अपनी भाषा में प्लॉट जोड़ेंSurreal British comedy in which Vince Noir and Howard Moon have adventures filled with oddball characters while working as Zoo Keepers, before pursuing a musical career and running a second-... सभी पढ़ेंSurreal British comedy in which Vince Noir and Howard Moon have adventures filled with oddball characters while working as Zoo Keepers, before pursuing a musical career and running a second-hand shop.Surreal British comedy in which Vince Noir and Howard Moon have adventures filled with oddball characters while working as Zoo Keepers, before pursuing a musical career and running a second-hand shop.
- 2 BAFTA अवार्ड के लिए नामांकित
- 1 जीत और कुल 4 नामांकन
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I'm late to the game & I'm upset I wasn't aware of it when it was current. Late 40's American here, whose brother suggested the show & my wife knew of Noel Fielding from the "British Baking Show."
Julian Barratt and Noel Fielding have great chemistry, the classic straight man & eccentric guy bit mixed with oddball characters that you grow to love. Rich Fulcher brings an over the top, American brand of comedy and Richard Ayoade as one of the shamans kills it. Shamans and gorillas are mainstays and various reoccurring characters bring out Barratt's sense of humor and Fielding's art school creativity.
In my opinion, the show improves as it goes on as the creative team really finds their groove towards the end of the first season. Part of the fun of "The Mighty Boosh" is all of the stuff you miss when you first see an episode which leads to watching it over and over. I highly suggest Season 3, episode 3's "The Power of the Crimp;" hysterical. If you liked punk growing up and were aware of British music & pop culture from the 80s & 90s, you'll love this show. It's a great blend of British and American senses of humor. Highly recommended.
Julian Barratt and Noel Fielding have great chemistry, the classic straight man & eccentric guy bit mixed with oddball characters that you grow to love. Rich Fulcher brings an over the top, American brand of comedy and Richard Ayoade as one of the shamans kills it. Shamans and gorillas are mainstays and various reoccurring characters bring out Barratt's sense of humor and Fielding's art school creativity.
In my opinion, the show improves as it goes on as the creative team really finds their groove towards the end of the first season. Part of the fun of "The Mighty Boosh" is all of the stuff you miss when you first see an episode which leads to watching it over and over. I highly suggest Season 3, episode 3's "The Power of the Crimp;" hysterical. If you liked punk growing up and were aware of British music & pop culture from the 80s & 90s, you'll love this show. It's a great blend of British and American senses of humor. Highly recommended.
Everyone's entitled to their opinion and comedy is a matter of personal taste. However, don't be misled by most of the negative comments about the Boosch. It is NOT just humour for adolescents. I'm nearing retirement age and I remember Hancock in the early sixties but I think this programme is excellent. I think American sitcoms are generally grossly overrated (I despair at the popularity of that awful smug tripe known as Friends) and have been concerned at the recent trend to try and imitate this style in British sitcoms. The Boosch has no truck with that approach. It is wonderfully uncompromising in following the British tradition of not writing to a ratings-chasing formula (which nearly all US sitcoms do) but says "if you like this - fine but we're not going to water it down just to try and make it more acceptable to a mass audience". Whether you like it will depend on your personal taste in humour but it is right up there with the Goons, Python, the Young Ones, Father Ted and the rest. Future series may not be up to the standard of the first two but so what? There are only two series of Fawlty Towers but that's not exactly branded it a failure. Incidentally, I'm not totally anti US sitcoms. The Simpsons was great at first (well beyond its sell-by date now though) and one of the greatest of all time was, of course, Bilko.
I first stumbled upon this a few weeks ago, one late Saturday night on BBC3. I only saw half of one of the episodes but it had me killing myself laughing. I then felt I had to watch the remaining two episodes of series two in the following weeks. It is one of the most random shows ever (and the costume department love their polo mints) but it is hilarious. I think you have to give the show a chance and give yourself time to get into it(having a good sense of humour helps too). A review here said that it was 'a step too far' but I think that was just a wee bit too dramatic a statement to make. I don't think it's a point of not liking it, I think its the fact that people don't give it a chance or understand the humour. The Mighty Boosh could be described as a mixture between 'Garth Marenghi's Darkplace' and 'Spaced' with added randomness and songs but even that is quite vague and I guess you really have to see it for yourself. I just bought the series 1 DVD with my birthday money and so far, I am loving it. It will appeal to fans of 'Garth Marenghi....' and 'Spaced'as I said before(because of the type of humour)Finally, can I just say that I am so glad that the BBC decided not to use canned laughter in the programme. Canned laughter seems to kill a lot of comedies (with the exception of Father Ted and the like) and if the people at the BBC had decided not to ditch the canned laughter, The Mighty Boosh would not be nearly as fantastic as it is just now.
