IMDb रेटिंग
6.4/10
1.3 लाख
आपकी रेटिंग
पूर्ण प्रतीत होते एक समुदाय में, जो युद्ध, दर्द, पीड़ा, मतभेद या पसंद से मुक्त है, एक युवा लड़के को एक बुजुर्ग व्यक्ति से "वास्तविक" दुनिया के सच्चे दर्द और आनंद के बारे में पता चलता है।पूर्ण प्रतीत होते एक समुदाय में, जो युद्ध, दर्द, पीड़ा, मतभेद या पसंद से मुक्त है, एक युवा लड़के को एक बुजुर्ग व्यक्ति से "वास्तविक" दुनिया के सच्चे दर्द और आनंद के बारे में पता चलता है।पूर्ण प्रतीत होते एक समुदाय में, जो युद्ध, दर्द, पीड़ा, मतभेद या पसंद से मुक्त है, एक युवा लड़के को एक बुजुर्ग व्यक्ति से "वास्तविक" दुनिया के सच्चे दर्द और आनंद के बारे में पता चलता है।
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 3 जीत और कुल 6 नामांकन
फ़ीचर्ड समीक्षाएं
After the Ruin, the Community was build as an utopia where everybody is the same, emotions are suppressed and memories of the past are restricted. When Jonas turns 18, he's selected to be the community's Receiver of Memories. His best friends Fiona and Asher also turn 18. He goes to train with The Giver (Jeff Bridges) to learn the memories of the past. Meryl Streep plays the Chief Elder. Katie Holmes and Alexander Skarsgård play Jonas' parents. The previous Receiver Rosemary (Taylor Swift) 10 years ago came to a tragic end.
The idea of colors and memories are interesting. I especially like the idea of memories which reminds me a little of 'Eternal Sunshine of the Spotless Mind'. This is not nearly as artistic or compelling. There is just enough that one gets a small taste of something much better and what this could have been.
I also have questions about this world. This world feels incomplete like the author explained it in a paragraph and the reader fills in the gap. The movie just hasn't filled those gaps with enough precision. I do have to praise this franchise. It seems to be a little bit more ambitious than the others but I wouldn't say it's complete. Also it fails as a movie to be intense. The climax is there but without much excitement. The final scene is really just asking for a sequel which is probably not coming.
The acting is functional. Most of them are required to be distant and controlled. Jeff Bridges, Odeya Rush and Brenton Thwaites are the only ones required to act out emotions. Meryl Streep may actually be acting too much. I have to say that I like Katie Holmes acting removed which kind of fits her. Thwaites is asked to calibrate his acting and he does a reasonable job. Rush is pretty effective and quite touching. Jeff Bridges is doing basically the same note.
The idea of colors and memories are interesting. I especially like the idea of memories which reminds me a little of 'Eternal Sunshine of the Spotless Mind'. This is not nearly as artistic or compelling. There is just enough that one gets a small taste of something much better and what this could have been.
I also have questions about this world. This world feels incomplete like the author explained it in a paragraph and the reader fills in the gap. The movie just hasn't filled those gaps with enough precision. I do have to praise this franchise. It seems to be a little bit more ambitious than the others but I wouldn't say it's complete. Also it fails as a movie to be intense. The climax is there but without much excitement. The final scene is really just asking for a sequel which is probably not coming.
The acting is functional. Most of them are required to be distant and controlled. Jeff Bridges, Odeya Rush and Brenton Thwaites are the only ones required to act out emotions. Meryl Streep may actually be acting too much. I have to say that I like Katie Holmes acting removed which kind of fits her. Thwaites is asked to calibrate his acting and he does a reasonable job. Rush is pretty effective and quite touching. Jeff Bridges is doing basically the same note.
What a simple, yet beautiful film. It is by all accounts, what should quantify and qualify as the real definition of a "feel good" movie.
I can only imagine that those who rated this subtle, unembellished, yet exquisitely moving film any lower than a 7, have lost the ability to be moved by anything.
As for me, I am so glad I live, love, laugh and feel.
--------------------------------------------
... A definite must-watch when you want both to smile, and for your heart to ache just a little.
