rednecks and reek some bloody havoc!
While it's easy to see the influences of every horror movie from Night of the Living Dead (1968) to Tremors (1989), Slither is itself a gutsy horror ride that firmly stands on its own. Writer/Director James Gunn delivers a story thats equally gripping and comical. There's plenty of action, suspense, and steely chills to be had as well. The special FX are nicely well-done and provides for some unforgettably wild scenes.
Cast-wise the movie isn't half bad either, although it's really Gregg Henry who steals the show as the town's foul-mouthed mayor.
All around Slither is an enjoyable creature show for those that like their horror films gooey! It's also a heck of dark comedy, yall.
*** out of ****
I think I might enjoy the comedy/horror genre more than the actual horror films they parody. James Gunn, (yes, the man who brought us what I can only imagine are fantastic scripts for Scooby Doo 1 & 2not sure since I would never watch them), has broken into the mix with his film Slither. It appears he understands the appeal these films have and jam-packs it with gore, camp, and humor. The audience can never wonder if what transpires is unintentionally funny because they are too busy thinking about the parts that are unintentionally scary. A comedy, through and through, Gunn gathers a nice group of actors to play up the cheese yet still make us believe they are smack in the middle of the otherworldly situation they are in.
The basic premise here is that an alien life formnot Martians as they are from Mars of coursehas come to Earth to make it its next world for consumption. Our villain inhabits a local and makes him go out to either infect, impregnate, or devour all other forms of meat, human or otherwise, along his journey. This host just happens to be involved in a somewhat loveless marriage with the resident good-looking teacher, who or course is the object of our hero's affection, the chief of police. Once the creature's first mate unleashes his spawn of collective-consciousness worms, the town comes under attack and only the chief, the host's wife, and the obnoxious mayor can save the day.
Amidst all the zombie-turning and the blood, acid spit, and limb jellying, we are treated with some great laughs and one-liners from people who truly know how to deliver the script deadpan for added effectiveness. The great Michael Rooker plays the host body to campy perfection. What role of his hasn't oozed tongue-in-cheek outbursts and over-the-top facial expressions? Gregg Henry takes the unpolished politician to new heights and everything he says gets a laugh as result. Even his introduction in the film, swearing in the midst of his constituents and their children, is a tired gimmick, but still effectively funny. As for our real heroes, we are treated to some good forbidden chemistry between Nathan Fillion and Elizabeth Banks. Fillion is king of sarcasm and always stays in a realistic mode unfazed by the horrors happening around him. Someone else could have allowed the film to become unhinged if they didn't take this role seriously; the comedy relies on this character not seeing the humor around him. With Banks, a favorite of mine who is underused in movies, I was not a big fan of the fake accent, but I guess it does fit the aesthetic of what is going on. And as the mayor says, she is hardcorewhen she kills her first infected assailant, it's priceless.
Definitely more entertaining than expected, I can still understand the lack of love at the box office. The trailers showed that there would be some subversion to the horror with humor, but didn't quite go all the way with it. I'm sure people were confused in what to expect and those who wanted scares were disappointed as were those that wanted pure laughs. To me, Gunn masterfully mixes the two just right for an enjoyable ride in Hicksville, USA during an interstellar battle for supremacy. He gets all the little moments right, the grenade folly, the corny love scene music, and even the extras looking like they are from a backwoods/ incestuous town. The look was right and the delivery just as effective as I laughed pretty much straight through.
The basic premise here is that an alien life formnot Martians as they are from Mars of coursehas come to Earth to make it its next world for consumption. Our villain inhabits a local and makes him go out to either infect, impregnate, or devour all other forms of meat, human or otherwise, along his journey. This host just happens to be involved in a somewhat loveless marriage with the resident good-looking teacher, who or course is the object of our hero's affection, the chief of police. Once the creature's first mate unleashes his spawn of collective-consciousness worms, the town comes under attack and only the chief, the host's wife, and the obnoxious mayor can save the day.
Amidst all the zombie-turning and the blood, acid spit, and limb jellying, we are treated with some great laughs and one-liners from people who truly know how to deliver the script deadpan for added effectiveness. The great Michael Rooker plays the host body to campy perfection. What role of his hasn't oozed tongue-in-cheek outbursts and over-the-top facial expressions? Gregg Henry takes the unpolished politician to new heights and everything he says gets a laugh as result. Even his introduction in the film, swearing in the midst of his constituents and their children, is a tired gimmick, but still effectively funny. As for our real heroes, we are treated to some good forbidden chemistry between Nathan Fillion and Elizabeth Banks. Fillion is king of sarcasm and always stays in a realistic mode unfazed by the horrors happening around him. Someone else could have allowed the film to become unhinged if they didn't take this role seriously; the comedy relies on this character not seeing the humor around him. With Banks, a favorite of mine who is underused in movies, I was not a big fan of the fake accent, but I guess it does fit the aesthetic of what is going on. And as the mayor says, she is hardcorewhen she kills her first infected assailant, it's priceless.
