Shtrafbat

Just saw two episodes. Such a refreshing view, despite the grim subject, to see actors playing the story and not their narcissism. Perhaps it's the script but I don't know. These actors are great. The absence of big bucks is funny sometimes, battle scene in minefield, but then artistic. I haven't watched Band of Brothers end to end. Hear it is very good. But to see real passion and not sentimentality, argument and not posing, the glimpses of the women are amazing, the clarity of the narrative, the steady invention with the camera without being arty, and the absence of gratuitous gore. All left to the actors and story. Anyway, just a joy.

Shtrafbat is the story only Russians could tell about the Second World War. The largest front of the whole conflict has been, ironically, the least appearing subject on the silver screen after the war. While the Western Allies war-effort has been pictured in almost every possible detail and manner, the East has been left out or the job has been left to only some old propaganda movies of little else than historical footage value.

There is no chance that Shtrafbat could compete with Band of Brothers in every detail but neither you want to look at the screen with examining petty visual effects in mind. That the soldiers are Russians is enough big reason to forgive the less eye-captivating battle scenes and you can concentrate on the story that is the most interesting. So much different was the war in the Eastern front, and the nature of the Russian army, that you might wish people to produce more dramatizations from the other fronts, and of armies.

Shtrafbat is no way perfect, but it has some rare specialties that augment the overall rating. It tends to crush myths people have about the Second World War, the true heroes were Russian people and not their leaders who sent them to missions where they could only perish. Another great myth bust is that it presents the enemy, who does not pick up his gun, as an equal human being - an advancement that has been difficult to try in many acclaimed films as well. Shtrafbat shows how the war in the eastern front was a war of survival and how the clash of the -isms grinds people into dust.

With the war not going well for the Soviet Union, Stalin accepted volunteers from the prisons and used the prisoners as shock troops. This is the story of one such battalion. There are petty crooks, political prisoners, soldiers kicked out of other units, gray-haired veterans of the White Army plus some dangerous criminals.

They are thrown into battle ill-equipped, untrained and face the threat of the NKVD if they show signs of cowardice or failure.

The special effects are rudimentary and many of the minor characters are one-dimensional, but the overall story is very human and riveting.

I have not seen a version with subtitles or dubbing. Viewing the show required liberal use of the pause button and explanations from a native speaker of Russian.

"The Penal Battalion" - the harsh military series of Nikolay Dostal. The film opens to the viewer unknown pages from the history of the Second World War. Few of us knew what terrible victims the victory of the Red Army over the Nazis was achieved, what a significant role in this victory played fines, prisoners of Soviet prisons, including the Gulag. The brilliant main role of Aleksey Serebryakov.

Life in the Soviet Union's penal battalions was horrific, and this series does a wonderful job of portraying the ugly reality for many persons who perished during the second world war. It is not for the faint-hearted, and certainly extremely realistic when it comes to the ugliness of patriarchal society, and the vision men had (have) of women, many times as mere sex-objects. Certainly the series explores the basal level of the ugliness of human nature, which makes it that much more believable. Its only detriment, is a cheap politicised usage of religion, especially for Russian nationalistic purposes (otherwise it would have merited a "9 star" rating). Overlook it, and the production is truly a masterpiece of war drama.