300

The 480 BC Battle of Thermopylae is the stuff of military legend when, in popular lore, a mere 300 Spartans commanded by King Leonidas held off a Persian force led by Xerxes the Great that Herodotus claimed as 2.6 million. In truth, the Spartans were backed by a mixed force of almost 7,000, while there are enormous variations in modern estimates of the multi-ethnic Persian army, but somewhere between 100,000-200,000 seems realistic. Whatever the actual figures, the odds against the Spartans were terrible, death was inevitable, and their honour secure.

The story was first told on film in 1962 when director Rudolph Maté went to Greece and shot a worthy, but conventional and surprisingly leaden, version entitled "The 300 Spartans", starring American Richard Egan as King Leonidas and the British David Farrar as Xerxes. "300" takes the same basic narrative and presents it in an utterly different style in a blood-fest when "The Wild Bunch" meets "Kill Bill" and the visuals are like nothing except "Sin City". This time the director is Zack Snyder, known for his music videos, and the location is a studio set in Montreal with green backgrounds later filled by superb computer-generated graphics and the whole storybook style is based on the graphic novel by co-producer Frank Miller. Both versions use the legendary exchange: "When we attack today, our arrows will blot out the sun!" "Good; then we will fight in the shade." But only "300" has such fun lines as: "Spartans! Enjoy your breakfast, for tonight we dine in Hell!"

Ever since its first public showing at the Berlin Film Festival, most critics have mauled "300" and it presents an easy target for those wanting something more cerebral: there is virtually no plot or characterisation, the script is sparse and bland, much of the acting is exaggerated and over-loud, when it is not homo-erotic it is oddly camp, and the whole thing is stereotypical when it is not outright xenophobic and politically incorrect. And yet, as entertainment, it has much to offer: the sepia-tinged visuals are absolutely stunning and the fight sequences viscerally exciting. I was fortunate enough to see it in IMAX and I regularly felt blood-splattered and exhausted and quite ready to leap into the action.

There are no big names in the cast list which helps the sense of history but does not raise the thespian talent quotient. Gerard Butler plays King Leonidas with a Scottish accent, while the Brazilian Rodrigo Santoro is a version of Xerxes bejewelled with ethnic metalwork. Most of the warriors are literally larger than life: the actors playing the Spartans reveal most of their bodies with digitally-enhanced muscles, while on Xerxes' side characters include a huge hunchback, a giant emissary and a claw-armed executioner as well the metal-masked Immortals. This is before we get on to an enormous raging rhino and bedecked elephants. Truly this is a battle with a circus-like cast. The love interest comes from the feisty wife of Leonidas, Queen Gorgo, portrayed by the alluring British actress Lena Headey. There is even a scene in a rippling corn field borrowed from "Gladiator".

At the end of the day, what makes the movie are the thrilling fight sequences with encounters in which the film is slowed down and then speeded up to give a video-game quality that is unlike anything you have previously seen on the big screen. Whem a sword slashes or a spear lungs or an arrow whistles, you really feel and hear it. At times, it is as if a picture by Hieronymus Bosch had come to life.

300 tells the story of the 300 Spartans who defended their homes against the Persian army. The movie is a phenomenal action packed story that sticks pretty close to the actual events. The movie is done in a style similar to a graphic novel which adds high contrast and beautiful slow motion scenes. Overall, the movie is incredibly entertaining and tells a fascinating story.

This film isn't for all people. That's to say about a lot of movies in general of course, but this one in particular brings up a big clashing point between critics; What do we want to see in our movies? What is more important, to portray a fictional setting for the sake of giving people a mind blowing visual experience or to amuse and amaze them with clever plot twists and intelligent dialogs?

First lets analyze what exactly this film is made of. Basically, the whole thing is just one epic fighting scene after another. Most noticeably is the camera work and the visual effects. Every shot seems like it was intended to be a work of art. The colors, the characters, the costumes, the backgrounds... every little detail has been given so much attention. During the big fights you'll also instantly notice the unique editing. There are a lot of "time slowdowns" throughout the battles which show what exactly is happening. Fatal wounds that slowly leak blood spatters in the air, decapitated heads traveling in slow-motion across the screen... it's all there.

The story on the other hand isn't very complicated, in the sense that the whole movie could probably be described in a sentence or two. The dialogs are simple and most often talk about moral values like freedom and honor. If you would look at the script, it would probably look like another movie that has nothing more to offer then idealistic visions of how life should be.

Reviewers of this title seem to be split up in two groups. They either love it with passion calling it an epic movie of the 21th century, or hate it even more and throw it off like a piece of garbage consisting of mindless action and silly cliché phrases. I feel reluctant to take a position in this argument. Normally it's tolerable to weigh out both sides of this matter to result in a fair judgment about a movie. Not in this one. On the one hand the visual are surely among the best to be witnessed in a movie. Every detail, every background, every special effect set to the scenes are so mindblowingly stunning. On the other hand the plot and dialogs are of the most simplistic and quite frankly dumb kind. "I fight for freedom! I'd rather die in honor then live in shame!" Sounds familiar?