I've been raving about this comedy for a long time even though I missed some of it when it was on TV (usually late at night). So the arrival of the DVD was awaited with much anticipation. People often ask me to describe The Mighty Boosh - which is not an easy thing to do.
Essentially the structure is that of a sit-com, in that there is the reoccurring location of the zoo, and a set of familiar characters most notably the two main protagonists zoo-keepers Vince Noir (Noel Fielding) and Howard Moon (Julian Barratt). Vince is the fashion conscious shallow one, that plays against Howard's jazz loving, self-important but likable loser. Each episode is a juxtaposition of the Morecombe and Wise type banter between Vince and Howard, and the sheer surrealism of their subsequent adventures that take them to exotic locations and pit them against bizarre and often quite dark foes.
For me the triumph of the show is due to the breadth of vision that links the fantastic theatrical visual look (based on largely on Noel's sketches), with Julian's love of music, together with the off-beat acting style and witty script to provide an experience that is more than the sum of its parts.
There is nothing else quite like this on TV, you won't be splitting your sides every minute at quick-fire one-liners written by teams of caffeine stimulated comedy writers, but instead prepare yourself for a rather more gentle experience, peppered by some hilarious set-pieces, who's imaginative brilliance will ingrain itself into your heart and mind. It's quite simply lovable.
Essentially the structure is that of a sit-com, in that there is the reoccurring location of the zoo, and a set of familiar characters most notably the two main protagonists zoo-keepers Vince Noir (Noel Fielding) and Howard Moon (Julian Barratt). Vince is the fashion conscious shallow one, that plays against Howard's jazz loving, self-important but likable loser. Each episode is a juxtaposition of the Morecombe and Wise type banter between Vince and Howard, and the sheer surrealism of their subsequent adventures that take them to exotic locations and pit them against bizarre and often quite dark foes.
For me the triumph of the show is due to the breadth of vision that links the fantastic theatrical visual look (based on largely on Noel's sketches), with Julian's love of music, together with the off-beat acting style and witty script to provide an experience that is more than the sum of its parts.
There is nothing else quite like this on TV, you won't be splitting your sides every minute at quick-fire one-liners written by teams of caffeine stimulated comedy writers, but instead prepare yourself for a rather more gentle experience, peppered by some hilarious set-pieces, who's imaginative brilliance will ingrain itself into your heart and mind. It's quite simply lovable.
I can't praise Messrs Barret and Fielding enough for producing one of the finest comedies of the decade so far. It seems to have gone largely ignored by the masses, but I'm sure it won't be long before the rest of the nation catch-up and they'll all pretend they watched from the start! Like all excellent work you are constantly asking yourself "How did they come up with that?!" This for me is the beauty of this programme, it's completely original, imaginative and sometimes it seems completely spontaneous. It may take you one or two episodes before you are hooked but once you are you'll find yourself searching on your Sky remote through BBC2 and BBC3's listings trying to find out if it is on. If its on at 2 or 3 in the morning, so what, stay up, watch it, go into work tired the next morning it's well worth it. If your the kind of person who gets angry if you don't get enough sleep, then simply go into work wearing a poncho! It's impossible not to be happy in a poncho, but of course, you all know that! Boosh Forever!!!!!!!
क्या आपको पता है
- ट्रिवियाThe series was called "The Mighty Boosh" because of a haircut Michael Fielding once had that his Spanish friend called "the mighty bush." Noel Fielding and their friends found it amusing and used it as the title.
- गूफ़Apollo 11 only had two of the astronauts walking on the Moon's face, the third stayed in the Orbiter.
- भाव
Howard Moon: The wind is my only friend.
Wind: [whistling] I hate you.
- कनेक्शनFeatured in Boosh Publicity (2006)
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- How many seasons does The Mighty Boosh have?Alexa द्वारा संचालित
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