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Marebito

  • 2004
  • R
  • 1 घं 32 मि
IMDb रेटिंग
6.0/10
6 हज़ार
आपकी रेटिंग
Marebito (2004)
बॉडी हॉररड्रामाफ़ैंटेसीरहस्यहॉरर

अपनी भाषा में प्लॉट जोड़ेंA fear-obsessed freelance cameraman (Shinya Tsukamoto) investigates an urban legend involving mysterious spirits that haunt the subways of Tokyo.A fear-obsessed freelance cameraman (Shinya Tsukamoto) investigates an urban legend involving mysterious spirits that haunt the subways of Tokyo.A fear-obsessed freelance cameraman (Shinya Tsukamoto) investigates an urban legend involving mysterious spirits that haunt the subways of Tokyo.

  • निर्देशक
    • Takashi Shimizu
  • लेखक
    • Chiaki Konaka
  • स्टार
    • Shin'ya Tsukamoto
    • Tomomi Miyashita
    • Kazuhiro Nakahara
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.0/10
    6 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Takashi Shimizu
    • लेखक
      • Chiaki Konaka
    • स्टार
      • Shin'ya Tsukamoto
      • Tomomi Miyashita
      • Kazuhiro Nakahara
    • 53यूज़र समीक्षाएं
    • 72आलोचक समीक्षाएं
    • 50मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 2 जीत और कुल 1 नामांकन

    वीडियो1

    Trailer
    Trailer 1:47
    Trailer

    फ़ोटो9

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 3
    पोस्टर देखें

    टॉप कलाकार21

    बदलाव करें
    Shin'ya Tsukamoto
    Shin'ya Tsukamoto
    • Masuoka
    Tomomi Miyashita
    Tomomi Miyashita
    • F
    Kazuhiro Nakahara
    • Arei Furoki
    Miho Ninagawa
    Miho Ninagawa
    • Aya Fukumoto
    Shun Sugata
    Shun Sugata
    • MIB
    Junko Amagi
    • Mobile Shop Clerk
    Masaru Endô
    • ENG Director - Press
    Kaori Fujii
    • Woman in Window
    Masayoshi Haneda
    Masayoshi Haneda
    • Cameraman in Park
    Hideto Katsuya
    • Killer in snuff film
    Shuhei Koizumi
    Kenji Kotani
    • ENG AD
    Takashi Kubota
    • Sound Recordist - Other Company
    Tomoya Naitô
    • Mori - Video Company P
    Mami Nakamura
    • News Programme Reporter
    Ayumu Saitô
    Kôji Satô
    • Blanket Man
    Hiromi Shibuya
    • Children's Clothing Store Clerk
    • निर्देशक
      • Takashi Shimizu
    • लेखक
      • Chiaki Konaka
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं53

    6.05.9K
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    10

    फ़ीचर्ड समीक्षाएं

    6edwjoolee

    An average effort by the director of Ju-On

    Marebito starts out with an interesting premise, but somewhere along the way the movie falls apart.

    A camera man captures a man in the subway committing suicide by stabbing himself in the eye. The camera man becomes transfixed by the death image of the man and studies the footage with the hopes of finding a clue as to why the man would commit such an act. He surmises that the man has experienced something so terrifying immediately before his death as to render him suicidal. So the camera man ventures into the subway for clues and finds a door that leads even further down into the subway. The beginning part of the film captured my interest.

    Too bad.

    What the main lead uncovers...actually what he finds beneath the subway...and what unfolds thereafter is incredibly dull. The rest of the film becomes a jumbled mess as the main character tries to rationalize, in his more and more irrational mind, the supernatural events that unfold. But the film looks rushed and uninspired...it does look like it was filmed in two weeks.

    I thought Ju-on was creepy and fairly good as a horror film. The director's effort on this film is unfocused and meandering; he even interlaces at points in the film, clumsily I might add, with discussions of philosophy and the supernatural in the hopes, I suppose, of lending the film some gravitas. Is the director trying to be metaphorical and deliberately obtuse? I don't know and I did not care.

    Because I found some parts of the film creepy and even innovative, I rate this film: Average.
    7sol-

    Nightcrawler

    Also known as 'The Stranger from Afar', this Japanese horror film focuses on a freelance photographer who rescues a naked woman chained to a rock in a subway tunnel; he takes her home, only to discover that she is more animalistic than human with a taste for blood. The film is pretty much as weird as it sounds with little indication of just how much of what occurs is hallucination, imaginary or real. It remains a gripping ride though even when everything cannot be deciphered thanks to a truckload of atmosphere and a genuinely unsettling turn by Tomomi Miyashita as the mysterious woman. Some of the symbolism hits home quite well too with the protagonist viewing himself as a vampire, feeding off filming the misery and pain of others (sort of like Jake Gyllenhaal's character in 'Nightcrawler', but with a moral compass here). The film also taps into some curious territory early on as the protagonist announces a desire to find what caused a man to be so terrified that he committed suicide before his camera lens; some of his soliloquies in this early part of the film bring to mind 'Videodrome' as he equates cameras to the retinas of human eyes. One's mileage with 'Marebito' will no doubt vary depending on one's tolerance for the unexplained and deliberate ambiguity, but it is certainly refreshingly different from most other vampire movies out there.
    6lastliberal

    Horror or ancient wisdom?

    A strange film by Grudge writer/director Takashi Shimizu.

