Big Love

"Big Love" begins as a gripping exploration of a family that attempts to walk the tightrope between polygamy and normalcy. Bill Paxton stars as Bill Henrickson, a straitlaced family man with three wives: Barb (Jeanne Tripplehorn), Marge (Ginnifer Goodwin), and Nicolette (Chloe Sevigny).

Season 1 allows the audience to step inside the Henrickson homes (there are three, right next to one another). We see Bill struggle to please all three wives as he faces problems at work. We see Barb struggle to rise to her duty as "First Wife." We see Marge struggle to find her place in the family. We see Nikki struggle to cling to her conservative roots. At the same time, the show hints at doubts and serious questions concerning Sara and Ben, Barb's children. Season 1 works as a compelling dysfunctional family drama: 10/10 Season 2 doesn't flow quite as well. It picks up just as Season 1 ends, and it doesn't bring much new content to the table. Conflicts with Nikki's father, Roman Grant (Harry Dean Stanton) escalate, which pushes the show out of the house and into Roman's compound. The compound scenes are repetitive and bland, as well as over-the-top. Season 2 gets a 6/10.

Season 3 is a huge step up from Season 2. The show returns more to its roots at the Henrickson household, and it introduces new conflicts of exposure, family ties, and possible expansion. 8/10.

On the whole, "Big Love" is a solid show with one very weak season. It would do best to abandon the compound scenes altogether. Still, each character and performer gets his/her due. Paxton is solid as the patriarch, Tripplehorn shines throughout as the questioning mother, Goodwin shines in Season 2 as she finally gains some responsibility, and Sevigny carries the show in its third season.

"The Sopranos", "Six feet under", and now "Big Love". Hbo offers us a totally new outlook of family, this time by describing the harsh quotidian of a successful polygamist. The family according to Hbo is always subject of greater afflictions than the regular family. In "The sopranos", the father's profession was the issue (the mafia), in "Six feet under", the father's profession was once again the issue (death itself), and in "Big love", the father chose to live against the rules of society, he chose to be a polygamist and that's a big problem because it takes a lots of responsibilities to have three houses, three wives and plenty of children. Somehow, in all these TV series, everything rotates around the problematic of being a father and in a larger sense HBO talks to us about MORALITY. The way of life of these men is really the main idea. "Big Love" is a really great and profound show. As always, HBO prefers the realistic treatment of his subject rather than the inner and comical sense of polygamy. The cast is unbelievable, and the score is great. In spite of the dramatic aspect of this show, I find it really entertaining. Anyway, if you like HBO's shows, you will love "Big Love".

I don't want to spoil anything. This is one amazing show. There aren't many of any shows out there they are better done than this.

Great writing. Stellar performances. One of the best dramas by HBO, thanks to the amazing cast. Coincidentally finished watching the last episode on Bill Paxton's fourth death anniversary.

I was curious about this series because I like Paxton, Sevigny and Tina Majorino in particular, and also Harry Dean Stanton (whom I got to see play blues at the Mint, in L.A., a couple of years ago - got his autograph that night as well, which was very cool). I don't agree with 'the principle', but I do like the series.

They've taken a potentially combustible premise and managed to make it charming and almost 'normal' - after a few episodes, it didn't seem odd at all that Bill has more than one wife. I like the interaction between the characters, the women in particular, and the side-story involving Bruce Dern is hilarious and tragic at the same time. They're walking a fine line here, and I would say, after viewing 2 seasons' worth of episodes now, they're pulling it off magnificently.