Sigaw

During the Brussels International Festival of Fantastic Film (www.bifff.org) we saw ECHO. We wanted to be scared and we were... We didn't expect to be that scared. That's why our vote is high. But, we must say the actors weren't that good. We saw easily that they were playing a role, they weren't realistic. The sounds made us make jumps from our seats. The story was revisited but all the stuff around made that movie watchable. The make up was well done. We really like that kind of film here. The Asian films are the best. But we only can see them during festivals or events. That's quite sad for us. Thanks to all the people who made all that events possible. We really appreciate that from here.

I had to watch this movie 3 times in order to catch it beginning to end. Some parts of the movie were THAT slow. The eerie music came on loud enough to start to annoy me.

The abuse scenes were troubling to watch but I've seen worse. It was haunting though. I was kind of disappointed at the end. Even if it would have been corny if the curse didn't go away I don't think it would have been a bad way to end the movie though. There are just way too many movies with 'to be continued' type endings. I'd say the movie theatre & bathroom scene would have to be the scariest parts of the movie.

During the opening scenes the dark, decrepit apartment block provided plenty of claustrophobia and paranoia and set me at unease before the titles had even finished.

The story is a strong and very visual one, and at times does seem to borrow from Asian horror, a fact that Laranas disputes in the audio commentary, but it never feels wrong. The characters are quite identifiable, even from such a different culture, and the actors are surprisingly good. They have their moments though, and the beautiful Locsinplays a few moments awkwardly, while Gutierrez has a few lines where his dialogue feels wrong for his character. The other male leads Yllana and Blanco provide very convincing performances, and as for Calzado, well she has some truly terrifying moments.

Calzado and Yllana manage to give such a believable performance as the abused wife and abusing husband respectively. This is done with suggestion and intent, and no actual violence. It's the looks in their faces and their utterly convincing tone that captures this, and I suspect that many will find these scenes very uncomfortable without them actually having any violence. This shows the strength of the script and Director.

By far the creepiest moments are with the child . When the apartment door opens without warning it's enough to scare you, but when the child runs in and hides under the bed, and with a blood red face, I admit Laranas had me freaked out. This feeling is reinforced when it occurs again and there is no child, just the camera hinting at the movements of someone. An excellent method of building unease in the audience.

Laranas knows the tricks of the trade when it comes to horror, the scares, screams and tension building is done very well, and even without the child moments there are some very scary moments...The scenes in the cinema and the toilet cubicle are superbly filmed. There's great use of the camera throughout, and the understanding that less actually more and subtlety is a wonderful trait.

The cinematography and sound are very strong aspects of the movie, perhaps the strongest, and there are some superbly visualised and filmed scenes. The sound effects and score are very complimentary to the movie and provide for excellent tension building.

However all is not great, there is a short section of the film where the characters leave the confines of the buildings that they inhabit, both home and work, and this feels slightly out of place in the movie. Suddenly the world is opened up and it feels as though they could just leave and the tension is temporarily halted. As soon as they return to the confines of the apartment though, the tension returns and builds back.

The story builds to good climax, where you genuinely are unsure what's about to happen. Indeed I wasn't sure as the final scenes played out, and I was quite surprised at the ending.

Picture: 1.85:1 Unfortunately this is the failing of the DVD. The picture is extremely harsh in white balance, bright areas very over exposed and at times far too bright, with dark areas being very dark, but not overly. It gives a good feeling for most of the movie but there are some scenes where it's very distracting.

At first I thought this was down to the style of filming, and I found it was starting to annoy me more and more, however when I watched the trailers in the Extras afterwards I discovered that it wasn't the filming, it was the picture on the DVD. Since then I've read another review that says this very same thing. The picture on the DVD heavily let's the movie down, and that's indeed a shame.

Sound: Dolby Digital 5.1 \ 2.0 Subtitles: English The sound is one of the strongest features in this movie, with a good use made of the DD5.1 available to it. Effects happen around the scene, and it's not overly used so you're hearing sounds all around you, but it is used enough to provide depth to the scenes.

