Suwingu gâruzu

This is the best japanase comedy i ve ever watched! without a doubt u will fall in love with this Japanese school jazz band!

prepare to enjoy an extraordinary movie! you will laugh a lot!

it is important to highlight that even when you are gonna have fun, you will have the opportunity to learn at the same time about the social problems that the jap. public high school students have to face in modern japan. (family disintegration, school dropouts, the high consumption of brands - cartier, armani,etc- among jap. adolescents, mediocre professors, etc)

if we become extremely critical this movie will get 8/10 or 9/10 on the worst scenario. but because i enjoyed it so much and all of my friends loved it too, so we think this movie deserve 10/10!

I got to see this as it was released in Japan on DVD and it does have English subtitles. 'Swing Girls' has got to be the funniest and most honest 'feel-good' flick I have seen a very long time. Having lived in Japan for a number of years and having two Japanese daughters (one playing in a junior high school orchestra), I feel I'm qualified to at least say that the 'silly Japanese school girl' is portrayed in the best possible light. So if there are silly situations, it is only because they are a bunch of silly girls that have to come clean in a serious situation, i.e. high school competition. Other than not meeting any of Uncle Waldo's criteria for a five-star movie, I have no idea why this movie is not already distributed in USA. And that is a shame.

Swing Girls (2004) was directed by Shinobu Yaguchi. Born in Kanagawa in 1967, Yaguchi other works include Adrenalin Live, A Secret Flower Garden and Water Boys. The latter has been his most successful movie to date, having been developed into a weekly television series. Water Boys shares many similarities with Swing Girls. First of all, the stage for each movie is high school and the main character in each is a boy (or girl) with no particular talent, skill or interests. He (she) discovers synchronized swimming (jazz music) and undergoes a transformation. Both movies are based on the theme of succeeding.

Set in present-day Japan, Swing Girls is the story of girls who meet and are deeply fascinated by jazz. The heroine is a very typical Japanese teenager. Her character is suggestive of the hidden problem of today children. She lacks any special interests or motivation and dislikes making any effort. But when she discovers jazz, she discovers something she can be absorbed in and begins to transform herself. At first, she is not able to even make a noise. But she and her friends practice and come to be able to play their instruments. They slowly come to be fond of jazz and take part in a music competition.

All the music was played by the actresses and actors themselves, which is perhaps the most outstanding aspect of Swing Girls. Their accents, on the other hand, sound to me like an imitation. But, as a whole, I like this movie.

From the director of Waterboys comes a new drama-comedy Swing Girls, and I'm a happy camper. I mean, what can go wrong with combining Japanese Schoolgirls (drool?) and Jazz? Absolutely nothing! The premise and narrative is formulaic for this kind of "feel good carpe diem" shows - a bunch of misfits are thrown together by circumstance, to escape the dread of make up Math lessons during the holidays, they enroll (not voluntarily at first) to form a Big Band, face the great uphill task of getting funds for instruments, rehearsing and getting their act together, before ending it all with a cheery big bang.

But as always, it's the delivery that matters. And this show delivers at all fronts. From the many comedic and zany moments, to preaching "never give ups", the story is breezy and the pacing comfortable. The main leads are rock solid good lookers, while the supporting casts consists of quirky characters, like the rocker chicks (huh? in a jazz band?! watch to find out!), gangster-ish mechanic wimps, and a teacher-maestro wannabe, brings much laughter even though at times their characters might seem one dimensional.

What works is definitely the chemistry amongst the cast. It seems, from the out takes, that they had tremendous fun in making this film, and it shows in the end product.

One gripe you may have about this film is that the band, when they finally get their act together, always seem to play the same old piece, when you're craving for more. Well, that's what made the finale work, by building the expectation, then surpassing it - it's 15 minutes of pure musical splendor, and it really made me wanna stand up from my seat and swing along. Too bad I didn't do that, cos I know the entire audience might just join along with me! So if you're feeling down, and somewhat bored, give this movie a go, and I'd guarantee, you'll be swinging and jazzing along when you emerge from the theatre, craving for more.

Suzuki Tomoko, along with ten plus classmates, has been sentenced to spend their summer vacation confined within their school and listen to her dull teacher Ozawa-sensei drone on and on about math equations that she, her classmates, and Ozawa-sensei himself could give a flip about. Therefore she envies the members of the school's brass band who gets to travel with the baseball team. However, on this particular hot summer day the band's bus leaves before the caterer arrives with the band's lunches. Because the caterer has another delivery, Tomoko, along with the other girls in the class decide to deliver the lunches. While on the train they eat one of the lunches and subsequently fall asleep missing their stop. After suffering such setbacks as jumping into rice paddies to avoid an oncoming train and having to wash their socks, the girls finally deliver the lunches to the brass band and their conductor. However, Nakamura Yuta, a boy Tomoko constantly bickers with, does not receive a lunch because his was consumed on the train ride. However, it seems an angel of mercy was looking over Nakamura when the other members of the brass band suffer a major bought of food poisoning.

Nakamura, being the only member of the brass band who is healthy, is given the task to put together another band for a major baseball game. However, only three girls show up to volunteer: two punk rock girls who play guitar and bass respectively and Sekiguchi Kaori, a sweet, nerdy girl who can play the recorder. However, knowing that Tomoko ate one of the lunches, he spotted a grain of cooked rice on her chin at the baseball game, Nakamura orders Tomoko and her summer school classmates to join the brass band. However, there number only totals sixteen, which is too small a number for a brass band. Yet, after a few events, Nakamura decides instead to start Big Swing Band.

Instead of playing music at first, Nakamura makes the girls exercise to build up their strength and lung capacity for a long performance. The girls eventually begin to enjoy playing their instruments, but right before the big game the brass bands members regain their strength and perform instead of the girls. However, seeds of love for music have been planted in the hearts of the saxophonist Tomoko, the trumpeter Saito Yoshie, the trombonist Sekiguchi, and the drummer Tanaka Naomi and while the other girls quit in order to hang out with some boys, this little group, with Nakamura in tow, sets forth to start their own jazz band.

Before actually watching this film, my only knowledge concerning it was that it was directed by the director of Waterboys, but having yet to watch that film this left me with little information for what to expect. However, I received the experience of watching a very enjoyable film that was without violence, unless you count snowball fights and Naomi's butt cracking the head of a wild boar when the girls go matsutake hunting, without angst, without hormonal frustration, etc. The young actresses have a wonderful chemistry and seem like actual friends instead of actresses. Also, the personalities of Tomoko, Nakamura, Yoshie, Sekiguchi, and Naomi are very well fleshed out and each one of them has their own personal quirks: Yoshie's falls for every cute boy she sees, the mild Sekiguchi excels at whatever she does but is ignored by those around her, and the deadpan Naomi has a wonderful dry sense of humor. Combine all of this with a truly outstanding performance at the end of the film, the girls later on went to perform in New York and Los Angeles, make for a very nice film watching experience.