I can only imagine that those who rated this subtle, unembellished, yet exquisitely moving film any lower than a 7, have lost the ability to be moved by anything.
As for me, I am so glad I live, love, laugh and feel.
--------------------------------------------
... A definite must-watch when you want both to smile, and for your heart to ache just a little.
Based on the 1993 novel of same name by Lois Lowry, 'The Giver' is a well-made film, that has dazzling visuals as well as soul. The only problem in this Social/Sci-Fi film, is its slow-pace, which needed some serious persuasion!
'The Giver' Synopsis: In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the "real" world.
'The Giver' makes good use of its interesting premise, by translating it into a good effort cinematically. But, as mentioned before, the slow-paced narrative bores, at least in the first-hour. The story moves on a lazy tone & that definitely puts you off. The second-hour is engrossing & the culmination, also, is very engaging.
Michael Mitnick & Robert B. Weide's Adapted Screenplay takes its own time to catch momentum, but once it does, it arrests you with force. Phillip Noyce's Direction is fantastic. He has handled the entire film commendably. Cinematography is excellent. Editing is lazily done. Art Design & Visual Effects are flawless.
Performance-Wise: Jeff Bridges as The Giver, is restrained. Brenton Thwaites as Jonas/The Receiver, is earnest. Meryl Streep is masterful, in a negative role. Cameron Monaghan is impressive. Katie Holmes is alright.
On the whole, 'The Giver' isn't without its flaws, but it also has enough merit to earn itself a viewing.
'The Giver' Synopsis: In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the "real" world.
'The Giver' makes good use of its interesting premise, by translating it into a good effort cinematically. But, as mentioned before, the slow-paced narrative bores, at least in the first-hour. The story moves on a lazy tone & that definitely puts you off. The second-hour is engrossing & the culmination, also, is very engaging.
Michael Mitnick & Robert B. Weide's Adapted Screenplay takes its own time to catch momentum, but once it does, it arrests you with force. Phillip Noyce's Direction is fantastic. He has handled the entire film commendably. Cinematography is excellent. Editing is lazily done. Art Design & Visual Effects are flawless.
Performance-Wise: Jeff Bridges as The Giver, is restrained. Brenton Thwaites as Jonas/The Receiver, is earnest. Meryl Streep is masterful, in a negative role. Cameron Monaghan is impressive. Katie Holmes is alright.
On the whole, 'The Giver' isn't without its flaws, but it also has enough merit to earn itself a viewing.
I went into the movie with high expectations after having read the book in high school. I absolutely loved the book and always imagined it to be a certain way. While some aspects of the film met my expectations in terms of visual delivery and execution of the novel, a lot of it did not. There were many scenes that I would have loved to see but were not included.
As a film on its own, I found some of the acting to be lacking in emotions and conviction. I did enjoy Meryl Streep and the Giver, but the rest were very average. Some parts of the film felt slightly rushed, missing out on the true essence and meaning it could have conveyed. I did not feel as indulged in the film as I was in the book. Perhaps this was because I loved the book very much, but I feel it was also because the film lacked passion and depth. The overall message and meaning behind the story was not adequately conveyed as important scenes were not emphasized on and were rushed. Jonas's character development happened too quickly and we could not create a connection with any of the characters in the film.
Overall, I found the film to be average. Those that have read the book will find it to be below expectations whereas others may enjoy it for the concept and meaning it attempts to convey.
As a film on its own, I found some of the acting to be lacking in emotions and conviction. I did enjoy Meryl Streep and the Giver, but the rest were very average. Some parts of the film felt slightly rushed, missing out on the true essence and meaning it could have conveyed. I did not feel as indulged in the film as I was in the book. Perhaps this was because I loved the book very much, but I feel it was also because the film lacked passion and depth. The overall message and meaning behind the story was not adequately conveyed as important scenes were not emphasized on and were rushed. Jonas's character development happened too quickly and we could not create a connection with any of the characters in the film.
Overall, I found the film to be average. Those that have read the book will find it to be below expectations whereas others may enjoy it for the concept and meaning it attempts to convey.
