Game 6

I saw this movie with about 300 people as a screening for a film class. About 1/2 the audience did not like it and the other 1/2 did. Many saw it as a baseball movie. I saw it as a movie about fear of failure and the expectation of failure in life by many. I felt that the script relating the expectations of the Boston Red Sox fans who feel the curse and expect to lose was incredibly written to parallel how this can relate to the way a person visualizes his life and dreams (real or imagined). The script was brilliant, the acting was extraordinary. I don't know that this will work commercially but I was moved by this movie more than any movie I have seen in a long time. Too me, this was not a baseball movie, this was a brilliant look into the the mind of more people than we would like to believe.

Any good baseball fan will tell you exactly where he was during the sixth game of the 1986 World Series when Mookie Wilson's ground ball rolled through Red Sox first baseman Bill Buckner's legs. The infamous error gave the Mets a dramatic come-from-behind victory in the game and ultimately the Series. Director Michael Hoffman and producer Amy Chamberlain made a movie around the event, which loses little of its luster after the Red Sox improbable World Series win this past October.

Michael Keaton stars as a successful playwright and lifelong Red Sox fan whose opening night of his latest Broadway play coincides with the fateful Game 6. These events serve as a catalyst for the exploration of love, marriage, sex, parenthood, friendship, hope, despair, values and much more. Of note, Keaton was one of the most entertaining stars I have ever seen at a Sundance Q&A.

Although it drags in parts, the movie has a lot of heart. Keaton, along with Griffin Dunne and Robert Downey Jr., provide fine performances that bring the script to life. This will be a must-see for everyone in Beantown, as well as all those perennially cursed Sox fans nationwide who found meaning in their collective suffering for so many years. My wife couldn't see what all the fuss was about; but I understood it perfectly.

I wasn't at any of the 1986 World Series games. But I vividly remember listening to Game 6 on the radio, and having to stop and collect myself after the Buckner error. (I've always liked underdogs, so the Sox are a perfect match for my affections.) I did, however, attend the nearly as legendary Game 5 of the American League Champion Series that year. The Red Sox were down 3-1 in the series, but battled back to beat the Angels at Anaheim with a dramatic ninth-inning two-out home run by Dave Henderson, who had been brought in as a defensive replacement. The Sox went on to win the AL Championship and meet the Mets in the Series.

Gene Mauch, the Angel's manager, was widely regarded as one of the best in baseball. But he'd never been to a World Series. He was one out away in 1986, but fate called the score. He retired in 1987 and went to his grave having managed 26 years and 3942 games without ever reaching the October Classic. The pitcher who gave up Henderson's homer was Donnie Moore, a 20-save reliever that year. Moore was never the same after that fateful at-bat. He retired shortly afterward, drifted into alcoholism and committed suicide in 1989.

Nearly 20 years later, I can recite these details with clarity and emotion. For those of us that grew up on baseball, it was never just a game. These events hold special meaning in our lives. When you understand that, you know that Game 6 is more than a movie. It is a homage to seasons that end in despair, but never fail to start again with hope. Such is life.

Based on a true story, a dark and heavily emotional drama about a playwrite Nicky in 1986 NY who loves the Red Sox so much, he skips the opening night of his play to see game 6 of the 1986 world series between the Mets and the Sox. Nicky has a series of conversations with a myriad of people he knows and meets in the days leading up to game 6. They all help Nicky deal with life's stresses consisting of a particularly nasty Broadway critic who has nothing good to say about anyone and kills the careers of anyone unfortunate enough to fall under his poison pen. His impending divorce over his long affair. A major actor that is forgetting his lines due to a parasitic illness. The beginning of his estrangement of his daughter over the divorce and his neglect of their relationship. The excellent acting envelopes you as the slow and deliberate plot plays out. If quality of acting is important to you, you should see this movie.

Game 6 is harks back images of Birdman another of Michael Keaton's gems. The movie belongs to him and he has done complete justice to his part. The movie touches upon topics of superstition, faith, and hope.The story takes place in New York in 1986. It takes allegories from the famous world series between Mets & Boston Red Sox game, that took place the same year.

Game 6 is based on a story by acclaimed author Don DeLillo (who adapted the screenplay), Nick (Keaton) is a playwright who has a new drama opening the same night as the big playoff between Red Sox & Mets. Nick life squirms with demons that he has created for himself. He has a mistress, a dissatisfied wife a daughter who wishes he could pay more attention and last but not the least a constant doubt of success and win in his career. He is warned by his friends about how badly a review from Schwimmer could effect his career. Nick is in a way, scared of the review that the harsh 'phantom' critic, Schwimmer, (Downey) may give for his life's work. Although Downey has little screen time, he is effective as the most dreaded Broadway critic. The face-off between Downey & Keaton is electric and sort of funny at the time time.

My favorite line in the movie –

Toyota Moseby - Life is good!

And these lines hold true for any critic. Have a heart! Truth is tough to hear but it can definitely be told in a gentler way.

Paisley Porter: I didn't understand until today how much pain and anxiety you've been causing everybody with your reviews. Steven, it's completely unfair.

Steven Schwimmer: It's unfair?

Paisley Porter: Yes.

Steven Schwimmer: The truth is always unfair. Paisley Porter: Well, it doesn't have to be. Steven Schwimmer: Why do you think I live this way? Why do you think I'm, I'm taking electricity from the lamp-post (gesturing outdoors) and hiding out? Why?

Paisley Porter: Because you choose to.

Steven Schwimmer: No. Because people who write the truth are the outcasts of society. I can't live openly. I can't live in a nice door-man building, with my name on the mailbox, because they'd, they'd come after me in packs!

Paisley Porter: Not if you wrote the truth gently.

Steven Schwimmer: But the truth is never gentle!

Really enjoyed this "New York" film ... Keaton and Downey were great ... good music... craziness all around ... Bebe Neuworth was completely over the top. Super New York City shots recreating the grit and graffiti of '86 that have pretty much disappeared. One of the best features is the background monologue by a fictitious radio announcer that is heard throughout... great language... DeLillo! Also the moments of the game interspersed with the ongoing narrative were well done. I'm not a big baseball fan and wasn't much aware of the 1986 series (even though I live in New York) but I found the game sequences fun and exciting. Saw this at a pre-screening (opening March 10 in NYC)with a Q&A afterward and was amazed at the LOW cost to make the film. The producer (who also produced After Hours )indicated that most people worked for practically nothing... It isn't a 'perfect' film but I would highly recommend it as a totally entertaining two hours.