    Shinya Tsukamoto (Ichi the Killer) is consumed with finding out the source of terror that caused a man to stab himself in the eye. He wants to experience the same terror - terror so horrible that it would cause you to want to kill yourself.

    He goes underground looking for the beings that inhabit the tunnels under Tokyo and finds a naked girl, who he brings home to live with him. The girls is more animal than human and he kills to provide her blood rather than give her his own blood, which she wants.

    It is not certain throughout whether he is going mad or finding what he is searching for. He even tries to escape, but resumes the search until he finally succumbs to the terror.

    Despite the shaky camera work, which some like, but which distracts me, it was a fascinating look at terror and certainly a film that contains much more than available at first glance. A blend of mysticism and horror, it is a worthy view for fans of Japanese horror.
    6claudio_carvalho

    Weird Movie

    In Tokyo, the freelancer cameraman Takuyoshi Masuoka (Shinya Tsukamoto) is obsessed investigating the fear sensation near death. When he shots with his camera a man stabbing himself in the eye in the access to the subway, he seeks what the suicidal might have seen to experiment the same sense of horror the man felt when he died. He finds a passage to the underground of Tokyo where he meets a mysterious naked woman that does not speak and he calls her F (Tomomi Miyashita). He brings F to his place and he has difficulties to feed her, until he discovers that she drinks blood. Masuika becomes a serial killer draining the blood of his victims to nurse F.

    "Marebito" is a very weird low-budget movie that discloses the madness process of the lead character through his journey to hell in the underground of Tokyo. This original story is disturbing and unpleasant, using a morbid and creepy atmosphere, to unravel the twisted mind of a deranged man. However this strange movie is recommended for very specific audiences only. My vote is six.

    Title (Brazil): "Marebito: Seres Estranhos" ("Marebito: Weird Beings")
    8jeffuary

    Interesting film

    First off, I hated Ju-On. I thought it was derivative garbage of the J-horror variety (most J-Horror, which many American's think is "cult", is the equivalent of teen slasher flicks in their respective countries). That said, I was expecting nothing from this film. Instead, I got a Japanese David Cronenberg film, for all intents and purposes. This film would make an excellent companion piece to Cronenberg's Videodrome.

    Both deal with technology and alienation in an urban setting. While in Videodrome it's the proliferation of mass media that causes the protagonists reality slip, here it's the creation of such media. The main character is a freelance videographer who makes a living filming the horrible things that people do to each other (and themselves) in the crowded yet isolated world of the big city. He eventually comes to understand that nothing is more cruel than what he does. He is, in a figurative sense, a vampire. He sucks the blood of the living into his lens, and thrives off the rewards. But he is lost.

    Then he meets...a girl? A creature? A vampire? A hallucination? The fact that she has no recognizable emotion or attachment, and lives only to feed on the blood of people is a projection of what he is so ashamed of.

    This film really gets into the feel of alienation (much the way "Clean, Shaven" and Cronenberg's "Spider" did) and makes you feel the way the populace who views his videos do. Disturbed, but secretly glad and thrilled that misery was put on film.

    Which leads me to the presentation. Many have griped about the Digital Film approach, which, as most cinephiles know, leads to a harsh lighting scheme and stark contrasts- none of the lushness of film- and jerky movement feel. Shimizou could have easily done this on film if he had wanted to, but instead, I feel, made a choice to use digital...it's the same format that his protagonist records horrible images on. One turn deserves another. I enjoyed this aspect, as the presentation aspect of a film is rarely intrinsic to both the style and subtext of the film.

    That said, it's not entirely successful. A few scenes could have used better FX work or shot choice/editing, but, hey, he shot this on the fly in 8 days, on his way to make another J-Horror "scary-kid" schlockfest. This film shows he is more capable than that. Fans of J-horror may want to avoid this, whereas if, like me, you're a fan of shock-cinema and narrative surrealism (Lynch, some Cronenberg, you) may enjoy this.

    इस तरह के और

    Reincarnation
    6.1
    Reincarnation
    Noroi
    6.8
    Noroi
    Retribution
    6.4
    Retribution
    Chakushin ari
    6.2
    Chakushin ari
    Kansen
    6.0
    Kansen
    Jisatsu sâkuru
    6.5
    Jisatsu sâkuru
    Noriko no shokutaku
    7.0
    Noriko no shokutaku
    Kôrei
    6.7
    Kôrei
    Okaruto
    6.5
    Okaruto
    Yogen
    6.2
    Yogen
    Enjeru dasuto
    6.7
    Enjeru dasuto
    Akumu tantei
    6.0
    Akumu tantei

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Takashi Shimizu shot the film in just eight days, between the production dates for Ju-on (2002) and its remake, डरते रहो (2004).
    • भाव

      Masuoka: They didn't see something that terrified them. They saw something because they were terrified.

    • कनेक्शन
      Featured in Nightmares in Red, White and Blue: The Evolution of the American Horror Film (2009)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is Marebito?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 13 मई 2005 (ताइवान)
    • कंट्री ऑफ़ ओरिजिन
      • जापान
    • भाषा
      • जापानी
    • इस रूप में भी जाना जाता है
      • The Stranger from Afar
    • उत्पादन कंपनियां
      • Adness K.K.
      • AtEntertainment K.K.
      • Culture Publishers (CP)
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • JP¥50,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $13,983
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $3,852
      • 11 दिस॰ 2005
    • दुनिया भर में सकल
      • $1,07,259
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 32 मि(92 min)
    • रंग
      • Color
    • पक्ष अनुपात
      • 1.85 : 1

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