Archangel

Archangel

Set in contemporary Moscow and the frozen northern town of Archangel, the drama revisits the stark landscape of Communist Russia and takes place over four days in the life of academic Fluke Kelso. His fateful meeting with a former Stalinist bodyguard leads to the uncovering of one of the world's most dangerous and best kept secrets. He is led unwittingly through murder and intrigue towards his own personal "Holy Grail" - Joseph Stalin's secret legacy - a legacy that could change the face of Russian history forever.

'Archangel' is quite friendly towards those not familiar with the legacy of Josef Stalin, and is an engrossing mystery as a result. Unfortunately, there's also a lack of character development here. The people in this television film are just sort of presented to the audience, and then become pawns in the film's narrative. So it doesn't work very well as a thriller, and maybe an extra half an hour or so could have worked out this problem. However, Daniel Craig and Russian actress Yekaterina Rednikova give reliable performances, and the ending is definitely not what I was expecting (but in a good way). Not without its flaws, but worth catching when it's on again.

~ 7/10 ~

Ok, ok. All good. But not getting that no one else is getting that the boy, AT A MINIMUM, would be 65 years old this year. Senior died in 1953

All the old clichés are rolled out early in this adaptation of Robert Harris's spy novel 'Archangel': surly Russians, an arrogant English hero, a garrulous American. There's also a certain amount of expository dialogue: in an early scene, a leading academic makes a speech to a conference in which he makes the dramatic revelation that Stalin was evil. 'Archangel' is certainly no 'Tinker, Tailor, Soldier, Spy', and the thin characterisation makes the early stages tedious to watch. But in the middle, it improves greatly, as a conventional but tautly scripted thriller begins to take shape. Sadly, the ending can't quite deliver on this promise; both because of the risible suggestion that megalomania is an inherited quality, and also because it is surely not (as the film suggests) the worship of Stalin's image that is the real problem in today's Russia, but rather, the social circumstances which make such an absurdity possible. Still, it's always interesting to get a glimpse of the great Russian north on camera, and lead actress Yekaterina Rednikova looks very sexy smoking a cigarette. But overall, this is routine stuff.

I watched this movie as a last resort, for something better to do, and I was pleasantly surprised. The story was very good, which is something you don't get these days with the new breed of writers. This is also the first time I have seen Daniel Craig in a movie since his rise to James Bond. I was impressed with his acting and he was very believable in his part. I believe that is movie is out on DVD and well worth the rental fee or purchase if you like. There are a lot of twists and turns in this movie but if you pay attention it is fairly easy to keep up with the action. I would recommend this movie to anyone who enjoys a story with a lot of ins and outs.

"Archangel" is a BBC production in three parts done in 2005 and starring Daniel Craig and Gabriel Macht (Suits). It's based on a novel I haven't read, so I'll say right off the bat I can't compare the two.

Craig plays Fluke Kelso, a British history professor in Russia. After lecturing about the evils of Stalin, he is approached by an old man who tells Kelso that he knows nothing. The man tells him that when he was a young guard, he witnessed the burying of a notebook that could change Russia forever. The man leaves before Kelso can talk to him further, so he goes looking for him and eventually meets the man's daughter Zinaida (Yekaterina Rednikova). When they track down her father, he has been murdered.

Kelso and Zinaida, hounded by a TV reporter (Macht), then attempt to track down the notebook, translate it, and learn the secret.

Actually filmed in Russia and Latvia, the scenery is amazing, and Daniel Craig is so good that one is willing to overlook an insane plot. It's very much like the DaVinci code but doesn't quite get there.

The script is okay but not great, and the characters are somewhat stereotyped, though Rednikova and Macht give good performances. Craig is a brilliant actor and does a wonderful job.

This film could have been a lot better, but as it is, it's interesting, well done, well acted, and holds one's interest. What more could one ask for? Well, some character development and a story that is a little bit less fanciful.