If you think that the world that George Orwell created in 1984 was a rigid one they were positively hedonistic compared to the society shown in The Giver. Playing the title role is Jeff Bridges who is called that because he has a very special duty to be the one entrusted with the memories of the past. The ruling body of the society has to be able to refer to the past to be guided in making decisions. But we can't have everyone knowing about lest they long for the good things of the past. It's all been abolished the good and the bad, conformity and sameness is the order of things. Color is not even allowed everyone wears drab clothing like they were in prison. The family is abolished, kids are born and then assigned to nurturers, women particularly go into that occupation and it is an occupation like being a plumber.
A new group of young people are being given new assignments and young Brendon Thwaites sits eagerly awaiting his occupation. He gets the prize as he is chosen to be the Receiver of all the past knowledge from Bridges. His training is to telepathically connect with Bridges all the experiences of the past, the good and the bad.
The use of color in film is never thought of this day, it's simply assumed that films now will be photographed that way. But The Giver takes its place along side Schindler's List and Pleasantville in using color sparingly and to make a point. Color comes into Thwaites world as it has been in Bridges' and the equation of knowledge with color is a point well made.
When Thwaites decides that there's something more out there than what he's grown up with, society shakes. None other than chief elder Meryl Streep wants measures to be taken to stop Thwaites from questioning the order of things.
Thwaits, Streep, and Bridges head a cast that tells a thought provoking tale of curiosity and rebellion and curiosity in seeking something better always proceeds rebellion. The film ends abruptly and I suspect there's some box office soundings being taken to see if a sequel is to be made. I hope one is, but if it's not The Giver can certainly stand on its own.
A new group of young people are being given new assignments and young Brendon Thwaites sits eagerly awaiting his occupation. He gets the prize as he is chosen to be the Receiver of all the past knowledge from Bridges. His training is to telepathically connect with Bridges all the experiences of the past, the good and the bad.
The use of color in film is never thought of this day, it's simply assumed that films now will be photographed that way. But The Giver takes its place along side Schindler's List and Pleasantville in using color sparingly and to make a point. Color comes into Thwaites world as it has been in Bridges' and the equation of knowledge with color is a point well made.
When Thwaites decides that there's something more out there than what he's grown up with, society shakes. None other than chief elder Meryl Streep wants measures to be taken to stop Thwaites from questioning the order of things.
Thwaits, Streep, and Bridges head a cast that tells a thought provoking tale of curiosity and rebellion and curiosity in seeking something better always proceeds rebellion. The film ends abruptly and I suspect there's some box office soundings being taken to see if a sequel is to be made. I hope one is, but if it's not The Giver can certainly stand on its own.
क्या आपको पता है
- ट्रिवियाJeff Bridges had been trying to have the film made for nearly 20 years and even filmed a version of it with his family. Speaking on the Nerdist Podcast he said: "I originally wanted to direct my father in it. As a matter of fact, somewhere in some garage, there is a version of this movie with my father (Lloyd Bridges) playing The Giver, Bud Cort narrates the whole thing, Beau's kids, one is shooting it, one is playing Jonas. We did the whole book, so that's around somewhere."
- गूफ़When Jonas flees through various terrain and weather conditions at the end of the movie, his wardrobe changes a number of times to where he finally wears a thick winter parka. All the while he never has a backpack or bag or anything with him and the baby when he initially flees on the motor bike. And where could he have even gotten a spare parka from anyway, since the whole society was climate controlled to perpetual summer-like conditions?
- भाव
Chief Elder: When people have the freedom to choose, they choose wrong--every single time.
- साउंडट्रैकSilent Night
Lyrics by Joseph Mohr
Music by Franz Xaver Gruber
(Incorrectly attributed as "Traditional")
Performed by The von Trapp Children
Courtesy of Rattlesby Records, Inc.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Giver?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- El dador de recuerdos
- फ़िल्माने की जगहें
- University of the Witwatersrand, जोहान्सबर्ग, दक्षिण अफ़्रीका(Some exteriors)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,50,90,374
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,23,05,016
- 17 अग॰ 2014
- दुनिया भर में सकल
- $6,69,80,456
- चलने की अवधि1 घंटा 37 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें