Tickets
- 2005
- 1 घं 49 मि
IMDb रेटिंग
6.9/10
2.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंDuring a train journey from Central Europe to Rome, characters connect through casual encounters and set forth a story of love, chance and sacrifice. One single journey sparks many changes f... सभी पढ़ेंDuring a train journey from Central Europe to Rome, characters connect through casual encounters and set forth a story of love, chance and sacrifice. One single journey sparks many changes for many people.During a train journey from Central Europe to Rome, characters connect through casual encounters and set forth a story of love, chance and sacrifice. One single journey sparks many changes for many people.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
Marta Mangiucca
- Other Girl
- (as Marta Mangiucco)
फ़ीचर्ड समीक्षाएं
An overnight Trenitalia Intercity train from Innsbruck to Rome is the venue for three short stories that happen on the same journey.
(1) An Italian bio-pharma professor returning from a day-long meeting in Austria is unable to use airline tickets to fly back to Rome and instead is forced to return by train. It's night and the train leaves Innsbruck. A scrambled time-line, surreal elements and the most exaggerated caricature.
(2) A young man and a general's wife -- an impertinent woman -- travel in first class with second class tickets. Straight narrative, filled with little episodes, and the most humorous.
(3) Three Scottish lads clad in white-green soccer fan T-shirts en route to Rome to attend a game are faced with the loss of one of their train tickets. Straight narrative and a view on the multi-cultural crosscurrents of Europe. It's daytime and the film closes with the train's arrival at Rome's Termini station.
In the confined and crowded linear space of passenger trains, secondary characters bump into each other and that helps stitch the stories loosely together. Of those, members of an Albanian immigrant family --Roma gypsies? -- play parts in the first and third.
Don't go looking for a strong narrative backbone. Instead take this film for what it really is, a caricature of train travel in Europe. Think in terms of vignettes: examples of the myriad situations that one may observe when travelling by train in the EU. The film is a sampler of those situations, but a concentrated one. Take it is a primer if you have not visited there. Buy your ticket and enjoy the ride.
(1) An Italian bio-pharma professor returning from a day-long meeting in Austria is unable to use airline tickets to fly back to Rome and instead is forced to return by train. It's night and the train leaves Innsbruck. A scrambled time-line, surreal elements and the most exaggerated caricature.
(2) A young man and a general's wife -- an impertinent woman -- travel in first class with second class tickets. Straight narrative, filled with little episodes, and the most humorous.
(3) Three Scottish lads clad in white-green soccer fan T-shirts en route to Rome to attend a game are faced with the loss of one of their train tickets. Straight narrative and a view on the multi-cultural crosscurrents of Europe. It's daytime and the film closes with the train's arrival at Rome's Termini station.
In the confined and crowded linear space of passenger trains, secondary characters bump into each other and that helps stitch the stories loosely together. Of those, members of an Albanian immigrant family --Roma gypsies? -- play parts in the first and third.
Don't go looking for a strong narrative backbone. Instead take this film for what it really is, a caricature of train travel in Europe. Think in terms of vignettes: examples of the myriad situations that one may observe when travelling by train in the EU. The film is a sampler of those situations, but a concentrated one. Take it is a primer if you have not visited there. Buy your ticket and enjoy the ride.
Seems like Ticket didn't quite turn up to be quite a hell of a ride for me. If a Cinephile wants to see a good Journey film there are better options than this. I was awaiting to see this for a very long time and when i eventually viewed it was a disappointing watch. The settings and the characters are quite believable but the dialogues i mean common we do expect a lot especially when an Kiarostami, Olmi and a Loach is directing a film. There are far superior films than (Tickets) which involves Train Journey's that has been made by film directors and the one film that immediately stuck my mind is Nayak (1966) one just have to look for it.
When I first started watching this movie I was looking for some kind of subtle metaphors but it soon dawned on me that this movie was indeed about people on a train. The interactions between people are like those you can see any day on the street and when in occasion there is a slightly more interesting situation the dialogue becomes stilted and boring. Its not that I don't get how this film is trying to portray the way people interact, it's just that in this film they are very boring. If you want to see and analyse these kinds of relationships you'd be best to actually go out and buy a train ticket and look at the people on the train with you. It is realistic but you wouldn't go to a movie to watch a film about you sitting there watching the movie.
I put this on not having a clue what to expect and what a pleasant surprise it was. 1 train trip to Rome, 3 different directors, 3 different stories, and an intertwining passenger cast.
Part 1 - Ermanno Olmi. Part 2 - Abbas Kiarostami. Part 3 - Ken Loach.
1, The way everyone's eyes fixate and follow anyone making a noise on the train really gave me anxiety.
2, I found the second part more interesting. It gets you thinking a bit and had me feel pretty judgmental by the end.
3, This chapter was my favourite. Simple, effective and a good way to end the film.
Part 1 - Ermanno Olmi. Part 2 - Abbas Kiarostami. Part 3 - Ken Loach.
1, The way everyone's eyes fixate and follow anyone making a noise on the train really gave me anxiety.
2, I found the second part more interesting. It gets you thinking a bit and had me feel pretty judgmental by the end.
3, This chapter was my favourite. Simple, effective and a good way to end the film.
The image of trains come to mind when one is talking about the most annoying means of transport.This has a lot to do with the fact that one cannot travel in trains without being disturbed by other passengers.This can be true about other means of transport such as airplane,bus or ship.However,there are enough damage control mechanisms on these modes of transport which enable passengers to face minimum amount of disturbance.No mechanism for eliminating disturbance can be found on trains as they are the cheapest means of transport.For this reason, traveling by trains is like inviting trouble before,during and after the journey.Trouble is also something one can find in abundance in 'Tickets' directed by three giants of three different film producing countries.They have directed three stories where viewers can experience longing for love,compassion and indifference.Lastly,'Tickets' would turn out to be a good learning experience for all those viewers who combine entertainment with a serious message.
क्या आपको पता है
- ट्रिवियाThe making of Tickets started with a conversation between director Abbas Kiarostami and producers Carlo Cresto-Dina and Babak Karimi. Kiarostami suggested the idea of a trilogy of feature-length documentaries to be directed by three different directors. When asked to name the directors he would have liked to have on board, he immediately mentioned Ermanno Olmi and Ken Loach. A fax was sent to the two masters who both immediately replied with an almost identical phone call: 'I am in! The three of us can make tremendous work together'.
The story was conceived in sequence by Ermanno Olmi (who first came up with a story of an old scientist on a train), Abbas Kiarostami (who picked up some of Olmi's characters and continued the plot) and finally Ken Loach (who, with writer Paul Laverty, introduced new characters and stories but at the same time concluded Olmi's initial plot). The film is all set on a train, travelling from central Europe to Rome. Stories and characters will interweave like casual encounters on a second class intercity train. Some of the sequences were jointly directed by the three together.
The editing then gelled together the stories in a single storyline.
- गूफ़The form of the text that the Italian pharmacologist is writing on his laptop is inconsistent between the close-up shots and the longer-distance ones: the laptop is a Windows machine, and the longer-distance show the Windows operating system, but the close-ups are of the modern Macintosh operating system.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Tickets?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $3,67,072
- चलने की अवधि
- 1 घं 49 मि(109 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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