State Property 2

Whats that song near the ending scenes, were Beans is sat down with Dame in there little mini truce, there's one song-possibly soundtrack- in the back It goes on to the ending credits as well, it was also played when Beans, ABM and Dame n his gang were battling with Nore. I have typed in various songs in Limewire, but i still cant find this particular tune anywhere. Someone must no the ending credit song, with all the Chain gang in it, Freeway, Beans, Young Gunz and possibly Sparks and Oshino. I appreciate anyone who nows of any sites which contain track listing for State Porperty 2 or any other films done by Roc-a-fella.

In a movie, which starts off with a pitiful retcon, plot barely registers as an meaningful ingredient. After the graphic death of Beans (Beanie Sigel) during his own trial, which punctuated the badness of the first part, it turns out that the gangsta was just playing and you know... that never really took place. Hence we follow Beans inadvertent incarceration and his laughable attempts at leading his crime empire from prison. Two other criminal mastermind-wanabees also feature - Dame (Damon Dash) and El Pollo Loco (Noreaga). Full with constant voice-over, where we find out the intricate thought processes, which take up most of our antiheroes comprehensive and intellectual capabilities, leaving them with little or nothing left to actually think through their actions.

During the movie we are introduced to some prison code, when Beans discusses business with his crew. 'Surprise parties' are nothing more than gang-organised armed robberies and honestly by the end of the movie the gut feeling is that you have just partaken been the victim of such a party - robbed of time and energy. It must be however said, that despite everything Damon Dash's movie is significantly better directed, than the first part and the story is much more cohesive, even though plot devices are poorly used. Nonetheless he even attempts a plot twist, which however signalised it may have been, actually provided a backdrop for some passable build-up.

Cinematography and to a very limited extent acting (overly self-serving and contrived) is much improved, which shows some professionalisation of the filmmaking process was achieved.

Within a few days of watching the movie is already blurry, so I'm rather certain that the only signature proof of my ever viewing "State Property 2" will be this review.

When I first saw the movie, I did get a little confused with all the characters and voice-overs. But, thats what style is all about. Doing things different,new, your own way. These may be rappers,but they are very intelligent and wealthy.I can appreciate the busy story telling.What would the movie world be like without pioneers.Look at Citizen Kane, a movie that wasn't given its credit until twenty years later because of new techniques and ideas. Now its a classic movie studied by many.I wonder why wealthy hip-hip moguls are bashed when creative,but what about the low budget likes of Napolean Dynamite. The days of the 3-part traditional movie format is over.State property is making a move in the right direction,with multiple narration and flashbacks.

A young film student whose dreamed of making a movie his entire life sits in his writing chair and drops his head in disgust. A rejection letter falls to the floor. The seventh one this year and it's only April. He wheels over to the computer, logs into a chat room to discuss what's wrong with Hollywood. The rent is due.

A small waiting room packed with 20 or so. He stands in the corner and smiles. The others in the room don't faze him. He got a callback. All the sacrifices are finally paying off. This is his audition. He's ready. The intense method training, the workout, the teeth whitening...it's his day. It's only 3 lines, but it's the happiest day of his life.

A rap mogul sits by the pool. Bored with platinum records and clothing lines, he smokes a blunt and ponders his next project. "I know!" he exclaims, "We'll make a movie! All of us...well except Jigga. But all the rest of us!" A nameless groupie who normally doesn't speak interjects, "But Dame! Yaw can't act and outside of Scarface don't know much about good film-making." She stumbles on the last word realizing that it isn't her eloquence with words that keeps her around. "But if anybody can do it, you can!" She quickly recovers. He rebukes her insolence with a stare and continues," Once I get all the fellas together, N.O.R.E., Beans, Cam, Juelz, The Gunz, and my man Kanye it's ready! Lace everybody in RocaWear and State Property gear, (because the importance of saturated product placement is so much more important than a good story and can not be overstated) and just let them be themselves...well their rap images anyway! And one day, my grandkids' friends will sit and discuss with me the importance of my movie and how it impacted their lives, the same way Roots did for my Momma." The entourage sits quietly, reluctant to agree but eager to be on camera. Finally, they begin to stroke the ego of the man that picked up the tab for the last few years...and a piece of crap is made. It's an American Dream.

Fans of The Roc will support the movie and may even enjoy it. However, fans of movies and just plain logic may vomit. I'm hating again, aren't I? Too extreme? I'm sorry. I'll try again. The storyline was not that bad. A little comedy mixed with a little thuggin' almost made it decent. The complication came with the editing and the ridiculous amount of extra characters. I can think of epic battle scenes that didn't have as many people in it. And every time a new character was introduced there was a stop, flashback scene and voice-over before returning to the story. It happened too many times. If you don't already know who all the rappers are, you might find yourself confused as the story progresses.

And to add insult to the injuries of my feminist sympathies...The three main characters, Dame (Damon Dash), Beans (Beanie Sigel) and El Pollo Loco ( N.O.R.E.) are all three grossly overweight. But the women in the movie did not have a combined ounce of body fat between all of them. What are we saying here? The women have to be flawless, but the men get to look like big fat pigs? I've digressed. That's another discussion for another web page...

This movie moves way to fast to keep up with what's going on. It doesn't help either that sometimes it's impossible to understand what the characters are saying. It almost feels like there should be subtitles down the bottom. Basically, as far as I can tell anyway, the story moves from one character to another and shows their involvement in the overall plot. Then at the end it tries to explain itself, but by then the audience is already so lost as to what's going on that it's pretty pointless anyway. It also seemed as if the writers really believed that massive shootouts in the middle of the city still happened every 5 minutes and that no one took any notice as if it was an everyday occurrence. It really seemed as if they believed those scenes to actually be possible in todays world.

Not one that's going to be remembered as great by any stretch of the imagination. There isn't a type of person in existence who would enjoy this film, and that probably includes you so stay away.