Kinamand

I thoroughly enjoyed this heartening and humorous movie. It tales the story of a plumber Keld who is tired of life after his wife has left him. His journey back to life begins when he starts to frequent a Chinese take-away shop. The owner of the take-away shop Feng proposes Keld to marry his sister proforma to acquire a residence permit. An offer Keld accepts.

Kinamand is an untraditional movie that successfully succeeds in capturing boxed emotions, cultural gaps, and the essence of life.

I gave this movie 9/10, and highly recommend it to anyone looking for a good laugh, and an uplifting experience.

I saw the film today, and seldom have I been so touched by a movie. Not only I, but most of the cinema was going through the emotions of laughing and crying, as we were following the story of Keld and Ling. Being a Dane married to a Chinese woman myself, I could strongly relate to how the oriental mystique and beauty was affecting Keld's life so much. I have always been a great fan of Vivian Wu, and I think that her performance in this movie was great, even though it is a smaller part than for instance my all-time favorite "Pillow Book". Bjarne Henriksen who carries most of the film, gives a great performance, demonstrating what a truly great actor he is. One of my favorite moments in the film is a pan over the area where the main events take place. To me it displayed how fragile life is. It also matches beautifully with a similar pan later in the movie that I will not reveal. I personally think that Henrik Ruben Genz has created a masterpiece.

Being in the U.S.A., I kept expecting this lovely poignant film to crumble into gratuitous violence or some other cheap surprise. As it went on, keeping everyone's motives human and showing them coming to do the right things in relationships, it ended up resting at the top of my recommendation list (even above Antonia's Line). Besides the simple story and impressive character acting by everyone, the experience and skill apparent in the lighting, color choices and sequence of each scene, the interesting angles of every take, and the top drawer casting were all distractingly above the norm. I kept thinking, 'Wow!' Still not sure why this is in the comedy category. We were out of Kleenex by the end, and totally content. If the English subtitles were big enough to read, it would be perfect.

Chinaman (2005)

A completely sweet, slow but never plodding, predictable but never boring movie. Yes, all those things. It's the sweetness of the main character, who is admittedly a bit of a lug wrench socially, who lifts this story very far. His love interest, of sorts, is perhaps too restrained (we would say inscrutable in the old days), but maybe that's appropriate. I have a funny feeling not really, not necessarily, in 2005.

But overall, there is an update of what multiculti means in contemporary Europe, and in a prosaic way. Beautifully, but again respectfully, filmed, and acted with gentle, precise, grace. A nice film, a very good film, and certainly a feel good film whatever the tragic aspects. I'd not miss it.

It wasn't the best film we've ever seen (Under the Sun takes that prize, but certainly one of the best we've seen recently. Calmly and patiently paced, a few minor twists here and there - well and subtly acted, and beautifully filmed, this was one of those Netflix recommendations that really paid off. All of the characters were wonderful and the camera was very kind to them all. The movie just exudes humanity. After the wretched experience of Happy Go Lucky (could there be a more annoying recent film), this one was like a balm for the senses. And at a bit under 90 minutes, a perfect length for the story. Highly recommended.