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Good

  • 2008
  • R
  • 1 घं 32 मि
IMDb रेटिंग
6.2/10
8.1 हज़ार
आपकी रेटिंग
Good (2008)
In 1930s Germany, literature professor John Halder (Mortensen) finds his novel, which advocates compassionate euthanasia, embraced by his political figures and tied to his country's growing sense of nationalism and prosperity.
trailer प्ले करें2:25
8 वीडियो
23 फ़ोटो
DramaRomanceWar

अपनी भाषा में प्लॉट जोड़ेंJohn Halder, a German literature professor in the 1930s, is initially reluctant to accept the ideas of the Nazi Party. He is pulled in different emotional directions by his wife, his mother,... सभी पढ़ेंJohn Halder, a German literature professor in the 1930s, is initially reluctant to accept the ideas of the Nazi Party. He is pulled in different emotional directions by his wife, his mother, his mistress, and a Jewish friend.John Halder, a German literature professor in the 1930s, is initially reluctant to accept the ideas of the Nazi Party. He is pulled in different emotional directions by his wife, his mother, his mistress, and a Jewish friend.

  • निर्देशक
    • Vicente Amorim
  • लेखक
    • C.P. Taylor
    • John Wrathall
  • स्टार
    • Viggo Mortensen
    • Jason Isaacs
    • Jodie Whittaker
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.2/10
    8.1 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Vicente Amorim
    • लेखक
      • C.P. Taylor
      • John Wrathall
    • स्टार
      • Viggo Mortensen
      • Jason Isaacs
      • Jodie Whittaker
    • 60यूज़र समीक्षाएं
    • 61आलोचक समीक्षाएं
    • 40मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 2 कुल नामांकन

    वीडियो8

    Good: Trailer
    Trailer 2:25
    Good: Trailer
    Good
    Clip 1:47
    Good
    Good
    Clip 1:47
    Good
    Good
    Clip 1:33
    Good
    Good
    Clip 1:46
    Good
    Good
    Clip 1:34
    Good
    Good: Clip 3
    Clip 1:33
    Good: Clip 3

    फ़ोटो23

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    पोस्टर देखें
    + 17
    पोस्टर देखें

    टॉप कलाकार28

    बदलाव करें
    Viggo Mortensen
    Viggo Mortensen
    • Halder
    Jason Isaacs
    Jason Isaacs
    • Maurice
    Jodie Whittaker
    Jodie Whittaker
    • Anne
    Steven Mackintosh
    Steven Mackintosh
    • Freddie
    Mark Strong
    Mark Strong
    • Bouhler
    Gemma Jones
    Gemma Jones
    • Mother
    Anastasia Hille
    Anastasia Hille
    • Helen
    Ruth Gemmell
    Ruth Gemmell
    • Elisabeth
    Ralph Riach
    Ralph Riach
    • Brunau
    Steven Elder
    Steven Elder
    • Eichmann
    Kevin Doyle
    Kevin Doyle
    • Commandant
    David de Keyser
    David de Keyser
    • Mandelstam
    Guy Henry
    Guy Henry
    • Doctor
    Adrian Schiller
    Adrian Schiller
    • Goebbels
    Rick Warden
    Rick Warden
    • Brownshirt
    Charlie Condou
    Charlie Condou
    • Bekemeier
    Tallulah Bond
    • Lotte
    • (as Tallulah Boote Bond)
    Ben Segal
    • Eric
    • (as Benedict Segal)
    • निर्देशक
      • Vicente Amorim
    • लेखक
      • C.P. Taylor
      • John Wrathall
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं60

    6.28K
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    फ़ीचर्ड समीक्षाएं

    Otoboke

    Lacks the conviction required to take it to a higher level

    Long before the advent of the third Reich, Hitler and their persecution of the Jews in the 1940's, Edmund Burke once now infamously said that all it takes for evil to triumph is for good men to do nothing; to know in their hearts and see the evils going on around them, but to sit back and let it unfold whether out of fear, apathy or both. Good, which sets about detailing the profile of a man who fits this description almost perfectly after he gets involved with the Nazi party unwillingly, deals with the central premise of Burke's evaluation, and does so whilst keeping in mind the humanity at play when struggles of good and evil take precedence. At times sombre and reflective, at others a tad monotonous and pedantic, director Vicente Amorim's film nevertheless takes a large page of history and gives it a small, introspective look at how easily evil can overcome one's life without even knowing. As a set piece, it lacks the conviction required to take it to a higher level, but certainly as a small, somewhat humbled character piece, Good serves its purpose well.

