Street Kings

A man wakes up in the morning with a very pessimistic, worn-down, can't care about anything expression. He sleeps with a gun in his hand. He doesn't care about anything that happens to him or anybody else. Now…where have we seen this before? Many times, over and over again in cop movies. Basically, David Ayer's Street Kings is just a retread of what other cop-corruption movies have done in the past. But what it does is cleverly blend them all together to create a story that may not be pumped full of intelligence, is compelling enough to keep us guessing at least most of the way through.

Street Kings stars Keanu Reeves as the stereotypical don't-care-about-nuthin' police officer. His wife is dead and he's often used by his boss (Forest Whittaker) for taking down bad guys. When Reeves becomes suspected in the murder of his former partner (Terry Crews), the common tales of betrayal, corruption, and loyalty come up as Reeves takes the law into his own hands, blood is shed, shells are emptied, and the whole cycle starts over again until a conclusion is reached.

Yes, there is nothing in Street Kings that I call original, but then again, there are few movies these days in the early years of the 21st century that are. Hollywood seems to have lost its nerve for newer, bigger ideas and is just going back over the movies that made big bucks in the past. But Street Kings is effectively made. I really liked Keanu Reeves as the pessimistic cop, I enjoyed the other actors in their performances and roles. The action is hair-raising. The setting of a world of corruption and hatred is well realized with the script. The dialogue is oftentimes very vulgar, sometimes over the top, but that can be looked over. And like I said earlier, even though the plot elements have been used over and over again, the screenwriters wield it just write so that you'll have several guesses about what happens next or simply no idea whatsoever. So, while it's not a great movie in any regards, Street Kings is a fun, shoot-'em-up action picture with good performances and lots of adrenaline and therefore, gets a recommendation from me for members of the action movie fandom.

I wasn't expecting much from Street Kings, just to be entertained and that's what I got. Keanu Reeves played the part good, Hugh Laurie did exceptionally well, while the worst acting in the movie was from Chris Evans. Chris Evans was wooden and didn't seem to be able to act his way out of a glass box, during the argument in the locker room between him and Reeves I bit my tongue to keep from laughing as Reeves was actually doing a good job. The story was good, flawed and slow in places, but overall good. Sure the movie could've had a better cast but it doesn't and the only surprise here is that Chris Evans was worse than Keanu Reeves.

STREET KINGS Welcome to Street Kings, the movie that sees Keanu Reeves returning to the genre that made him famous, the action/crime/thriller. And boy is it good to have him back. Whatever your opinion of Reeves is as an actor, I really think he's grown on me in recent years. This also might have something to do with the fact that the guy really doesn't make bad movies that often. Street Kings is definitely in the upper tier of his work, both in his performance and as a film.

One thing that should immediately stand out to you is the size and profile of the cast, which is not short on stars. However, underneath the sea of recognizable faces is a gripping thriller with enough gunfire and blood to satisfy most fans of the action genre, as well as a compelling story to keep the crime buffs interested. We follow Reeves' Tom Ludlow, a brutal and unforgiving LAPD detective, as he works the streets of Los Angeles without rules and uses whatever force is necessary to get the job done. However, when he is implicated in a crime, he must put all he knows behind him to save his life and career.

Keanu Reeves...I can't think of many actors who have played more characters that define the word 'badass' (maybe Mark Wahlberg). So what if his abilities are limited to being dark, moody, and the definition of brooding intensity? He's GOOD at it! He can play the most repulsive guy (like he does in this movie as well as Constantine), yet still come off as likable, which is why I'll finally admit that I like the guy.

The massive supporting cast is headlined by Oscar winner Forest Whitaker, and everyone's favorite snarky doctor, Hugh Laurie. While Whitaker does his usual theatrical/over the top act, it really fits with his character and doesn't detract from the film. Laurie is also great in a scene stealing role as the Captain after Ludlow's badge. Chris Evans is forgettable, but not horrible. Cameos from "The Moniker Team", as I like to call it, are welcome additions as well. This team consists of Common, The Game, and Cedric the Entertainer. Common's cameo as an ice cold villain is memorable and almost scary. I loved him. Amaury Nolasco annoyed me once again, while seeing John Corbett in a movie was kind of weird, considering that he 'retired' a few years ago.

