टलाडेगा नाइट्स: द बलाड ऑफ़ रिकी बॉबी

When looking at the merits of a movie and decide whether it is good or not, one must think of the goal of the picture. Is it a serious film, designed to comment on society, or is the movie's job to merely entertain? I think we all know the answer to this one when it comes to Talladega Nights: The Ballad of Ricky Bobby. This movie's goal is to entertain the audience, make them laugh, make them spend an hour and a half rejoicing in talented comedians doing their job well. And this movie reached its goal. Not only is this movie an above-average sports movie (it even concludes with a big race and a warm and fuzzy winner!), but is also a very funny movie. All I had to do was listen to the reaction of the sold out theater I was in and I knew that most people will find this movie to be very funny. Will Ferrell is Ricky Bobby, a NASCAR driver who makes up one half of "Shake and Bake," with John C. Reilly's Cal Naughton, Jr. being the "Bake" half of the duo. They are childhood friends who have now become teammates on the top NASCAR level, where Cal sets up the play that lets Ricky win almost every race--that is, unless Ricky has already crashed out of it. Talladega Nights follows the same story arc that Days of Thunder did, but is far more entertaining, as Ferrell and Reilly work together to bring humor to all parts of the racer's lives, including a bizarre dinner ritual that includes corporate sponsorship. Sure, the movie slows down for about 20 minutes in the middle to develop plot, but that may have been designed to give us, the audience, a break, allowing us to get ready for the final scenes of the movie. Sacha Baron Cohen (aka Ali G, Borat) plays the French Formula 1 driver who threatens to oust Ricky Bobby as the best driver on the track, perhaps the funniest overall character in the movie. There is not one scene with Cohen in it that isn't funny. After watching this movie, it is clear why Will Ferrell takes his comedies so seriously (watch the extras on the Elf DVD to see Ferrell between scenes, he's not always "on" playing the clown on set)--he gets the results he's looking for. This movie is laugh-out-loud funny pretty much from start to finish, and seeing Gary Cole return to comedy as Ricky Bobby's father will bring back memories of Office Space for a moment, then this new character will win you over.

Will Ferrell and John C Reilly at their best. Arguably the two's greatest collaboration in the fierce, fast and extremely funny Talladega Nights, which teaches us all, in life, if you ain't first... you're last.

Ricky, a NASCAR racing sensation, is the number one racer in the world. After Jean beats him in a race and becomes the top racer, Ricky tries to regain his dominance.

The full title adding 'The Ballad of Ricky Bobby' - Talladega Nights referencing the city of Alabama and its famous Superspeedway, a landmark of NASCAR racing and a site where champions are made. Will Ferrell and Adam McKay (whom also directs) write the film; the script is hilarious, unforgettable scenes are overrun by unforgettable lines in what will have you attempting to ask someone what is the "capital of North Carolina" in a rich Eastern American accent - the writing matches the enthusiasm of all the cast, a signature role for Jack McBrayer and David Koechner as well as Sacha Baron Cohen and Amy Adams showing their versatility in acting alongside Ferrell and Reilly who seemingly bounce off one another and the vibrancy on screen appears almost improvised.

The storyline is lacking any severe quality, but ultimately, it has no right to, the film advertises a comedy and it successfully makes an audience laugh while also keeping them engrossed in the picture. The anti-climax of Gary Cole's return to Jane Lynch and the grandkids, as well as Amy Adams' rise to prominence prove comforting and sentimental moves that even surprise us viewers, but what doesn't, is that McKay and Ferrell strike a beauty - one of their finest, one of a kind.

108 minutes of sensational entertainment.

If you're in the right mood, Talladega Nights: The Ballad of Ricky Bobby is absolutely hilarious. This NASCAR parody takes plenty of laps around the track of ridiculousness in order to get some laughs. It's obvious that Adam McKay just let the actors do and say whatever they wanted take after take until he found something he thought was funny. And there are plenty of quotable moments from this movie. That being said, this movie is an acquired taste, and the outlandish story & acting are sure to annoy some. I was glad to ride with Ricky Bobby once again, but I didn't find it as funny as I used to.

Talladega Nights: The Ballad of Rikcy Bobby is an incredible comedy that's gleefully stupid whilst also cleverly mocking the tropes and conventions of racing dramas. Will Ferrell and John C. Reilly are both incredible and have fantastic chemistry. Sacha Baron Cohen, Jane Lynch, Gary Cole and Michael Clarke Duncan are all great. It's consistently extremely funny even if a few jokes don't land. It's also well paced and Adam McKay's direction is excellent. Both the music by Alex Wurman and the soundtrack are really good.

Ricky Bobby (Will Ferrell) and Cal Naughton Junior (John C Reilly) are life long friends and teammates on the NASCAR circuit. They are both the best drivers on the circuit and regularly finish first and second - this is down to their Shake and Bake method that they employ in order to take out the lead racer. Cal selflessly allows Ricky to win every time meaning that Ricky is dubbed the hero and is the one that hogs the limelight. However, their reign at the top is threatened by the arrival of ace French driver Jean Girard (Sacha Baron Cohen).

Adam McKay has dabbled in satire previously with the original Anchorman film and its more recent sequel. These films were mostly successful in this respect as well as being reasonably funny. For me, McKay has been less successful when he's dabbled in other genres - his buddy cop film The Other Guys was beyond awful. Talladega Nights: The Ballad of Ricky Bobby is McKay's satirical look at the sport of speedway which thankfully does work fairly well...

For me, Will Ferrell is a frustrating actor as I find that he can either be really irritating or fairly amusing. His performance very much depends on the material that he's given and the director that he works with. McKay seemed to allow Ferrell to be more natural in both Anchorman and Talladega Nights resulting in Ferrell being allowed to be funny and sort of endearing rather than being outright annoying likes he's been in other films. Sacha Baron Cohen is also excellent here in what can be described as fairly comfortable territory for him - he's essentially playing another quirky character with a ridiculous accent and most importantly entertains the audience whilst doing it. Baron Cohen plays a gay character here, but actually manages to make his character funny without being nauseating or over-the top (like he was in Bruno). Leslie Bibb plays the stock clichéd empty-headed shallow trophy-wife in such an over-the-top way that she's actually quite fun to watch. McKay's characterisation here is spot on and what they lack in depth they do make up for by just being fun to watch.

McKay takes some risks here by casting a character that's gay and actually making fun of the character for being gay but I found many of the jokes to be relatively inoffensive and many jokes here lean to being more suggestive or being used by way of double-entendre (which are arguably smarter ways to gain laughs). Ricky's foul-mouthed kids do grate a bit from time to time, but McKay does address this issue when the kids met their grandmother and she gives them some much needed discipline.

The film does lose some momentum in the second half when things start to fall apart for Ricky and we see him trying to re-build some of the remnants of his shattered life and career, but thankfully there are still plenty of amusing scenes (his dad coaching him and his scenes as a pizza delivery guy were funny and still helped to keep things moving).

All in all, Talladega nights may not keep the laughs consistently coming and at close to two hours it is a little on the long side, but despite the generous running time the film still moved along relatively smoothly and I still found plenty to enjoy here.