    It is of no surprise to learn that the film's screenplay was adapted from a play written by C.P. Taylor; the same themes that carried said play, permeating the entirety of Good's makeup in a way that consistently reaffirms its central ideas and philosophies. While features such as these which deal with the holocaust, the Second World War and the Nazi party with a sense of distilled reality and less than realistic shades of grey when it comes to the portrayals of those behind the uniforms, screenwriter John Wrathall's adaptation stays true to the disquieted approach of Taylor's play and documents the fall of a good man into the hands of his enemy; the censoring, dictating, and anti-semantic nationalist socialist party—eager to segregate the Jews and "cleanse" the new Reich of their influence. Indeed, one of the most important and significant aspects to Amorim's feature here is that here we are invited to see the transformation not only of a country, but of a singular man who remains true to his heart throughout, but fails to notice his outward transformation until one chilling scene where he looks into the mirror to see a man he wouldn't be able to put a name to.

    Aside from Viggo Mortensen's obtuse performance which takes him away from his most recently extremely self-aware roles, across from him lays Jason Isaacs who plays his best friend, a Jewish Psychotherapist. Of course, right from the get-go you know where all this is going; and therein lays the only real problem with a story such as this. While Hollywood cinema has been reluctant up until the most recent years to let the Evil from the East be given a face and a soul, even though Good comes at a time when this wave of drama is catching some momentum, you can't help but feel like you've heard all this before in some way or another. Taylor's play does well to stick at what it knows best—which is humanity, the heart and the choices that both have to make in order to preserve themselves—yet the moral play at hand here is largely innocuous and unenlightening enough to pass as something of a footnote to this kind of philosophising that has been going on, well, long before Burke even uttered those famous words.

    With this being said however, Good, if taken lightly, offers up a nevertheless well crafted and mostly harmless take on the human condition in a manner which doesn't tax but at the same time doesn't cause one to drift to sleep either. With some fine performances from both Mortensen and Isaacs, as well as femme-fatale of sorts Jodie Whittaker and TB-inflicted mother Gemma Jones, the ensemble that dominates the screen here does well to reinforce the feeling of humanity throughout to the point where plotting and overt thematic material becomes secondary to the real conflicts at hand. As a drama, the movie works—if only barely. It's by no means something that is required viewing for just about anyone, but when it comes to movies dealing with the behind-the-scenes transformations of a country and its people during times of social reformation and war, Good has enough to satisfy and provoke thought—even if they are recycled and a tad overly familiar by now.

    • A review by Jamie Robert Ward (http://www.invocus.net)
    swAppp

    I fell for Maurice

    I never give much attention to the titles of films. Usually titles represent an idea of a film, or a line, or a character. The context of "Good" implies that it was wanted to say "Virtuous people" by the title.

    Were SS good people? Decent? Average? Normal? OK? Bearable? "Good" presents a point of view of a person who thought himself to be virtuous, but then faced a society which was completely different, but thought so too.

    Viggo Mortensem gives us an interesting character with it's ups and downs, and these ups and downs are in the behavior of a character, not the acting.

    Furthermore, it was not the acting or an idea that dragged the film down and bored me or others at certain moments. It was the fact that WWII has been discussed for many times, so there are only minor differences between one film and the other.

