Princesas

Micaela Nevárez is a Puerto Rican actress who has achieved great fame in independent and European films. She made her film debut in the acclaimed Spanish film Princesas which was directed by Fernando León de Aranoa, in which she played Zulema, an illegal immigrant from the Dominican Republic trying to make a living as a prostitute on the streets of Madrid, Spain. Her strong convincing performance in this film earned her a Goya Award for Best New Actress in 2006, making her the first Puerto Rican thespian to win this prestigious award.By winning this award, Nevárez became the first Puerto Rican performer to win this prestigious film honor and one of the few Latin American actresses to do so as well. She is preparing to launch her film career in the United States in 2008 with a supporting role in the independent film The War Boys starring Victor Rasuk and Peter Gallagher.

To my recollection, I have only seen one other movie about the lives of prostitutes. Sure there was Pretty Woman, but that really didn't get into the actual work. This film is different and really does a great job showing the less glamorous side.

Fernando León de Aranoa wrote and directed the film and it moves along well. It certainly keeps your interest. The soundtrack is also a big plus.

Candela Peña (All About My Mother) is Caye, who rarely smiles as she deals with her mother, who seems to be losing it, and tries to establish a real relationship that keeps bumping up against her occupation.

A new actress, Micaela Nevárez is Zulema, who is consumed with the child she left in the Dominican Republic. She is trying to get papers to get out of Spain, and is taken advantage of by a sleazy public official. She gets revenge in an unusual way.

Together Caye and Zulema are friends and they try to survive in spite of their occupation. It is a times funny, and certainly sad as they try to find that opening to a better life.

We can say that Fernando León De Aranoa is a demagogue because he tells the truth and denounces the injustices of our society. We can say that he usually makes up such forced situations, but fiction will never be as rude and hard as reality. You may hate all that "social realism" stuff, the "Costumbrism" and so.. but still they are the base of many of the masterpieces in the history of European cinema.

After the kids of "Barrio", after the unemployed of "Los Lunes Al Sol", now it's the prostitutes' turn: their "day by day", their dreams and their hopes, the racism some of them have to suffer, and lots of urban philosophy (at the end of the day that's the most valuable philosophy, 'cause it comes right from people's guts). Is it too obvious to say that Fernando León is one of the best Ken Loach's pupils? Well, if it's obvious then it's true too...

Candela Peña said he was looking forward to work with F. León, that it was her dream, and I'm sure that Fernando have always dreamed of finding an actress like Candella: she's so real.

I don't know if this is the end of a "social trilogy", and maybe FLA will go back to comedy (as in "Familia") for his next movie... Whatever, I'm sure it will be such a great work.

PS: "Si La Vida Te Da" ("If life gives you..."), what a beautiful song. I don't like Manu Chao that much, but I love that tune...

*My rate: 8/10

Fernando León De Aranoa's film Princesas, is a touching and emotional journey about two young women who work the streets of Madrid, out of pure desperation. They are in hopes of starting a new life. It isn't the typical Hollywood prostitute movie; it is much more than that. It is a very agonizing movie that puts you in these intense characters shoes, and you try to understand how they deal with their day to day struggles. Aranoa gives perspective and creates this underlying sympathy that continuously tugs at your heart strings.

I felt for Caye the minute the movie started and she was walking into that hospital room to show the young boy a good time. How humiliating I thought to myself, but she had no choice. Again you feel for her when you realize that she is living a double life. She tries to enjoy a quite lunch with her family but her phone is constantly antagonizing and bringing her back to her reality, which for me seems like a living hell. I have seen movies before about prostitutes like "Pretty Woman," a typical American Hollywood film. It is sad and then it has a typical happy ending. Princesas is raw and real, it doesn't turn Caye and Zulema's lives into a fairy tale. It is refreshing to see an original and genuine film about an issue that is prevalent in the world today. There are women all over the world that have no other choice. I feel like Aranoa's film is giving these women a voice. Prostitutes are people, and they do what they can to survive.

...Because almost all the ones that do have money and connections are shallow and gutless and that's why you have to dig and dig and dig to find a good film.

Another reviewer got a 0/11 out of the eleven gracious contributors to this film fro saying this is boring. He was right in saying that the acting is indeed very good, the main actress does seem to overact a bit, but the domenican girl is a joy to watch, and the minor characters are very well acted too.

So, big love to the actors here, great job.

Big boos to the directors and screenwriters. What a shallow sophomoric story, no twists, no turns, and that could be acceptable if at least there was some semblance of a cinema verity, a gritty reality portrayed. But there's none of this.

The film doesn't build up, doesn't explore characters, doesn't even have one single story to tell. Forget imagination or plot. I am not a blockbuster Hollywood viewer but give me something more than some shallow musings on "someone exists because you remember them" and about princesses being too sensitive. Any way you cut it, under any sympathetic light you might want to view the film it fails miserably and that's because of the flat, dirt poor story and characterisation.

It's more than obvious that the director and writer are clueless when it comes to prostitution and that's why this is reduced to boring stereotypes.

Unfortunately very few real prostitutes rise from the gutter to tell their story. Let me rephrase that because I 've read some wonderful insightful books about prostitution from prostitutes. Very few real prostitutes actually get that big chunk of money to make a film. I tell you whatever little contact I had with working girls as a man, some of those short rushed discussions were far more honest and heartbreaking than any of this boring trite.

Let's be frank prostitution exists because men are horny and men have power, and prostitutes do what they do because some of them are lazy and want an easy way out, and most of them have been abused and are tortured souls, they are also poor girls and some are stupid girls. It's not a happy subject matter because it reflects on the atrocious nature of people, mostly men. It might not even be an interesting matter. But if you are going to tackle it, there's stuff there for sure, if you are to make a movie of it there's so much there to avoid banality and clichés. The sheer number of which here are mind blowing.

But of course that's happens when people with money make films about issues they have neither the sensitivity nor the intellect to handle, and that they've not lived through for sure. So we get clichés: hiv, the bad pimp, the junkie, the college kid, the immigrant, uuuggghhh...

And what's with 15 manu chao songs in a single film? Straight from an "anti globalisation" march.