Ghost of Mae Nak

Tired of Asian supernatural horror movies yet? No? Good, then Ghost of Mae Nak is one you should add to your "to see" list. 

It's a nice little ghost story from Thailand about a recently married young couple that's haunted by the ghost of a woman that died 100 years ago. After the husband is left in a coma that inexplicably won't end, the wife must investigate the origin of the supernatural presence in order to help him. There's a well-told back-story that explains why this particular couple earns the supernatural attention, so there (thankfully) aren't a lot of dangling story-lines. 

Ghost of Mae Nak includes a lot of Final Destination-type deaths that are pretty entertaining. I was actually surprised by how elaborate some of them were. There's a fair amount of jump scares and startling things in mirrors too, but Ghost of Mae Nak is more creepy than frightening. Still, I was very pleased with how good this movie turned out to be, and I definitely recommend it. IF, like I mentioned at the beginning of the review, you're not burned out on Asian horror after it's ubiquity in the west post-The Ring. 

The main actress, Pataratida Pacharawirapong, is incredibly pretty too, if that kind of thing interests you.

The synopsis and the DVD cover to this movie does have a certain appeal, and it does give you some sense of hope and expectation to the movie. However, don't get your hopes up too high.

For a horror movie, then "Ghost of Mae Nak" is fairly slow and anything but scary, bordering on being overly predictable at times. Plus there are random scenes where the ghost is shown and then they just cut to some other scene, leaving you clueless as to what happened after the ghost appeared, and also raises a big question mark as to why people wouldn't be scared out of their pants after having seen a ghost that up close and personal.

The story told in "Ghost of Mae Nak" is about an ancient tale of love between Mae Nak and Mak. And oddly enough, it today's time, there is a young couple in love with similar names Nak and Mak. It is said that the ghost of Mae Nak will come between anyone who would stand between her and her true love.

I will say that the storyline itself is adequate, although there are no scares at any times throughout the movie. Plus it also becomes rather predictable at times. The movie was suffering from an overhanging sense that no one was really scared given their predicament and situation, which made the movie have an approach which just lead to you not really buying that much into it.

As for the special effects, well they were there, and they were adequate. Not top of the line Hollywood blockbuster effects, but effective enough and doing what they are supposed to do.

There was a single turn of events that I hadn't seen coming. Without saying what it was, it is towards the end of the movie, at the temple scene. It was actually a nice touch, but it didn't manage to pull up the overall enjoyment of the movie as a whole.

The idea with the bone amulet was a nice touch to the movie, though, I will say that much.

For a Thai ghost and horror movie, then "Ghost of Mae Nak" is a fairly standard movie, that offers nothing new to the genre, nor does it hold any scares or overly spooky moments. If you enjoy Thai and Asian horror (and ghost) movies, then there are far better movies available.

Siwat Chotchaicharin is a very good actor in this movie. It is custom that if spirits like this show up its because they are there to to protect you. Good scary movie and the English subtitles are good for learning English.

There are so many things that went wrong in this movie that it's hard to find any redeeming factors. This is complete garbage and a massive waste of time.

The ghost was one of the most pathetic attempts at horror I've ever seen. The special effects were cringe-worthy and the acting was over the top in a laughable attempt to make us empathize with the characters. The actors simply recited their lines, which often consisted of redundant information we heard ten times before in the movie. We hear the same lines over and over again. Apparently the scriptwriter thought we need to have the most obvious information spelled out for us, and then repeated some 100 times in case we forgot.

The story, while not horrible, was uninspired, paper-thin and full of plot holes you could see from a mile, while the plot progression and pace were mostly non-existent. Nothing ever happens in this movie except for some Final Destination inspired deaths. Characters appear and then disappear without ever knowing what happened to them or why they were in the movie at all, in an effort to increase the body count. It's nothing you've never seen before, but this takes the cake for bad execution of an average story.

The only thing that might incite some interest might be the good insight into the traditions and legends of Thai culture. The movie sure takes its time to illustrate some rituals and ceremonies, but by then you'll surely be too bored to even care.

It baffles me that people have found this movie to be more than average. I decided to watch it based on the relatively good reviews on this site, but now I must say it's among the worst movies I've seen in the Asian horror genre or Asian cinema for that matter. Avoid like the plague!

Ghost of Mae Nak is not the traditional horror film viewers of the genre may be accustomed to. Although the movie makers obviously attempt to frighten the audience, the film is based on Thai folklore, and in this sense works more as a story that could be told to children around a camp fire, than a grisly tale destined to provoke fear. For those after a film that provides an endless amount of terror, you may want to look elsewhere. If you are interested in a movie where the horror elements take a backseat, while the story consistently remains in the foreground, then this particular feature might be for you.

Unlike other films in the horror genre, where the audience is treated only to small glimpses of the apparition for the majority of the feature until the final quarter, in this particular film, viewers are immediately greeted by Mae Nak in the first few minutes. The image of a woman with jet black eyes and a gaping mouth is not something we haven't seen before, and the inclusion of a hole in the center of her forehead does little to heighten the level of terror.

On many an occasion, moments meant to scare the audience are not only predictable, but more than half the time the movie falls into the trap of enveloping many of its scenes under the shroud of darkness, and rather than reeling backwards in terror, we are leaning forwards, squinting at the screen. Due to the level of darkness, a vast number of shadows are present, and it seems that an opportunity to use these to advantageously increase the level of horror was unfortunately overlooked.

Again, in contrast with horror movies that frequently use stereotypical genre tropes, Ghost of Mae Nak becomes heavily reliant on music, to the point that sometimes it seemed the score reserved for moments of horror was being played unnecessarily to provoke a response. Due to this, the suspenseful moments of the film, although sometimes initially exciting, never truly keep the audience enthused.

Moreover, although a couple of the death scenes are very impressive in their execution, the level of overacting that occasionally accompanies these moments prevents the audience from taking the scene seriously. Before one particular individual is decapitated, the scene of his mouth wide open in fear, hands extended out before him, appears less like legitimate fear, and more like a poor imitation.

This aside, Pataratida Pacharawirapong as Nak deserves kudos for her acting capabilities, exhibiting reactions that are as entertaining as they are real. She, alongside fiancé Mak (Siwat Chotchaicharin) purchase a house in Phrakhanong for them to move into once they are wed, the place they will soon call their residence having a long history, been one of the oldest homes in the area. Mak is immediately plagued by ghostly images in his dreams, but after a horrific tragedy cripples the young couple, they are forced to turn towards otherworldly means of support. Though the ghost of Mae Nak appears eager to assist the couple, how can you trust a ghost, especially one with a vengeful past, for what ulterior motives could she possibly possess?

The familial bonds, alongside the connections of friendship and love are well articulated, and the character dramas that transpire are effectively incorporated into the plot. Furthermore, despite the aforementioned scenes of darkness, the environments viewers are presented with really bring the world the characters reside in to life, Thailand been shown for the country it is, rather than the mirage that outsiders may occasionally imbue it as, a tactic similarly used in the Singaporean horror film The Maid.

Although Ghost of Mae Nak could never be hailed as a terrific horror movie, the film captures the culture and feel of the region, and does justice to a traditional folk story that obviously has much significance.