The score stands out and is a major contribution to the tension of the movie. It's very haunting and keeps itself in the background, slowly building and gently tapping at your shoulder. During key scenes it provides the weight to let you know the seriousness of the moment, but it never overpowers the movie.

Extras: Commentary, Behind the Scenes Featurette and Trailers Laranas is perhaps being one of the most mellow Directors I've ever heard. However he provides some good insight to the movie, the actors and some of the problems they faced. I actually found I enjoyed watching the movie a second time with his commentary, and it felt like it added more to the experience.

The Featurette provides direct footage of some of the scenes being filmed, but with no commentary it's not very interesting.

I was slightly disappointed that the trailers didn't carry subtitles. There are a number of trailers for other movies alongside all the trailers for Sigaw, and it is here that you see the picture was not filmed with this harsh contrast.

Overall This is a simple, and very effective story made so by excellent film making techniques in editing, cinematography and sound. This combination is what makes the movie effective in tension building and scare delivery. It's almost a traditional horror, a scary movie without the slasher and special effects that have been employed in the modern horror film.

The acting is strong, and provided a surprise for me in the quality of talent available to the Philippines. There are some weak moments, but nothing that distracts from the story which is kept going at an ever increasing pace.

This is a scary movie with some excellently filmed moments and superb soundtrack that will keep you tense and jumpy. A very enjoyable horror showing subtlety over slashing.

Philippine cinema hasn't seen a horror movie with so much artistry and passion since the production of Sigaw. For the past 30 years or so, Filipinos only witnessed campy and hack horror films. Filipino producers could only produce 3-in-1 feature lengths or even worse, over used monster films based from Filipino folk tales like the Tikbalang or Tiyanak. These days, local movie studios are just contented doing hack films from Asia and America. The makers of Sigaw pulled all the strings in their power to create something different and original.

Forget about the depth of the story, Sigaw was not made to rip off awards. Sigaw was made simply to give its audience a good scare. In this regard, the movie succeeds all expectations. Director Yam Laranas implores all the necessary ingredients to deliver a high octane adrenaline rush flick. His visuals combined with Almbert Michael Idioma's sound then edited by Manet Dayrit made a bone chilling movie experience.

Sigaw is the comeback movie from Yam Laranas. After his last 2 films, Laranas finally went back to his forte, the suspense genre. This reemergence so to speak is similar to Gus Van Sant's return in doing his masterpiece, the Elephant. I am thankful for Laranas for going back to his roots and doing Sigaw. At long last, there is a Filipino horror film i could be proud of. Moreover, this could be the very first Filipino horror film to scare the entire world!

To start with, I'm an American "mutt." I don't consider myself to belong to any culture unless "white bread" should start appearing on the US census. I speak almost no Tagalog (Filipino), and understand little. That said, I watched "Sigaw" on DVD with English subtitles.

"Sigaw" is an interesting movie. It lacks the visual cues to let an American audience know "This is the present..." "this is the past..." but it's a movie that shows the history of a haunted apartment building in parallel (past and present). We see a struggling restaurant owner trying to make sense of the noises and getting little sleep. We see another younger man trying not to get involved in a very loud domestic dispute.

The movie centers on the present-day man trying to make sense of it, and just trying to get by, hopefully by ignoring it. The movie is mostly atmospheric, with a few surprises, and little gore. Similar to the "The Others" and "Sixth Sense", most of the fun is trying to figure out what's the story, and what's the right solution.

American cinema often borrows from foreign. "The Birdcage" is a remake of a French play. "The Ring" and "The Grudge" are both remakes from Asia. Doing an American remake of "Sigaw" might be worthwhile for a director who values atmosphere and story over effects and gore. On the whole, I'd recommend "Sigaw" for Americans who enjoy wondering about what goes bump in the night...