Clerks II

I saw an early screening of C2 and I must say that the flick is way better than anyone thought it would be. Mr. Smith is back in prime form and I would dare to say that this is quite possibly his best work yet. Granted, this is not a film for everyone but, if you are not offended by purposefully vulgar humor, C2 should be on your "must see" list. Dante (Brian O' Halloran) and Randal (Jeff Anderson) are back with their humorous banter as if a whole decade had not gone by since we saw them last. Dante/Brian is practically flawless as the straight man while Randal/Jeff is one of the funniest actors around and their on-screen chemistry is simply wonderful. The new guy Elias (Trevor Fuhrman from "Now You Know") is a clever addition to the group while Rosario Dawson shines her irresistible charm on this little world of dysfunctional employees. The combination is a winning one and, if you add an healthy dose of Jay and Silent Bob to the mix, and even a musical number worthy of "The Blues Brothers", you have quite possibly the best comedy of the summer. This film is enjoyable even if you are not familiar with the original Clerks, but it's even better if you are. To top it all off, Kevin Smith shows us that he has learned from his mistakes and has now mastered the fine art of balancing comedy with truly heartfelt moments, staying clear of the sappiness that sunk "Jersey Girl". At the end of the film there were quite a few shiny eyes in the audience... bravo Mr Smith! You pulled off your best trick yet.

Clerks II:**** Clerks II is a strong and poignant retelling of the story of when two slackers grow into adulthood. In many ways this is writer/director Kevin Smith's most adult film in that we see four characters that we've grown up with over the past 12 years finally grow themselves. It opens on the final day of work for Dante who is finally getting up and out of Jersey with his fiancé, leaving Randal figuratively alone at Mooby's. Randal hasn't changed much over the past years, and in many cases neither has Dante. Randal still wrestles with the customers in pitiful pop culture debates, among them whether the LOTR trilogy is better than the Star Wars trilogy, but this time around he has a new foil in a 19 year old gamer-geek named Elias. The banter between these two is really funny especially when Randal tells him what he has planned for Dante's departure gift (but you'll have to see the flick to find out what that is because it is too gross for me even to write). After a short stint in re-hab Jay and Silent Bob have found solace in the Lord but this doesn't stop them from the dispensing with the drugs. Its odd to find that in the past decade it is Jay and Silent Bob that have changed the most, true they still are up to their perverse antics such as ass rubbing on the window and the disturbing recreation of "The Silence of the Lambs" dance but they have grown more sensitive to other people's emotions and needs, especially Jay. I haven't mentioned Rosario Dawson, who gives a very charming performance as the clerks' boss. She brings a lot of presence to a slightly underdeveloped character. But it is Jeff Anderson, Randal, that deserves the full attention this time around. He gives an award worthy performance and delivers it with an astonishing amount of sympathy. He's loosing his best friend which, though he'd never show it, absolutely devastates him. The last 20 minutes are really tear jerking, I know I was in tears and couldn't stop the flow. This film sort of keeps to the feel Smith created with Chasing Amy and Jersey Girl in that they lay the drama on thick and it almost works better than the comedy, an oddity for Smith proving he too has grown as a writer. It isn't all drama though you do get great comedic scenes such as, my favorite, the "porch monkey" scene. I nearly had laughing tears during it. This is probably Smith's best looking film elevating it to the quality one would get whilst watching a really good episode of television. The camera even moves! And a neat little digital effect is shown at the beginning where the clerks' world seamlessly transforms from black and white to color, I was shocked because I didn't even realize it was happening. This is one of Smith's best films and one of the year's best. I give it a high recommendation but I ask that you stick with it a little while because it moves at a slower pace then any of the other Jersey Chronicles, it may take a bit of getting used to for some, but this is a film that can not be missed.

In New Jersey, when Dante (Brian O'Halloran) arrives to open the convenience store "Quick Stop Groceries" for another labor day, he finds the place on fire. The losers Dante and his friend Randal (Jeff Anderson) find another job position in the fast food restaurant Mooby's, managed by Becky (Rosario Dawson), and working with the Christian employee Elias (Trevor Fehrman). The new and improved potheads and drug dealers Jay (Jason Mewes) and Silent Bob (Kevin Smith) also move their traffic spot to the new location. Dante is planning a new life in Florida getting married with his fiancée Emma (Jennifer Schwalbach) while his friend Becky is a woman that does not believe in romantic love. On the eve of Dante's departure to Florida, Randal decides to promote a farewell and bachelor party to his best friend, and he invites Kelly and the Sexy Stud (Zak Knutson) from Tijuana to heat the celebration. However, things go wrong and Dante rethinks his future.

"Clerks II" is a hilarious sequel of the cult "Clerks" that was the debut of Kevin Smith. The story follows the usual politically incorrect style of this director, with racist and sexist jokes blended with drugs, gross situations and a romance. However, what else can a viewer expect from a Kevin Smith's movie? Rosario Dawson is extremely charming in the role of Becky, and the witty lines with double sense meanings are very funny. The conventional conclusion fits well to the story. My vote is seven.

Title (Brazil): "O Balconista 2" ("The Clerk 2")

Last time i watched CLERKS 1 and 2 was many years ago. I remember that i've loved them both, and CLERKS 1 was slightly better. I've watched them again last night. Whereas my rating for CLERKS 1 didn't change (8,8/10, masterpiece), my rating for CLERKS 2 did. This is the best CLERKS movie (including the third part). I love it with all my heart.

Kevin Smith himself said that this is his favorite movie of him (In CLERK documentary, 2021). I get him. Everything is as it should here. Everything works. Kevin Smith is in the zone. Perfect doses for comedy and drama. Characters growing up, facing reality, without being bleak nor sad of course, this is a comedy after all. A movie for all those who try to find their way in life. A movie about true friendship, about true love. You cannot not love these characters, especially if life is a struggle for you. Of course it's juvenile and vulgar at times, this is not a preachy movie. This doesn't try to lecture you. This tries to give you a hug.

This is peak Kevin Smith. Congratulations. Anyone who hasn't watched it in years, should watch it soon again. It's better than you remember it. It's getting better as you are growing older.

I was lucky enough to go to an advanced screening of this film, a luxury not often afforded to us normal movie goers, and a luxury not appreciated by a critic that I don't need to name. This movie was filled with laughs, but still managed to tell a truly genuine story. A story about people that get trapped in their dead end jobs, and struggle to find happiness and try to decide what they want in life. Eventually teaching acceptance and promoting individualism rather than trying to live up to some kind of social standard.

I was very impressed with the casting, everyone was great, and it was great to see some familiar faces, Afflec and Lee really left an impression even though they were only present in one scene each. Smith really presents a dramatic tone with his directing, a tone which is rarely set nowadays with most directors trying to match the style of Spielberg, Hitchcock, or (insert successful director here), and leave the movie looking like an impression, Smith isn't afraid to use his own style. Most movies today are very cookie cutter, but this is a refreshing change. What happened to directors just directing, instead of trying to follow a formula to get rich? Smith is a genuine and modest filmmaker, we can only hope that he keeps making movies, and maybe he'll inspire more "Hollywood" directors to stick to good/original material rather than weak big budget movies with all the latest young stars stinking up the screen. Cheers to Kevin Smith, cheers to Clerks II.

9 / 10