Mrs Palfrey at the Claremont

You know when a director with the last name of Ireland does a film about a Scottish lady coming to London that there's got to be some major appeal.

Independent film lovers will cheer for MRS. PALFREY AT THE CLAREMONT, a story with a strong script, excellent acting, and some sumptuous English scenery.

Joan Plowright (JANE EYRE, 1996) stars as Mrs. Palfrey, an aging widow who's traveled from Scotland to London to start her life anew in her sunset years. She decides to spend her waning years at a retirement hotel called The Claremont, a somewhat drab locale from what was advertised to Mrs. Claremont in a picture magazine. No matter. She makes herself comfortable, running into The Claremont's quirky staff and residents. The bellhop is a portly and sonorous balding man who mumbles more than he speaks. And the residents range from overly-nosy to irritatingly grumpy. But most want to know why Mrs. Palfrey's grandson, Desmond, (whom she calls all the time) doesn't come to see her.

One potentially rainy day, Mrs. Palfrey is returning from an outdoor excursion, hurrying home, when she stumbles and falls outside a young man's flat. The 26-year-old man's odd name is Ludovic Meyer (Rupert Friend, PRIDE AND PREJUDICE, 2005). Ludy (as he likes to be called) helps Mrs. Palfrey and in return asks that she help him write a really great novel. He wants to use her years and experience to aid in his telling of the story. Ludy seems like such a nice young man that Mrs. Palfrey agrees. Ludy walks Mrs. Palfrey home and everyone at The Claremont immediately believes this to be the elusive Desmond. Mrs. Palfrey lets this deception continue and even invites Ludy over for dinner at The Claremont posing as her grandson. Everyone is smitten with Mrs. Palfrey's faux-grandson and a relationship between Mrs. Palfrey and Ludy starts blossoming.

This isn't a Harry and Maude relationship. This is a relationship not built on a scrap of sexual innuendo. It is a love of friendship and understanding that reaches deep into each of the characters and pulls out of it a fantastic end of life/beginning of life set of circumstances. The beauty of Mrs. Palfrey at the Claremont is that the story builds on each subsequent scene, moving us deeper and deeper into their lives. We see Mrs. Palfrey's love of her dead husband, Arthur, and the beginnings of Ludy's relationship with a beautiful young lady thanks to a movie recommendation by Mrs. Palfrey.

Although the beginning of the film takes a while to catch on (i.e., it may seem painstakingly slow to some), the ending is well worth your time. It is a story that's been told before, but not with such impact, and this is undoubtedly thanks to the strong script by Ruth Sacks based on Elizabeth Taylor's bestselling novel (no, not that Elizabeth Taylor).

Also, the filming at the New Forest Palace grounds near the Abbey at Beaulieu was some wonderful visual candy for fans of this film. It was unbelievably beautiful.

One big warning: make sure you keep a box of Kleenex next to you as the story comes to a close. You'll need 'em.

"Mrs. Palfrey at the Claremont" is the right vehicle for Joan Plowright in which to shine. As guided by Dan Ireland, this bittersweet novel by Elizabeth Taylor about a genteel world in our time gets a great treatment for the screen by Ruth Sacks.

Mrs. Palfrey is a woman of independent means that decides to spend some time in a London hotel she saw in an advertisement in Scotland. As happens with this sort of thing, the picture in the newspaper was much better than the reality this lady encounters as she settles for her stay at the Claremont. One of the things that made Mrs. Palfrey's mind was the promise of the fine English cuisine something the taxi driver, that is taking her to her new home, finds extremely amusing.

The hotel is home to some older women and men that are retired, but who are nearby to all the attractions that a great city like London has to offer. Since it's such a small place, curiosity and a bit of gossip are found among the people one sees, basically in the dining hall at breakfast, or at dinner.

Mrs. Palfrey meets Ludovic when she falls on the sidewalk in front of his apartment. "Ludo", as he wants to be called, is a busker, a young man that sings in the underground in exchange of the coins passersby throw in his guitar case. Mrs. Palfrey has a grandson, Desmond, who proves to be illusive, at best; so trying to be kind to Ludo, she invites him for dinner at the Claremont and asks him to pretend he is her grandson. This proves to be the beginning of a happy and uncomplicated friendship between a woman at the end of her life and a young man just beginning his.