Of course it could be debated that this movie was never intended in the first place to have a unique plot that makes your head spin. But from an objective point of view it's still lacking in this department, so it should be noted.

Now that's fine and all, but does that all make of the film? Is it worth watching or what? I think it is. For me the good outweighs the bad by miles. From the second the movie started it grabbed me and didn't let go. Every battle, every scene of the movie had me at the tip of my chair. Everything from the strong acting to the wondrous visuals to the war-shouts of the soldiers was just so stunning... it was truly a wonderful experience.

I did not one single moment felt like the movie lacked anything. But I could imagine why other people did.

So here's the deal.

If you are easily impressed by beautiful landscapes, wonderful camera-work and editing and powerful acting then go see this. Right. Now. You'll be missing out if you don't. There is so much to see, so much power in the way this comic is translated to the big screen... It'll leave you in awe.

However, you are looking for a good story, clever plot twists, some innovating to the world of the movies then skip this. 300 contains nothing of this, nor does it wants to give you this.

I enjoyed this movie so much, but I know there will be people that will pass of as rubbish, and that's understandable. Just be sure to make up your mind about what you want to see when you go to the theater yourself instead of being drawn into bias by the tons of reviews this site has to offer.

Hearing that 300 is based upon a " graphic novel " which is a pseudo intellectual phrase used to describe a comic book I didn't go out of my way to watch this because the present Hollywood movie making factory spends too much time and money bringing these type of stories to the screen . Also I was very unimpressed with director Zack Snyder's previous film the remake of DAWN OF THE DEAD which is a pale imitation of a superior movie . Sometimes prejudice can get in the way of judging a film of its own merits because 300 is one of the more memorable movie moments from last year and one that seems unforgivably ignored at the more prestigious film award ceremonies

Being based upon a comic book you could say in all honesty that the visuals mirror those of a graphic novel , but I would claim it goes far , far beyond that and say it's like watching a painting come to life . The battle scenes are entirely different from those seen in LORD OF THE RINGS or KINGDOM OF HEAVEN but are no less impressive and some of the battle sequences , most notably the ones featuring the immortals are terrifying . Did I say this film is like a painting come to life ? In some sequences it looks like a nightmare come to life and this stylish formalist type of cinema will send a chill down your spine . This is cinema strictly for adults only

Fans of ancient history and classical studies will find a lot to criticise because it's not an accurate depiction of ancient Greece but you should always make the legend according to John Ford . Unfortunately by concentrating on the visuals there's other aspects lacking . The Spartans don't really come across as real characters from ancient times , more of a crowd of wise cracking macho cyphers and let's be honest here , with the exception of voice over the dialogue is rather poor . It often reminded me of something present day Scottish folk hero John Smeaton might say : " Dinnae come tae Sparta , we'll set aboot ya up here "

But despite these very noticeable flaws this is a truly memorable movie down to the jaw dropping visuals and it's the visuals the film will be rightly remembered for . It's a pity that the Oscar voters have ignored 300 because certainly make up , cinematography , editing and possibly best supporting actor for Andrew Tiernan as Ephialtes should have been nominated at least and this film will be highly regarded in years to come

In the year 480 BC, King Xerxes of Persia set in motion his enormous slave empire to crush the small group of independent Greek states – the only stronghold of freedom still remaining in the then known world. As the countless armies of Xerxes approaches, King Leonidas petitions the ruling council to meet the army with whatever men can be found. With the council unwilling to release soldiers until after the religious festival, Leonidas sets out with his 300 strong personal army to meet Xerxes' men at a narrow pass knowing they must hold off the approach for as long as they can until the army arrives– even if it means their deaths.

Although I am surprised to see this film so highly rated on IMDb, I can understand why it is so because it does deliver a powerful experience, almost powerful enough to carry it through its lack of real depth or substance. You can see the selling point on the DVD cover or the poster because it is in these places where any film visually has to sell itself. With 300 though this selling continues across the entire film because, holding close to the graphic novel roots, the visual design is the all here. The plot is simple and, although there is a little bit of politicing back home, the film is all about the stand of the 300 against countless others. In this regard it is visceral, violent and visually stunning. The mix of effects with live action brings the action to live and is as suitably overblown as the legend.

Snyder's direction matches the effects and he wallows in every macho swing of the sword, doing really well to capture the action in a way that is engaging and clear. The lack of substance was a bit of a problem but to be honest the film does sweep you along in the moment of the battle and mostly this is all you care about. The cast don't really have characters so much as presence and mostly they deliver in this area. Butler is strong in the lead and he convinces in the role of Leonidas. Headley and West have the harder job back home to provide some interest in the politics behind the battle – they do well enough (particularly The Wire's West, but I'm biased) but the script does rather leave them to their own devices. The rest of the cast are appropriately muscular and heroic and fit in with what the script is trying to do.

Overall this is an effective but superficial film. The design and the look is the all but fortunately it delivers in this regard really well. The performances, the script and everything else falls into line in supporting the graphic novel feel of the film and, although I would like to say I favour substance over style, it is hard not to like when the style is this well done.