Domino

My name is Domino Harvery. {EDIT *dizzying* CHOP} My--my--my name is Domino Harvey. {CUT, CHOP} My name is Domino Harvey. {EDIT. CUT. Playback}

Never have I seen a director take so much flack for his style before. By now it is evident that most people do not appreciate Tony Scott's choppy, flashy, dizzying editing technique. If I have to choose between loving it and hating it, I'd say I love it. It was borderline distracting at times, but the end result was pretty good and it's nice to see a director with a creative edge to his style and some originality (even if it borrows heavily from MTV videos).

This stylistic edge manifests itself as Keira Knightley plays the role of cocky badass bounty hunter Domino Harvey and even her dialogue seems strangely choppy. Otherwise she plays her poorly because I pretty much hated her character and did not sympathize one bit with her, no matter how much she suffered. We follow Domino through her life as she joins up with fellow bounty hunters Mickey Rourke, Rizwan Abbasi and Edgar Ramirez. The crew become tangled up in the FBI and suddenly has a reality show contract under Christopher Walken's TV production company (what is Christopher Walken doing in every film, by the way?). I guess that is a clever film technique, because now Tony Scott is free to use as much flashy MTV/Reality Show editing footage as he likes. It becomes a pastiche of MTV culture at this point.

It followes then that the story is told at an amazingly rapid-fire pace, with lots of raunchy strong language and gun violence. There are some funny jokes; it's all very modern and surreal at the same time. It's a mess, but it's a rather enjoyable mess. It is ultimately flawed in so many ways (the actors try too hard to make their characters "cool", for one) but it works. I give it a weak 7/10 which may seem generous when compared to the general consensus of movie-goers who graded this film — but I feel it had some good ideas and executed them well.

7 out of 10

Domino Harvey (Keira Knightley) is a tough bounty hunter being interrogated by FBI criminal psychologist Taryn Mills (Lucy Liu). Domino is trying to recover $10 million of casino boss Drake Bishop (Dabney Coleman)'s money stolen from an armored truck. She lost her beloved actor father as a child and stuck with her gold-digging mother (Jacqueline Bisset). She got tired of her life and joins bail bondsman Claremont Williams III (Delroy Lindo), her tough boss Ed Moseby (Mickey Rourke), Choco (Edgar Ramirez) and their Afghan driver Alf (Riz Abbasi). Claremont runs the armored truck company. Lateesha Rodriguez (Mo'Nique) is one of his mistresses who is his inside girl in the DMV. Also the group is being filmed by reality TV producer Mark Heiss (Christopher Walken).

The movie starts off as an edgy heist story. I like the crazy visual style from director Tony Scott. Things are working more or less. It's overly complicated but I'm willing to follow. Then they pile on too much. The reality TV bit is the straw that broke the camel's back. Mo'Nique has a funny scene on Jerry Springer's show. Overall, there are just too many crazy things going on. I get tired of the random outlandish turns this movie makes.

DOMINO is a messy film, one of the most overblown I've seen. It rattles along at a fair old pace, screaming and shooting, and director Tony Scott goes out of his way to make every scene, every frame even, as stylish as possible. It's a mess of choppy editing, over the top dialogue and people screaming as they shoot each other while a pumping soundtrack plays over the proceedings.

The huge cast come in and out of the storyline, about bounty hunters going after some guys who've stolen a massive haul, and it's all rather lightweight and nonsensical. The ensemble cast is good, but these are caricatures rather than real people, and larger than life doesn't really describe the huge egos and outlandish behaviour filling the screen. I've never liked Knightley, but she's probably at her best here, given the chance to do something other than period dramas; Mickey Rourke is gravely and tough, continuing the career rehabilitation begun with SIN CITY; Christopher Walken shines in a supporting role.

But the script is all over the place and the attempts at comedy sit ill with the main thrust of the story – long, unnecessary segments including the Jerry Springer one just drag the film down and scream self-indulgence. By the end, I neither knew nor cared about any of the cardboard characters in this headache-inducing movie, just longing for it to be over.

This was a pretty good action movie which I believe could have been better if the director (Tony Scott) hadn't kept cutting away to one scene after another. In my opinion this technique didn't help to enhance the film at all. If anything it gave it a choppy feel. Other than that though I thought the acting was really good. I enjoyed seeing Jacqueline Bisset (as "Sophie Wynn") who still looks like dynamite. Mickey Rourke ("Ed Moseby"), Edgar Ramirez ("Choco") and Delroy Lindo ("Claremont Williams") also performed quite well. Additionally, Keira Knightley (as "Domino Harvey") was excellent but it was Christopher Walken who was nothing less than sensational as the television producer named "Mark Heiss". He definitely gave this film an extra edge. At any rate, if you're wanting a good movie with plenty of action and humor then this is one you should definitely want to check out. I honestly think you'll like it.

If you go to this movie expecting something it isn't, you will be disappointed, as with any movie. This movie contains what Hemmingway described as the "iceberg effect". On the surface, its simply a cache of random movie clips smashed together to make a movie. If this would be written in a book, it would be a short story, because the action in the movie is very fast paced, and unless you actually try to catch it, the reasoning behind the plot (along with some subtle foreshadowing) can very well pass you by. Definitely a movie you will have to see twice in order to fully appreciate. Experimental Cinematography barely describes this movie. The camera-work and post production add much to the overall flavour of the film, making it quite artistic at some points and open to interpretation at others (something to be desired in American movies as of late). Although, at some parts it may get a little raunchy, gruesome and too heavy for some audiences, the movie never becomes completely unrealistic. The only aspect of the movie that I would write off as "needs improvement" is the soundtrack selection. No movie is ever good without a fitting soundtrack, and although the soundtrack is quite fitting, the opening is a little too long, and the other rap songs in the film really could have been replaced with something more appropriate (heavy, grungy rock or psychedelic electronica would have made this film a real trip). The flooding of imagery and dynamic... color palettes adds another "artistic" aspect to it, also combined with the events that happen throughout the film, this is not a movie you can miss any part of and still understand. However, that also makes it much more of a desirable film to watch, and not one you'll quickly get bored of. 8.5/10