The main reason for watching the film is Joan Plowright in one of the best roles of her career. Lately, this fine actress has been relegated to playing grandmothers, and assorted ladies in the American cinema, and frankly, she is an actress that clearly deserves better, although not many older roles are written for actresses her age. The film is targeted to a mature audience that identifies with the leading lady of the film.

Rupert Friend makes a good Ludovic and plays well against Ms. Plowright. Zoe Tapper is Gwendolyn, the girl he meets at the video store when they are both reaching for "Brief Encounter", which is Mrs. Palfrey's favorite movie. Anna Massey is splendid as Mrs. Arbuthnot and Millicent Martin is seen in a small role.

The film is a delightful way to spend time at the movies with great company. Thanks to Joan Plowright and Dan Ireland, this is a film the joy it is.

There is much to admire in this surprising little movie. Joan Plowright gives one of the best performances of her career and that's no small claim. I connected with her immediately, she did reminded me of my own grandmother and I must admit I found myself with tears running down my face. Her brief encounter with a struggling writer, penniless but with a heart of gold and the face of a movie star becomes convincing against all odds. Ruper Friend displays a devastating charm and his goodness is actually believable. Even the great Anna Massey is given some magic moments on the screen but, perhaps, the biggest surprise is to find out that Ruth Sachs, the writer, is an 85 year old with no previous screen writing credits. The wit and youthful zest of her dialogs and that 1950's feel in a 2005 environment is the most startling aspect of "Mrs. Palfrey At The Claremont" The film suffers from a hesitant composition, we move from close ups to long shots without any rhyme or reason but that flaw, annoying as it is, doesn't spoil the ultimate delights that the film offers. The occasional voice overs are another stroke of genius of Mrs. Sachs. They are the most poignant, opportune and beautifully delivered voice overs in recent memory. Whatever your age, do yourself a favor. Go meet Mrs Palfrey at any theater near you

I attended a screening of this film and was so touched by it that I am still thinking of all the things I wished i could of said, could of done, and should of done with my own grandmother -- if she was still here today. for anyone who has ever had a grandmother or grandfather or needed a friend and found one by surprise, this is for us. it really is. Rupert Friend is stunning. Joan Plowright -- unbelievable. the rest of the cast, the story, the direction, the score, everything -- perfect. To the filmmakers of this movie, I wish you the best success and hope others get the chance to enjoy it as much as I did. it just goes to show that good things come in small packages. In my case and imprint has been left and Ill never forget how it touched me.

Dan Ireland has created a very touching movie about the dignities and indignities of life intertwined that we all face in varying degrees, and how those occurrences can be changed in a moment. Joan Plowright as Mrs. Palfrey was next to perfect in her role of aging recent widow moved to London and living in a residence hotel in order to get on with the next phase of her life in the most pleasing and dignified ways possible for a woman of her certain age. Most interestingly, Mr. Ireland showed well the odd, standoffish and sterile way the English live and dine in residence hotels, as it was shown to be as entertaining as it was quaint, lonely and sad at times. But, things were soon going to change.............

Mrs Palfrey chanced to meet a handsome but very poor busker who helped her after a fall she had on a sidewalk outside of his spartan flat. Thus blossomed one of the finest film friendships between those of vastly differing ages that I have seen since Harold and Maude. The caring and loving way Rupert Friend's struggling young man character took to Mrs. Palfrey, and was returned by her, was perhaps not something we would not see in a thousand years in real life with most young people today, but its unlikeliness was just the right recipe here for giving both the attention, happiness and improved self worth they both desperately needed at that point in their lives. The entire story was about that blossoming friendship and the rewarding gift it gave to each of them.

Gift yourself and see this film story for a quiet and very high quality perception of aging, life circumstances and the deep value of true friendship, all of which battered down all doors of convention and showed well that true and loving human connections will always be made by differing people having the level of desire and need to do so.