Heidi

Of the versions I've seen (1937/1968/1982 animation) this is the only one that really gets the story right! For starters, instead of the typical blonde we now tend to typecast Heidi in, we get the little brown-haired girl that Spyri depicted in her book. She wears simple clothes, not the traditional Swedish outfit, because they recognize that she was poor, and those clothes are only worn on special occasions anyways. The movie doesn't try to stray away from the original story with overt dramatic subplots, it simply depicts the story as it was originally told, and as the book is a very simple story, that's very hard to pull off in a movie. I was so glad that they didn't write out more minor characters like Tinette, Grandmamma or the Doctor. They just enrich the story so much and were played beautifully.

Only real critiques: They changed Schwanli and Bearli's names, and changed the name of the Alm Uncle to Uncle Alp. Also the Irish Accent of Emma Bolger could get a little distracting, and Fraulien Rottenmeier and Aunte Dete were a little crueler towards Heidi than I remember... but considering all that was included I was very satisfied. Makes me want to read the book all over again!

Definitely not a story for those who crave a lot of action and drama. But if you absolutely loved the book as a child, this is a great companion piece.

Naturally, there have to be changes when a book is made into a film. But traditionally most of the alterations are cuts made either by taking out minor characters or shortening a long scene or a series of scenes. But in this film they actually added a few things that make no sense at all. Whoever had the idea of making the grandfather come into the village to sell his cheese obviously does not know anything about him. This man does not wish any contact with the people who despise and malign him. And where would he get all that cheese from 2 measly goats?

Another problem is Miss Rottenmeier. Of all the Heidi films I have seen, only the Shirley Temple version presented her as really bad. In most of the others as well as in the book she was just very strict and did not even try to understand the child. However, in this movie she seems quite nasty and full of hate.

One of the reviewers commented on Heidi's hair, and I have to agree. No child of that day would have been allowed to have her hair hanging around so untidily.

While the Alpine locations are beautiful, the fancy neighborhood in Frankfurt is definitely a poor choice. From the windows of the elegant Sesemann house one looks at several dilapidated buildings with plaster coming off the walls in huge slabs.

All in all, in spite of these shortcomings, I'm giving the movie 7 stars, mostly for the writer Johanna Spyri and to the mountain scenery.

As soon as I seen this picture, I remembered an animated older version of Joanna Spryii's story of the Swiss orphan girl Heidi. Even though the 1937 Shirley Temple Version still stands out for a stellar performance, this version is very decent and adaptable when it comes to touching drama. The choice for Heidi's grandpa could of not been better portrayed by Sweedish screen legend Max Von Sydow. He brings a lot of respect to the character in difference with the portrayal Jason Robards Jr. did in the 1995 Disney version. Though Robards did fairly good, at times I laughed when others considered him a monstrous old bum. Von Sydow is too meek for that type of comment. His aura and decades of experience may have saved this film. Good thing he portrayed Christ back in 1965 in The Greatest Story Ever Told.

To keep this short & succinct: An awesome retelling of Spyri's novel, with minor deviations from the original story.

This (Paul Marcus' 2005) version of 'Heidi' starts with a gripping psychological intensity which it maintains throughout the duration of the film. To some degree this intensity is conveyed by the excellent shot composition evident during the entirety of the production, which masterfully captures both the geographic & emotional context of the narrative. The main credit however must go to Emma Bolger, whom I can only describe as a true prodigy of her craft.

One would expect fine performances from such practised professionals as Rigg, Chaplin & von Sydow, but it is only when the final credits roll that it becomes apparent how stunning Bolger's performance really is. This is a film where one does not need to suspend disbelief in order to be enveloped & caught up by the narrative, instead it is a truly superb synthesis of cast & crew working harmoniously to produce something truly valuable.

Do yourself a favour & see for yourself.

I wanted to take my two boys to see Madagascar but the seats all sold out, so we went to see Heidi despite a lot of grumbles! From the opening shots of the Alps we were all captured by the narrative and settings. The costumes by Mike O'Neill show great care and attention to detail, the interiors of the Alpine hut are rough and by no means fit for a chocolate box, and the acting was spot on. Max Von Sydow used his usual consummate acting skills to convey a man hurt by life and other human beings, an exile from love. Emma Bolger, with her Irish lilt was not at all cute, but was simple delight to watch. On only one occasion was I conscious she was reciting lines. Heidi brings the old man to life in a slow and quiet way that was gentle and subtle. When Heidi is taken to Frankfurt, the costumes and interiors are authentic once again. If there is anything to criticise in this film it is the slow pace, but this helps in some ways to give the atmosphere of 19th Century Alpine life. A great Christmas film, and a treat for mums and dads too!