Charlotte's Web

I was prepared for almost anything going into this movie, knowing that so many filmmakers who adapt classic stories think it is their duty to "update" the story, or feel the need to add a lot of comic relief.

Thankfully, Winick did not succumb to these temptations. Instead, he offers a delightfully filmed version of the story, with CG effects so realistic and subtle that they detract from the live action base not even a little bit.

This movie is very true to the original story, and the comic relief was, in my opinion, not at all overbearing. I got a lot of genuine laughs out of the movie, and, at 40, that's saying something for a G-rated movie aimed at families with small children.

The movie has an old-fashioned but familiar feel to it. It seems to represent the America we all think we remember, and want to see when we visit the country. It seems in many ways timeless, without feeling Disney-esquire. I'm sure this is what the filmmakers were going for, and they hit it right on the nose.

I thought the casting was excellent, for the most part. Though Agnes Moorehead (from the original animated version) absolutely bowls Oprah Winfrey over as the goose, and Julia Roberts' voice was maybe a bit too matter-of-fact for Charlotte. Debbie Reynolds' extra-sweet voice did, I think, a just-so-slightly better job in the original. That aside, Miss Fanning is perfect as Fern, and Siobhan Fallon could not play the incredulous Mrs. Zuckerman one iota better.

I think E.B. White would be pleased. This is as honest a representation of his wonderful story as anyone could hope for.

If you have small kids, read them the book, and then go see the movie.

If you read the book as a kid, and still smile when you think about it, then go see it yourself.

Highly recommended.

It's a beautiful movie and wonderfully true to the book. A fan of EB White's brilliant work, I could recite the last lines alongside the movie. The friend I went with is a die-hard fan of the older, animated Charlotte's Web; his only complaint was that this one had fewer musical numbers (read: none). Also, I felt the beginning and end credits act as somewhat of a homage to the animated version.

The voices are very well cast; Julia Roberts is a comforting and delightful Charlotte, and while the opening shots of the spider made some in the audience go "Ew," we grow, like the barn animals, to embrace her warm nature. I found her quite beautiful in the end.

Steve Buscemi is perfect as Templeton. Knowing John Cleese is behind the head sheep makes it even funnier. And Dakota Fanning finally gets to play a little girl being a little girl.

It only made me tear up twice, but I'm a big softy. Take the family, the kids, and anyone who's ever enjoyed EB White's classic story.

I had initial hesitation in deciding whether to watch this movie - not because it features a talking pig ala Babe, but probably because, if rumour has you believe, that viewers will swear off pork. They look so cute that you would not imagine them being on your dinner table, ever after. I've read the book when I was a kid, but heck, I can't remember much of the details beyond the friendship between spider and pig.

Wilbur the piglet's destiny is set from birth - being the odd one out without access to its mother's teat, he's earmarked for immediate transformation to pork, but the intervention of a young girl Fern (Dakota Fanning) helped prevent it, albeit for a little while. Put in a barn with the other animals, Wilbur is in desperate need of friendship to wilt away his loneliness, but given the indifferent attitudes amongst the resident animals, he gets a none too friendly introduction to farm life. That is until he meets Charlotte, a spider who will try help to extend the lifespan of Wilbur, saving the spring pig from becoming Christmas ham.

It's a story about friendship, and the miracles gained from trust, help, and the fulfilling of promises. And this movie gets a huge boost through its A-list voice talents, with the likes of, check this out - Julia Roberts as Charlotte, Steve Buscemi as Templeton the selfish rat, John Cleese as Sam Sheep, leader of the pack of sheep followers (played to hilarity), Katy Bates, Cedric the Entertainer, Oprah Winfrey, Robert Redford, Thomas Haden Church, Andre Benjamin and Sam Shepard. They seemed to have a rip-roaring time, and I thought Julia Roberts' Charlotte came across as extremely calm and collected, while probably the character with the best lines was Templeton the rat.