    Those who haven't watched a lot of WWII films or who would like to see one more example of censure will like "Good".
    7gradyharp

    The Human Comedy: A Study of Adaptation

    A new movement for change, promising a life richer in education, physical prowess, diminished crime, and increased wealth is like a magnet, and the promises that National Socialist Republic created in all forms of the media in the 1930s were probably heady enough that the post World War I Germans could turn a blind eye to the vacuous reality of a rising maniac's promises. GOOD is a film that suggests how the good common people responded to the rise of the Third Reich - the Nazi party with its loathsome guardianship in the Gestapo. It suggests how personal needs could cloud the mind to see only the benefits of a new order that would eventually destroy millions of people and attempt to transform the world in a new social order. And it is painful to watch the disease progress into every aspect of life in Germany.

    John Halder (Viggo Mortensen) is a professor of literature and a writer of novels: his latest novel is a fictional story about a man who, out of love for his suffering wife, assists her dying. This novel catches the eye of Hitler and the Reichminister Bouhler (Mark Strong) who encourages Halder to draft a paper describing how euthanasia is a good and righteous act - a paper that will eventually 'justify' the massacre of Jews and other 'undesirables'. Halder's life is in such upheaval (his mother (Gemma Jones) is dying of tuberculosis while living with Halder and his piano obsessed wife Helen (Anastasia Hille) whom he divorces, Halder finds happiness only with a student Anne (Jodie Whittaker) who is fascinated with the Nazi party, and Halder's only close friend is psychiatrist Maurice Israel Glückstein (Jason Issacs) who is Jewish and loathes the Nazi party. Because of Halder's needs in life and also because of the glory he feels being praised for his novel, he agrees to be an 'advisor' to the party. His confrères include Adolph Eichmann (Steven Elder) and Josef Goebbels (Adrian Schiller) and slowly the good man John Halder becomes immersed in the Nazi party.

    Maurice, being Jewish and detesting John's alliance with the Nazis, must escape Germany as the Jewish purge begins. His only hope is aid from Halder's Nazi affiliation and he desperately seeks Halder's help. Halder is unable to come to Maurice's aid; Maurice is evacuated and Halder's inspection of the concentration camps makes him face his worse fear about his selling out his morals and honor and his losing his closest friend.

    GOOD began as a play by C.P. Taylor and was transformed into a screenplay by John Wrathall. Vicente Amorim directs a cast of mixed experience, but from Mortensen and Isaacs and Jones he draws fine performances. Throughout the film Halder has aural delusions: at times of stress he hears music, a factor that in retrospect makes us question his own stability. The music he hears is a sad rewriting of the works of Gustav Mahler -' Die Zwei Blauen Augen von meinem Schatz', and 'O Mensch!' from the Mahler 3rd Symphony (both sung in English translations by people on the street!), bit and pieces of score quoting phrases from Mahler in a very pedestrian arrangement, and finally orchestral recordings of moments from Mahler's Symphonies No.1 and No.3. The pedestrian quality of the score weights the film down. The cinematography by Andrew Dunn is fine (the film was shot in Hungary). Overall, it feels like this is a strong idea of a statement of what happens to the minds common men in times of crises. For this viewer it simply doesn't accomplish its goal, despite the worthy attempt Viggo Mortensen makes.

    Grady Harp
    8rooprect

    Wait... a Nazi/war movie without any violence??

    If you're looking for a war flick with a lot of action, artillery and things blowing up, you might want to move on. "Good" is a slow moving, subtle, intellectual film that may bore many filmgoers, but if you're looking for more than the typical Hollywood action/war flick then definitely check this one out.

    A reasonably faithful adaptation of the famous 1981 play (using much of the same dialogue, scenes and characterizations), this film is about an honest, moral, "good" family man who gets passively caught up in the pro-Nazi movement. All the while, he denies culpability and defends his moral fiber by writing off the movement as a passing phase that's no big deal, but gradually his involvement deepens to the point that he's materially assisting in the worst atrocities that humans have ever committed against one another. For this, the film is deliberately slow because that's the point it's making: that the conversion from "good" to "evil" is not a sudden snap like getting bitten by a vampire and turning into one overnight. Rather, it's a very imperceptible shift that's akin to starting a temp job in the mail room and slowly working your way up the ladder to the executive board before you've realized that you've sold your soul to the corporation.

