अपनी भाषा में प्लॉट जोड़ेंFilmed in London and on location in New York's Lower East Side, NY-LON follows the troubled romance between a bohemian New York record store clerk, Edie, and London stock broker Michael, aft... सभी पढ़ेंFilmed in London and on location in New York's Lower East Side, NY-LON follows the troubled romance between a bohemian New York record store clerk, Edie, and London stock broker Michael, after their chance meeting in his city.Filmed in London and on location in New York's Lower East Side, NY-LON follows the troubled romance between a bohemian New York record store clerk, Edie, and London stock broker Michael, after their chance meeting in his city.
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Right, this programme was quite simply terrible. I mean, just so bad. The leads were totally wooden, had no chemistry and were totally unsympathetic, so the whole will-they-won't-they dynamic never really seemed to matter; these people are so uninteresting and didn't even seem to like each other, so why the hell would any viewer want them to get together? The bloke, however, was at least fairly entertaining to watch, due to the fact that with his abnormally large head, he was obviously a Thunderbird puppet, whose Pinocchio-like wish to become a real boy had been granted... In fact, all the characters are fairly uninspiring, especially the Thunderbird puppet's nephew, who is in the film solely to allow other characters to reveal their sensitive sides. Perhaps if he'd been a baby seal, who made eyes at the camera (with a studio audience obediently 'awww-ing') he would've been more bearable. There were only three characters who actually came across as anything more than insubstantial twats: Macaulay Culkin's ex-wife, who gets her bits out on several occasions; Thunderbird's sister, who actually seems human, rather than a hologram of a pretty person, as the rest of the cast; and Thunderbird's ethnic minority best friend, solely because he was in Teachers and is, in Teachers, a top actor. Apart from these honourable exceptions, the characters are dreadful finger puppet people, anxiously trying to be cool and do cool stuff (never before have I seen so much self-conscious smoking). You can almost imagine most of them lying in bed at night, unable to sleep, as they fret and worry: "Am I cool?" The writers made a real stab at making the people do interesting things, or utter interesting, quotable lines, but these were so obvious, almost signposted, that they just seemed to be trying too hard. Believe it or not, there were actually some small parts of the series that weren't too bad: the music is cracking, though it has obviously been picked to hammer home the fact that the characters are hip, happening, cosmopolitan bright young things. Don't watch this. No, actually do, its very funny. Shame it wasn't a comedy.
...though that's about as far as it goes for this series. The whole program just seemed to scream that the makers desperately wanted it to be the hippest creation EVER and oh-so-cool but the result was flat, anti- drama with little to recommend it. The acting was passable though certainly not electric by any means. Production valued were generally good but the script just tried too hard to be daring and shocking but it's core ended up coming across as simply tepid, lacking in substance and with a negative moral outlook some of the time. I didn't see the whole series, admittedly, but when something starts to simply bore the pants off you there is nothing much left to do but put this series of the shelf and file it under 'dull'.
I don't have an awful lot to say about this sorry romantic drama.
A hugely uninteresting story about a transatlantic romance between two very dull characters.
Edie is a hard-up yank who has been in a relationship with a complete loser. Michael Antonioni (yes, MICHAEL ANTONIONI) is a hard-working, hard-living obscenely well-paid Brit with a heart of gold under the tough exterior.
I don't want to be too hard on this fella cos he really is a nice chap (no really, he is) but for a guy in a dynamic, highly paid job where image counts for so much it was something of a mystery why he always wore the same suit that was at least one size too small for him....
To be honest, from what I saw (because I gave up after episode 4) Rashida Jones was OK as Edie but Stephen Moyer was uncharismatic and simply dreadful as MICHAEL ANTONIONI.
Some people may admire split-screen drama but ever since watching The Andromeda Strain and The Boston Strangler ages ago, I have always felt that the use of the split-screen is simply a flashy tool with the sole purpose of glossing over a director's inability to edit scenes into a coherent story.
Ny-Lon used the split screen a great deal and I found this incredibly annoying.
The romance between the two lead characters fails to convince purely because there is no chemistry at all between the actors leaving viewers totally disinterested in the supposed drama of their love life.
Worst of all was the embarrassing reference to Italian art-house cinema in the characters names of MICHAEL ANTONIONI and his nephew ANGELO.
I was almost expecting Michael's chums Frederick Fellini, Bernard Bertolucci, Luke Visconti and Peter Pasolini to be introduced at some point.
Thankfully this did not happen, at least not in the first four episodes...
A hugely uninteresting story about a transatlantic romance between two very dull characters.
Edie is a hard-up yank who has been in a relationship with a complete loser. Michael Antonioni (yes, MICHAEL ANTONIONI) is a hard-working, hard-living obscenely well-paid Brit with a heart of gold under the tough exterior.