Fanning already got experience playing opposite her animal counterparts, like in Dreamer earlier this year, though this time in the barnyard the animals are enhanced by technology and graphics. Her role however is limited in screen time, and although there are hints on puppy love, it's very much unexplored in depth as the focus is squarely on our animal friends. The score is an unrecognizable Danny Elfman contribution without the dark overtones, and the songs played during the animated stills of the end credits, do sound radio friendly enough to warrant airplay.

Charlotte's Web is a feel good, heartwarming family movie which is suitable for this holiday season. It is uncomplicated, and has a simple message, but is engaging enough for both children and adults. A warning though, the movie is poignant yet hopeful, so to sentimental folks, a tissue or two will help.

Bring your Kleenex. Maybe it's just coz I'm female, or maybe it's coz my mother read this book to me when I was little -- but every time a new word appeared in that web -- tears rolled down my cheeks!

It's very charming. They have kept to the time frame of the book -- it looks like the 1930s-1950s. They haven't tried to "modernize" it with pop culture references and silly jokes like so many kids' movies nowadays do.

Fern isn't break dancing with the pig. (No, there are no musical numbers.)

Fart jokes were kept to a minimum. (I think they are required by law nowadays to put fart jokes in all children's entertainment.)

They didn't dumb down the lovely words E.B. White used -- Charlotte uses her grand language as she speaks to Wilbur and spins her webs.

I kept thinking of "Babe" at the start of the movie. A white runt pig saved. Similar barnyard companions. Even the voice of Wilbur sounds like the voice of Babe. (Even tho Babe was voiced by a 32 y.o. woman and Wilbur by a 9 y.o. boy!) But I think the writers of Babe must have been fans of the classic "Charlotte's Web".

Steve Buscemi as the voice of Templeton the Rat is just perfect. (Poor guy even has a rat-like face -- is that why they cast him?) And the CGI animation is flawless. You can't tell the animated animals from the real ones. Flawlessly blended.

That little pig is SO cute at the beginning -- I just wanted to watch him play in the mud for 10 minutes. (But no, they kept the story moving along.) They even tried to make the spider cute, but that's quite a challenge. Still Julia Roberts' soothing motherly voice helps. (Nevertheless, the little girl next to me climbed into her grandma's lap when the spider appeared.)

And Dakota Fanning, as always, is a darling.

So go -- and if you loved the book as a child, bring plenty of Kleenex!

I have for years adored the book Charlotte's Web. As a parent of two children, I was happy to own the 1973 animated version of this book, which I believe was a splendid adaptation of the book.

I was somewhat apprehensive about taking my children to see this movie because I was afraid that it would be so different from the animated film that they already knew by heart and loved, I feared that my children would immediately have a disdain for this new version.

I was pleasantly surprised. My seven year old and four year old both laughed, sat at the edge of their seats, and yes, cried with the movie. I enjoyed the movie for the most part. There was enough subtle adult humor that I laughed at, which my children did not "get".

However, as brilliant as Steve Buscemi's narration was, I was sorely disappointed with Julia Roberts performance.

Charlotte is a loving, wise spider, almost a foster parent to Wilbur. I found Ms. Robert's narration dull, humdrum and frankly, tedious. I could actually visualize her reading her lines into the microphone, her hands and body moving slightly with the flowing of her words ... all the while Ms. Roberts was counting the dollars in her mind that she would collect for this job. It sounded like she was simply doing her job, and frankly, with little or no conviction, compassion or empathy.

Perhaps Ms. Roberts reading of children's stories would be best left to those times with her own children. Not to paying audiences.

The animation was very good, impressive most of the time. Steve Buscemi as Templeton is definitely a fine performance; Dakota Fanning will continue to capture America's heart for many years to come.

I wish that I could rate the movie higher, because it was a fine adaptation of the book. However, Julia Roberts performance was so disappointing that I cringe to think of her ever narrating another animated character.

Take your children, they will love it. Just try to ignore Ms. Roberts.