Definitely more entertaining than expected, I can still understand the lack of love at the box office. The trailers showed that there would be some subversion to the horror with humor, but didn't quite go all the way with it. I'm sure people were confused in what to expect and those who wanted scares were disappointed as were those that wanted pure laughs. To me, Gunn masterfully mixes the two just right for an enjoyable ride in Hicksville, USA during an interstellar battle for supremacy. He gets all the little moments right, the grenade folly, the corny love scene music, and even the extras looking like they are from a backwoods/ incestuous town. The look was right and the delivery just as effective as I laughed pretty much straight through.
I remember watching this at the cinema when it came out and I didn't love it but on a second viewing I really enjoyed this. You can really see where James Gunn got a lot of his ideas for Peacemaker from. Solid 7/10.
First off, I'm a horror nut and no matter what anybody else says, this is NOT a rip-off of "Night of the Creeps" or "The Deadly Spawn". James Gunn himself said at a recent Fangoria Weekend of Horrors in Chicago that the only film that played a part in "Slither" was David Cronenberg's "They Came from Within" (AKA - "Shivers"). There's a blatant homage to it that fans of the Cronenberg film will spot right away, and that's cool. That what James Gunn is about. You forget, this is a guy from the house that Kaufman built - Troma. Nods and inside jokes abound in "Slither". It's a horror movie for real horror movie fans. Slimy, not gory. Funny, not insipid. "Slither" is the next logical step from the guy who wrote the remake of "Dawn of the Dead". It's a little more fun, a lot less serious, and features a great cast that makes this movie what it should be - hugely entertaining. Perfect, no. But it sure is fun and makes you look forward to what he'll do next.
क्या आपको पता है
- ट्रिवियाJenna Fischer, who was married to Gunn at the time, was not originally part of the cast. The actor in her role begged to be released from his contract because he had an offer to shoot a pilot, so Gunn let him go rather than have a performer on set who didn't want to be there. Gunn swapped the character's gender and gave her a few more lines. By the time the movie was released Fischer had become immensely popular from The Office, so she was the one who went on The Tonight Show the night before the film opened.
- गूफ़When the zombies grab Starla from Bill's wrecked car, Bill calls "Carla, Carla!", instead of Starla.
- क्रेज़ी क्रेडिटAt the very end of the credits there is an additional scene involving a curious cat and the remains of the alien slug creature.
- इसके अलावा अन्य वर्जनThe film was heavily censored by the CBFC in India for a 'U/A' (parental guidance) rating.
- Deleted the visuals of people eating flesh.
- Deleted all the visuals of people using word "fuck" and "bitch".
- Deleted the visuals of blotted woman breaking up.
- Deleted the visuals of of blood soaked face and visuals of lady spurting blood.
- Deleted the visuals of the lady in the tub (visuals from top).
- Deleted the visuals of cop shooting in leg.
- Deleted the visuals of dog attacking cop.
- Deleted the visuals of man shooting cop.
- Deleted the visuals of cat licking flesh.
- Muted the following words: Fuck, cock and son of a bitch.
- Delete the visuals of Grant and Starla making in bed.
- Deleted the visuals of Starla in bathroom, Grant approaching, and insects coming out from Grant's body.
- Deleted the visuals of infected Grant and Brenda in bed, making love.
- Deleted the visuals of Starla is seeing dead lying dead cat.
- Deleted the visuals of Grant trying to molest a lady.
- Deleted the visuals of police officers are looking at a crushed dead body.
- Deleted the visuals of Mayor going out of a room when Brenda is busted, and insects flooding out in the open.
- Deleted the visuals of a lady in bath tub screams after a bug is seen in the tub.
- Deleted the visuals of a man hit by a car and Mayor saying "bitch is hardcore".
- Deleted the visuals of a woman hitting a dog and saying "motherfucker".
- Deleted the visuals of men and women eating flashes.
- Deleted the visuals of Starla looking at insects.
- Deleted the visuals of creature wrapping Starla including her stabbing the creature and falling aside.
- Deleted the visuals of police officers entering the room full of creatures.
- Deleted the visuals of creatures and infected people. Police officers entering the room, filling gas into the creatures. Starla shoots. Creature is blasting into fire.
- कनेक्शनFeatured in Fangoria Presents: Slither Behind the Scenes (2006)
- साउंडट्रैकI Find You Cheatin' On Me
Written and Performed by Hank Thompson
Licensed courtesy of Universal Songs of Polygram Entertainment and Soundies Inc.
By Arrangement with DePugh Music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Criaturas rastreras
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $78,02,450
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $38,80,270
- 2 अप्रैल 2006
- दुनिया भर में सकल
- $1,28,34,936
- चलने की अवधि1 घंटा 35 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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