I don't want to be too hard on this fella cos he really is a nice chap (no really, he is) but for a guy in a dynamic, highly paid job where image counts for so much it was something of a mystery why he always wore the same suit that was at least one size too small for him....
To be honest, from what I saw (because I gave up after episode 4) Rashida Jones was OK as Edie but Stephen Moyer was uncharismatic and simply dreadful as MICHAEL ANTONIONI.
Some people may admire split-screen drama but ever since watching The Andromeda Strain and The Boston Strangler ages ago, I have always felt that the use of the split-screen is simply a flashy tool with the sole purpose of glossing over a director's inability to edit scenes into a coherent story.
Ny-Lon used the split screen a great deal and I found this incredibly annoying.
The romance between the two lead characters fails to convince purely because there is no chemistry at all between the actors leaving viewers totally disinterested in the supposed drama of their love life.
Worst of all was the embarrassing reference to Italian art-house cinema in the characters names of MICHAEL ANTONIONI and his nephew ANGELO.
I was almost expecting Michael's chums Frederick Fellini, Bernard Bertolucci, Luke Visconti and Peter Pasolini to be introduced at some point.
Thankfully this did not happen, at least not in the first four episodes...
Unlike the other review... I think this show is innovative and very interesting...
I have gotten my friends into the show and can't wait to see more episodes..
Everyone who I know that watches the show finds it entertaining and well worth searching for it..
It is a TV show not an Oscar winning documentary... So I find the 1st review very brutal.
Tivo it and make up your own mind about it..
The characters are interesting and multi-faceted.
I have gotten my friends into the show and can't wait to see more episodes..
Everyone who I know that watches the show finds it entertaining and well worth searching for it..
It is a TV show not an Oscar winning documentary... So I find the 1st review very brutal.
Tivo it and make up your own mind about it..
The characters are interesting and multi-faceted.
We are halfway through watching this on BBC America, so we don't know how it ends.
So far all I can say is this program is a wonderful surprise.
It was scheduled for the middle of the night last week on BBC America, so TIVO did it's job and we are now going through it during a very chilly weekend. It has turned the chill into a warm glow.
The storyline is completely realistic, which is always my requirement for stories of star-crossed lovers. The characters are totally plausible. The acting is top notch.
I've been a fan of Rashida Jones since she was on Boston Public. The girl's got chops! We've also seen Stephen Moyer in other projects (Midsomer Murders, Waking the Dead) and think he is ready for the big screen. The supporting actors are all excellent, and I never cease to be amazed by how well actors from the UK do American accents. They are completely believable.
Now for the writing. Simon Burke has a real ear for both America and British idioms. As a novelist myself, I will tell you this is not easy. We use completely different expressions right down to our verb tenses, and Burke seems to have both down cold. I'm a writer myself, so I pay special attention to idioms. When they're wrong, it's like nails on a chalkboard. Well done, Simon. Edie, Christine and Luke sound like Americans.
And a note about the music in this series. The music flows throughout like a Greek chorus, embellishing the plot line beautifully. A great deal of thought must have gone into that. Real artists pay attention to those kinds of details. Well, well done!
Enjoy!
So far all I can say is this program is a wonderful surprise.
It was scheduled for the middle of the night last week on BBC America, so TIVO did it's job and we are now going through it during a very chilly weekend. It has turned the chill into a warm glow.
The storyline is completely realistic, which is always my requirement for stories of star-crossed lovers. The characters are totally plausible. The acting is top notch.
I've been a fan of Rashida Jones since she was on Boston Public. The girl's got chops! We've also seen Stephen Moyer in other projects (Midsomer Murders, Waking the Dead) and think he is ready for the big screen. The supporting actors are all excellent, and I never cease to be amazed by how well actors from the UK do American accents. They are completely believable.
Now for the writing. Simon Burke has a real ear for both America and British idioms. As a novelist myself, I will tell you this is not easy. We use completely different expressions right down to our verb tenses, and Burke seems to have both down cold. I'm a writer myself, so I pay special attention to idioms. When they're wrong, it's like nails on a chalkboard. Well done, Simon. Edie, Christine and Luke sound like Americans.
And a note about the music in this series. The music flows throughout like a Greek chorus, embellishing the plot line beautifully. A great deal of thought must have gone into that. Real artists pay attention to those kinds of details. Well, well done!
Enjoy!
क्या आपको पता है
- ट्रिवियाAll the NY-LON (2004) episode titles begin with "Something about": Something about Chemicals, "Something about Baggage," "Something about Commitment," "Something about Honesty," "Something about Family," "Something about Friends," and "Something about Love." This is likely a call back to the Twentieth Century Fox rom-com There's Something About Mary (1998).
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रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How many seasons does NY-LON have?Alexa द्वारा संचालित
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