टलाडेगा नाइट्स: द बलाड ऑफ़ रिकी बॉबी

Talladega Nights: The Ballad of Rikcy Bobby is an incredible comedy that's gleefully stupid whilst also cleverly mocking the tropes and conventions of racing dramas. Will Ferrell and John C. Reilly are both incredible and have fantastic chemistry. Sacha Baron Cohen, Jane Lynch, Gary Cole and Michael Clarke Duncan are all great. It's consistently extremely funny even if a few jokes don't land. It's also well paced and Adam McKay's direction is excellent. Both the music by Alex Wurman and the soundtrack are really good.

One of Ferrell's stronger, fearlessly idiotic films, with the style his career is built on: comedy surrounding moronic characters doing stupid stuff.

Ricky Bobby, showcasing all the stereotypical characteristics of a redneck, is a loudmouth NASCAR driver of immense talent, who either wins or crashes trying. When a sophisticated but snooty French Formula One driver encroaches on Bobby's territory, he goes all out to stay number one.

Ferrell has a great chemistry with Reilly, a connection to be visited later in their careers. In general, it is a fairly star-studded cast, Adams thrown in with a fairly minor impact role for most of the film. Cohen is recruited to lean into a daft foreign stereotype, his speciality, but with no need for subtlety on this one, blunt jokes revolving around how the character's supposed superiority and often his homosexuality is responded to by the world of NASCAR.

Much like Anchorman and Step Brothers, the film is really ridiculous, loud and brash. Something Ferrell's fans will love, and that others would hate. Honestly though, the bloopers at the end are probably the funniest part.

Talladega Nights: The Ballad of Ricky Bobby is rather significant. Why? Because it is the first team up of Will Farrell and John C. Reily on the big screen. Released in 2006, Talladega Nights was released at a great time. Back when Will Farrell was at his height in the film industry and back when NASCAR was pretty popular. It only seemed that a movie should be made in hopes of making lots of money. And it did. Talladega Nights had a budget of $72.5 million and made back over double that amount. For the longest time I thought that Step Brothers was the better team up but since my opinion has slightly changed over that film alone, will Talladega Nights see a change in opinion?

Ricky Bobby has lived his whole life by the motto of "If you ain't first, you're last". Ricky Bobby is also a NASCAR driver and possibly the best there is. When a new race driver named Jean Girard comes to race, it seems that Ricky has met his match. A wreck occurs and Ricky is thought to be done with racing, but the Talladega race is coming around the corner, and Ricky wants to race. But most importantly, win.....

Again, for the longest time, I always saw Step Brothers as the better Reily and Ferrell film. But that has changed. I am not saying that this is leaps and bounds better than Step Brothers. I like Step Brothers and I like this film. But this film is not really a piece of art. The acting is fine. The actors feel right in their respective roles and to a point that I honestly forgot that Will Ferrell does not have a southern accent. Oscar worthy? No, considering the tough competition and what not, but still good. The characters themselves are fine too. They mostly follow the typical sterotypes which is something that some people say made NASCAR look bad. But, they all have chemistry and are loads of fun to watch. Especially Reily and Ferrell which is great that they did Step Brothers together. The story is considerably better in this film than Step Brothers as it is more complex and has an actual plot and what not. The comedy is good. Whereas Step Brothers took the really potty mouth approach, Talladega Nights is not quite as potty mouth with it's humor. Again, it is that dumb smart humor which actually works best in this film. Almost because it is a sort of satire in a way. I found myself laughing more than in Step Brothers which was the big deal about me changing my mind about how this film compares to Step Brothers. Not nearly as quotable as Step Brothers, but just the scenes by themselves are memorable.

Talladega Nights is a funny film. Some prefer Step Brothers over this film which is fine. If you are a fan of Will Ferrell and/or racing, this film should entertain you.

Will Ferrell at his best.

Seriously… Here, Ferrell plays a good ole country boy with rocks for brains and only one worry in the world and that's winning. Sound like a familiar past TV character of his? Ferrell is also a Writer on this film with Director Adam McKay, who together have made a solid comedy team since those SNL days, including 2004's "Anchor Man." But standing just as tall in this picture is the surprising man-about-town, Mr. Sasha Cohen (Borat, Ali G, Bruno) as Ricky Bobby's French nemesis, Jean Girard. This guy is such a great character actor it was difficult to even spot him at first. But who else would be brave enough to kiss Ferrell on the lips?

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Will Ferrell and John C Reilly at their best. Arguably the two's greatest collaboration in the fierce, fast and extremely funny Talladega Nights, which teaches us all, in life, if you ain't first... you're last.

Ricky, a NASCAR racing sensation, is the number one racer in the world. After Jean beats him in a race and becomes the top racer, Ricky tries to regain his dominance.

The full title adding 'The Ballad of Ricky Bobby' - Talladega Nights referencing the city of Alabama and its famous Superspeedway, a landmark of NASCAR racing and a site where champions are made. Will Ferrell and Adam McKay (whom also directs) write the film; the script is hilarious, unforgettable scenes are overrun by unforgettable lines in what will have you attempting to ask someone what is the "capital of North Carolina" in a rich Eastern American accent - the writing matches the enthusiasm of all the cast, a signature role for Jack McBrayer and David Koechner as well as Sacha Baron Cohen and Amy Adams showing their versatility in acting alongside Ferrell and Reilly who seemingly bounce off one another and the vibrancy on screen appears almost improvised.

The storyline is lacking any severe quality, but ultimately, it has no right to, the film advertises a comedy and it successfully makes an audience laugh while also keeping them engrossed in the picture. The anti-climax of Gary Cole's return to Jane Lynch and the grandkids, as well as Amy Adams' rise to prominence prove comforting and sentimental moves that even surprise us viewers, but what doesn't, is that McKay and Ferrell strike a beauty - one of their finest, one of a kind.

108 minutes of sensational entertainment.