    Viggo Mortensen plays "Halder", a college professor who hates the Nazi party but reluctantly agrees to write a paper for them because he needs the money. Perfectly acceptable choice, right? Well, this leads to another choice which is equally understandable. Then another and another. His Jewish best friend "Maurice" (Jason Isaacs) is the voice of reason, warning him quite forcefully about the seduction of the Nazi party, but like a worsening drug addict, Halder insists that he's doing nothing wrong and he's in control of his moral fiber. At the same time there's another seduction going on: a pretty young student of his (Jodie Whittaker) is slowly drawing Halder away from his wife & family. The story keeps building momentum, and as an added surreal element, Halder begins having hallucinations of strangers singing different Mahler pieces.

    The acting is fantastic, not just Viggo's performance but particularly Jason Isaac's portrayal of the friend. The two of them have some great dialogues, and the dynamic of their relationship is really interesting to watch as it changes. This also leads to a very powerful climax at the end of the film.

    Far more than a war flick or even a historical piece, "Good" is a powerful, realistic explanation of human nature and how good people can do bad things. And it doesn't matter how moral we may feel about ourselves and our life choices, I guarantee that each of us is at some level guilty of the same insidious hypocrisy shown here. If you accept this and take a sober look at your own life, then this film may make you a better person.

    "Good" is one of those films that will sit in your mind for a long time afterwards. I can't think of too many movies that compare, but the pacing and slow buildup to a stunning conclusion remind me of the classics "The Spy Who Came In from the Cold" (1965), or even "Streetcar Named Desire" (1951). If you're looking for other unusual spins on the holocaust, look for the Czech film "Protektor" (2009) or the Italian feel-good holocaust flick (huh?) "Life is Beautiful" (1997). And if you really want your mind blown about human nature, Naziism and the power of authority to turn normal people into killers, go to YouTube and watch the 1962 documentary "The Stanley Milgram Experiment".
    9stumail

    For me, thoroughly enjoyable

    I watched this film expecting little. However, I was pleasantly surprised to find the film educational and interesting throughout. It paints a picture of the 'Jewish Question' and events leading up to it, focusing on a few characters to give it a personal feel.

    Granted, some of the acting was a little ropey, but I would urge people not to let that put them off. I have a particular interest in the second World War, and perhaps that makes me biased, but suspect that even those with no interest in that period of time would still be able to let the film absorb them into the plot.

    Recommended, 9/10.

    इस तरह के और

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    Loin des hommes
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    6.3
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    5.8
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    Appaloosa
    6.7
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    Falling
    6.5
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    Todos tenemos un plan
    5.6
    Todos tenemos un plan
    Housewife, 49
    7.7
    Housewife, 49
    Sunset Song
    6.4
    Sunset Song
    Skeletons
    6.7
    Skeletons

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Viggo Mortensen says that, during the costume fitting for the Nazi uniform, he felt that it was never quite fit right. He eventually realized this was due to his reluctance to see himself in Nazi colors.
    • गूफ़
      When Goebbels congratulates Halder at the filming of Halder's movie, he walks normally and very jovially. Real Goebbels had a deformed right foot, turned inwards and shorter than the left, needing a metal brace on his leg. Therefore, he walked with a pronounced limp, never with the energy and agility he shown in the film.
    • भाव

      Maurice: We probably met him, you know? When we were at Ypres, October of that year, 16th Bavarian were in the line next to us. He'd have been running dispatches back and forth.

      Halder: You may have sent him on an errand.

      Maurice: "Oi, you! Lance Corporal! Yes, you, short arse. Get over here!"

      Halder: And he'd have saluted you., imagine that.

    • साउंडट्रैक
      Decorator's Song - Ging Heut Morgens über's feld
      from Songs of a Wayfarer

      Written by Gustav Mahler

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल19

    • How long is Good?Alexa द्वारा संचालित

    विवरण

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      • $27,276
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $9,508
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    बदलाव करें
    • चलने की अवधि
      1 घंटा 32 मिनट
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      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Good (2008)
    टॉप गैप
    By what name was Good (2008) officially released in India in English?
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