H2O

Paul Gross learned many things while playing a Mountie on US TV, I will grant him that. That is all, however, that I will grant him. This 2-part mini-series looks slick, but that is as deep as it goes. The attempts to portray a kind of unrequited affair with the female lead were pathetic. The portrayal that either the First Nations or Quebec would present a serious threat with actual violence (as seen in this film) is laughable; sorry, but Paul Gross is too much a pretty-boy to be taken seriously in this role. Bottom line: the premise is flawed (you cannot possibly be elected in a by-election, then become Prime Minister within the time-frame presented); and the enactment of such a thing as the War Meaures Act could not possibly occur within the context of this movie. Given what went on within Quebec the last time it was used (I was there), an enactment of it under the circumstances presented in this movie is an incomprehensible thing to anyone who lived there at that time. You want to create the situation for a referendum on sovereignty? That would be it, and sovereignty would win, with my vote helping! Second bottom line:way too slick overall to be taken seriously as any kind of drama/commentary on the world we live in in reality! 2 thumbs DOWN! Not even worth a re-watch.

"H20" is a mini-series that keeps you on the edge of your seat. What Paul Gross and John Krizanc have written is a masterful addition to the political thriller genre, where the viewer never knows who is the villain and who is the good guy. Add to that a superb cast of actors (including Gross, Martha Henry, Peter MacNeill) and the cinematic eye of director Charles Biname, and you have a satisfying and intelligent piece of work. I recommend this highly: how often do you get an exciting drama that makes you think about our political system and how dependent we are on the benevolence of our neighbours to the south? Ten out of ten.

I watched this mini-series because I had seen Paul Gross in Due South and Slings and Arrows. I don't have to be a "spoiler" to say that this was a truly inane mini-series. The issue of Canada withholding water from the USA was an interesting one that was quickly and completely drowned. There was good acting but only in scenes meant to show off good acting rather than to move the plot in any understandable direction (watch the interminable "mother of the prime minister" scenes). Dissecting this misconceived film is hardly worthwhile. Canada has a fine talent in Mr. Gross, but that talent doesn't extent to script writing. H20 does not hold water.

I have never been a fan of "made for TV movies" or "mini series", but lately I've found myself looking more Canadian shows to watch. This movie certainly was that. If you don't know much about the Canadian (or British) Parliamentary democracy then you might be a little lost.

I'm not a movie "critic" by any means, but I found this show kept my interest over two nights and four hours. Well written, acted, and never predictable.

I would recommend this movie to any Canadian interested in Canadian/American politics, and even to anyone else curious about our political system. Maybe PBS will show it some day.

As someone who is very fond of politics- especially Canadian politics- this film deeply troubles me.

It is the story of how the country can be bought and sold so easily. It is a warning. While extremely unlikely, this could happen. It uses characters very deliberately based on previous Canadian icons (Trudeau being the big one) to hit close to home. These people have already been in power and we never thought anything overly terrible of what they did while they were in power. This film- in a very Isaac Asimov way (though, obviously Asimov was brilliant and Gross, while a good writer, cannot compare) shows us how close we are to our greatest fears.

One day, the prime minister dies in a canoeing incident and after running and winning leadership of the party his father lead, his son takes power and starts pushing through some very aggressive legislations. Later, we find out that his father's death and that of the woman who was with him were suspicious in the extreme and we start to see little by little what's really going on, though the ending is a total shock. It is hard to describe without giving it away, so suffice it to say it uses past Canadian political experiences (the Free Trade agreement, the War Measures Act, Black October) to show how close we are to losing it all.

With outstanding direction (actually making Parliament Hill look sexy), great acting from Paul Gross, Guy Nadon and Martha Henry and a shocker ending, this is well worth watching. Especially for Canadian political junkies like me.