The mood and atmosphere of Street Kings is where it gets its title. It really felt like a constant power struggle within the movie not only between the characters, but with Reeves' character as well. His character's light and dark sides both come out in the film, but the real twist is which side comes out on top in the end. The film has several twists and turns, including a somewhat predictable revelation as to who the main bad guy is, but I found that I was never bored. It is well paced and definitely entertains with some dark and dry humor here and there.

With Street Kings, you've got a thriller that doesn't bring a lot of new things to the table in the 'dirty cop movie', but instead has a strong foundation in its cast and director (David Ayer, the man behind other dirty cop stories such as Training Day and Harsh Times), which shows on screen. It's one of the better thrillers this year, and is worth a look if you're into the genre.

I didn't go into Street Kings expecting a masterpiece, and I didn't get one. What I did expect is what I got, more or less: a competently made corrupt cops drama that throws on some heap-loads of stereotypes (not just racially or ethnically but just movie stereotypes, which may possibly be true to form them), and even crazy hysterics. If there is any significant achievement it's in taking the cop movie into such depraved depths it's like looking at a very entertaining infected boil: you know it'll pop any minute, and the pus might just run out a little bit here and there till there's more to squeeze out. There's almost an underlying current of hopelessness that gives the movie some intellectual lift, but at the same time it's such a time-waster that unless you're hardcore fans of the actors it's just about worth a rental.

Keanu Reeves goes from wooden to soggy-bottom wood as a cop who has been doing some dirty tricks to catch the bad guys lately (like setting up two Koreans- who are bad dudes for sure- by having them jack his car and then catching up with them to pop caps in their behinds), and he might be ratted out by his former partner. But when his partner is killed in very conspicuous circumstances, he goes to investigate it further while on a quasi-probation for even being at the scene of the crime (the crime, by the way, has one of the cheesiest "don't die on me" moments I've ever seen, laughably bad in how it's executed, no pun intended). Now, the conclusion shouldn't be at ANY surprise to anyone in the audience who's at least seen ONE other work by James Ellroy, the film's co-writer.

What does give it just a bit of extra lift is the extreme quality of the conclusion, how things seem so ridiculous that in any other hands this would be total nonsense. David Ayer, the director (and writer of Training Day, the perennial new millennium corrupt-cop saga), does have a good handle on the material though, even with ham-bone performance; Forest Whitaker is one of them, sadly, as he basically retreads his persona from The Last King of Scotland as the "King" of the corrupt cops. There is some not too shabby work, like a nearly phoned-in-from-House performance from Hugh Laurie (not unappreciated if you are a House fan), but it's mostly from supporting players like Jay Mohr in odd mustache and Common, the rapper, as one of the 'thugs'. It all kind of blends together as a pulpy orange of a B movie, good for something to not ponder too long over, but not as horrible as you might expect for a genre piece. It's a flavor of the season.

(Synopsis) Tom Ludlow (Keanu Reeves), a veteran LAPD Detective, works in a Special Vice Squad Unit in Los Angeles. Ludlow has been suffering from depression since his wife died. On top of that, his former partner, Detective Terrance Washington (Terry Crews) is murdered by two gang members. Ludlow goes on a wild and reckless quest through the mean streets of Los Angeles to track them down and get justice for Washington. Captain Jack Wander (Forest Whitaker) is Ludlow's supervisor who must keep him from going over the edge and out of the cross-hairs of Internal Affairs Captain James Biggs (Hugh Laurie).

(My Comment) Keanu Reeves and Forest Whitaker were excellent in playing their parts. In the first 10 minutes, we get to see how good Ludlow is in using his guns. The movie races at such a fast pace, and it is so intense at times that you don't know who is the good guy or the bad guy. There are some great shootout scenes, and whatever you do, don't get in Ludlow's way, because he will take you out. Usually, the police have this cop culture of protecting each other. After they imply that Ludlow had something to do with the murder of Detective Washington, he begins to question his loyalty to his fellow officers, especially, when they hang him out to dry. At that point the movie gets real interesting. The only problem I had with the script was that it put the tough cop Ludlow in a gloomy mood the whole movie. I would have preferred him to be a cop with self-control and strength of mind. If you enjoy cop dramas, you will like this one, because it has so many twists and turns and back stabbing to keep you interested and wanting more. You will love some of Ludlow's interrogation techniques of the bad guys. (Fox Searchlight, Run Time 1:49, Rated R)(8/10)